John Banville - Birchwood

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Birchwood: краткое содержание, описание и аннотация

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John Banville's black comedy of life in a disaster-ridden house on a large Irish estate.

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A most extraordinary fellow. What had I done to merit his displeasure? And the outfit! Extraordinary. I retreated under that fierce blue stare and from a safe distance threw a stone at him. He shook his fist.

Whelp!

I wandered idly up through the town. A joybell chimed, its ponderous music dancing on the morning air. A band somewhere began to clear its brassy throats. Around me in the narrow crooked streets a concourse swelled. There were droves of children, boys in white shirts and sashes, and little girls very pretty in pale-blue dresses wearing flowers in their hair. Fat babies in the arms of their fat mothers hung out of upstairs windows. Shawled crones gathered in gaggles here and there, shuffling their black boots. The menfolk leaned on their blackthorn sticks, their ankles crossed, big hardfaced fellows with knobbly hands and battered tall hats. A priest with a red bullneck and cropped carroty hair, his cassock swinging, strode up and down barking orders, vigorously cuffing little boys. A dogfight broke out, fangs and fur everywhere, foam flying. The band with a discordant blast of music wheeled into view. Strongbow and a group of his peers marched smartly out of a sidestreet, their ostrich feathers dipping. It was the feast of Our Lady of the Harbour. There was to be a procession.

On the footpath near me I noticed a raffish pair, a rednosed portly old man in a tight black suit and an odd-looking hat perched on a head of grizzled curls, and a fat woman with lank black hair and a broad flat yellowish face. They watched the milling crowd with amiable though faintly derisive smiles. There was about them something curious, an air, I could not quite identify it, but certainly they were not of the town. And there were others too, I amused myself by picking them out from the crowd, a young man with a dark brow and hot black eyes, two strange pale girls, a spare stringy man with big ears, all of them ignoring each other yet all joined by an invisible bond. The most outlandish of the lot were the two blonde children, androgynous, identical, exquisite, who, with their arms linked and their heads together, stood sniggering at Strongbow and his men. They wore sandals and shorts and yellow tunics with tight gold collars. Their lips and cheeks were painted, their eyebrows drawn in black. When I looked again for the pair who had been beside me, they were gone. On a broken-down wooden gate near where they had stood a bright red poster was pinned.

PROSPERO'S MAGIC CIRCUS

by apointment to the

CROWNED HEADS OF EUROPE

magicians actors

acrobats clowns

wild beasts

THRILLS!

SPILLS!

EXCITEMENT!

Admission 6d

CHILDREN 2d

for one week only ‘WE WERE AMUSED’

HRH

The Queen

The others too were gone, but they too had left posters behind them, pinned to doors, stuck on windows, wrapped around lampposts. This bright spoor I followed. It led me down to the harbour, along the quay, a merry chase, until at last, in a field outside the town, I spied their horsedrawn caravans parked beside a big red tent. The caravans were garish ramshackle affairs daubed with rainbows of peeling paint, with stovepipe chimneys and poky little windows and halfdoors at the front. Grasses and moss, even a primrose or two, sprouted between the warped boards of the barrel-shaped roofs. The horses, starved bony brutes, stood about the field with drooping heads, spancelled, apparently asleep. The tent was crooked, and sagged ominously. A woman unseen began to sing. That sad song, rising through the still spring morning, called to me. I entered the field. The old boy with the odd hat sat sprawled on the steps at the rear of one of the caravans with his hands clasped on his big belly and his rapt smiling face turned upward toward the open door, from whence the singing came. It stopped abruptly, and I stepped forward.

Tardon me, sir. Are you Mr Prospero?’

The old man started and peered at me over his shoulder. Behind him, in the gloom of the doorway, one of the pale girls, the singer, was sitting on a chair, silent now, pulling a daisy asunder with her long glittering nails.

‘Eh?’ the old man grunted. He had plump pink lips and small bright blue eyes, a hooked nose. I remember his boots, worn thin and wrinkled like black paper.

‘Are you-?’

‘I am not,’ he answered cheerfully. Tuck off now.’

