Bharati Mukherjee - Miss New India

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Anjali Bose is 'Miss New India.' Born into a traditional lower-middle-class family and living in a backwater town with an arranged marriage on the horizon, Anjali's prospects don't look great. But her ambition and fluency in language do not go unnoticed by her expat teacher, Peter Champion. And champion her he does, both to other powerful people who can help her along the way and to Anjali herself, stirring in her a desire to take charge of her own destiny.
So she sets off to Bangalore, India's fastest-growing major metropolis, and quickly falls in with an audacious and ambitious crowd of young people, who have learned how to sound American by watching shows like Seinfeld in order to get jobs as call-center service agents, where they are quickly able to out-earn their parents. And it is in this high-tech city where Anjali – suddenly free from the traditional confines of class, caste, gender, and more – is able to confront her past and reinvent herself. Of course, the seductive pull of modernity does not come without a dark side…

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"I don't have Ali to go back to, if that's what you mean." He slumped on the mattress, cupping his face with his hands.

She heard the sobs. "Oh, Peter!" Anjali rushed to her teacher and sat cross-legged beside him on the mattress. Peter's love story emerged in halting phrases. Ali had run off to Lucknow for back-alley surgery. She heard the phrases "instant gratification" and "black-market butcher" over and over again. Peter had counseled, cajoled, finally begged Ali to please be patient while he researched and ranked safe big-city clinics and experienced surgeons. But Ali had acted on a grapevine lead in Lucknow from one of his secretive acquaintances. "Instant gratification" had compelled Ali to risk death or maiming.

"He wanted to be a woman. He thought that's what would make me happy."

Awful as it seemed, as terrible as the judgment, she felt greater pity, greater pain, for Peter than she did for herself. Now Baba was dead, but he had first killed her off. She sat with Peter until Asoke knocked on the door and announced that he had taken it upon himself to flag an auto-rickshaw, which was now in the portico, its meter running.

4

At exactly nine on Monday morning, just as she had been promised, Anjali received a call from Usha Desai to set up an interview. "I can see you at eleven A.M. on Thursday. The only other possibility this week would be three P.M. on Friday." Though Peter's friend's voice was as soothing as it had been at Minnie's gala, her manner was more businesslike. "I have to be out of town Tuesday and Parvati is busy all day Wednesday."

"Friday, please. Friday is suiting me better," she stammered, to give herself time to prepare for the interview.

"Do you know where we are located?"

A wilier student applicant would have done her research and found out not only the CCI street address but how best to get there by bus. Anjali was relieved to hear Usha Desai reel off the information in a nonjudgmental voice before Anjali could mumble no. "Apartment 3B, Reach for the Galaxy Building, Reach Colony, Ninth Cross, Indira Nagar, Stage 1. If you say 'Reach Colony' to the driver, he'll know. Three P.M. on the dot, please."

"Thank you, Ms. Desai. I'm much obliged."

"Much obliged? You couldn't have learned that phrase in Peter's class."

"No, madam. I mean, Ms. Desai."

Usha Desai's manner softened. "Peter broods over you like a mother hen, you know," she confided before saying goodbye and hanging up.

Asoke appeared in the foyer just as Anjali was slipping out. He tapped the telephone logbook with the ballpoint pen attached to it by a red-and-blue crocheted cord. "Incoming call. Please to sign."

Reluctantly Anjali scrawled her initials, the time, and the date on the line Asoke indicated. Minnie might make an exception for calls to and from her "darling boy," but obviously not for calls to Anjali from the darling boy's business contacts. Anjali had reverted overnight from being Peter's special friend to just another Bagehot House boarder on permanent probation. But Anjali was no longer the impulsive, naive runaway whom Mr. GG had deposited at Bagehot House's rusty gates. Her father was dead. Dead of shame and heartache. Dead, cremated, ashes scattered in some muddy stream or more likely some ditch, since the ghats of the holy Ganges were too far away. She had murdered her father. She felt grief. Grief for her mother, for Peter, but also for herself. The source of true pity is self-pity. She'd read that. Her father had mistaken ambition for restlessness. Why was it wrong for a daughter to want more than what her father could give her? Why couldn't Baba have let her go instead of forcing her to run away?

NOT OWNING A Bajaj Chetak like Tookie's to zip around town and get to know distances between neighborhoods, Anjali miscalculated the time an auto-rickshaw would need to ferry her from Bagehot House to Indira Nagar. She arrived at the Reach Colony complex of buildings twenty minutes late for her three o'clock interview. At least she was looking head-turning chic, she consoled herself, in the designer shirt-and-slacks outfit she had borrowed without permission from Tookie's closet.

Reach for the Galaxy, a four-story building with aspirations to luxury, stood between two identical blocks, Reach for the Stars and Reach for the Universe