The pale girl spoke briefly in a low voice. He looked up at her, frowned, and turned to me again.

‘Why, I believe you're right, my dear,’ he murmured. ‘Well well.’ He struggled up from his sprawling position, but did not rise, and leaned forward to scrutinise my face, my clothes, and craned his neck and peered at the pack on my back. ‘A travelling man, I perceive. Tell me, boy, what is your name?’

‘Gabriel, sir.’

‘Gabriel Sir?’

‘No sir, Godkin. Gabriel Godkin.’

He raised his eyebrows and pursed his lips.

‘Godkin, eh? Well now, that's a fine name to have, a fine old name. And tell me this now, Gabriel Godkin, who sent you here?’ I did not answer. ‘And you come from where?’ Again, no answer. My silence seemed to satisfy him. He sat and beamed at me with his plump hands resting on his knees. Behind him the girl stirred and sighed. Her face was wide at the eyes, white, curiously boneless. She was not pretty, I would not say pretty, but striking, certainly, with those eyes, the straw-coloured hair, that trancelike calm. The old boy chuckled softly and glanced up at her.

‘He wants to see Prospero, did you hear? Did you hear that?’ He turned to me once again, shaking his head, still beaming. ‘Nobody sees Prospero. Why, I don't recall that I ever saw him myself! How about that now. You don't say much, do you, Gabriel Godkin? Still, there are worse faults, worse faults.’ He slapped his knees and stood up, hoisted up his trousers, tugged at his tight waistcoat. In spite of his bulk and the untidiness it entailed he possessed a certain elegance. We shook hands solemnly.

‘I am Silas,’ he said. ‘Come along with me now.’

I followed him down the line of caravans to the largest of them, painted black, and there, with another smile, in silence, he led me up the steps. They were all in there, perched on stools, reclining on the narrow bunks, standing idly about, the youth with the hot eyes, the fat woman, golden children, all. There was a great silence, and a smell of boiled tea. At my back the pale girl entered quietly. She went and stood by her twin, who was her double except for Ker ravenblack hair. No one said a word, but they all smiled, a symphony of strange smiles around me. Silas rubbed his hands.

‘Well here we are,’ he said. ‘Allow me to present-this is Angel, and Mario there, young Justin and Juliette.’ The painted children bowed and tittered. ‘And the baba under the table, little Sophie. Come out and say howdedoo, baba. Shy, are you? This is Magnus, and Sybil here, and last, but ah! the very best, my darling girls, Ada, Ida.’ He laid a hand on my shoulder and took a deep breath. ‘Children, this is Gabriel Godkin.’

I was confused. The names all slipped away from the faces, into a jumble. The tall slender woman with flame-red hair and agate eyes, Sybil it was, turned her face from the window and looked at me briefly, coldly. Still no one spoke, but some smiled. I felt excitement and unease. It seemed to me that I was being made to undergo a test, or play in a game the rules of which I did not know. Silas put his hands in his pockets and chuckled again, and all at once I recognised the nature of the bond between them. Laughter! O wicked, mind you, and vicious perhaps, but laughter for all that. And now I laughed too, but, like theirs, my laughter made no sound, no sound at all.

23

SILAS TOOK MEnext on a tour of his collapsible kingdom. Now strictly speaking it was not a circus at all, but a kind of travelling theatre. Here was no big top strung with a filigree of tightropes and gleaming trapeze bars, but a long rectangular tent with benches and a stage, the latter an awkward hinged affair which took a workparty of four an hour to dismantle. The canvas roof above us, cooking slowly in the sun, gave off a smell of sweat and glue. I felt obscurely betrayed. There were worse disappointments in store. Out behind the tent we found the wild beasts promised by the poster, a melancholy tubercular grey monkey in a birdcage, and a motheaten tiger lying motionless behind bamboo bars on a trailer. The monkey bared his yellow teeth and turned contemptuously away from us, displaying his skinned purplish backside. I peered into the tiger's glassy yellow eye and ventured to enquire if it was alive. Silas laughed.

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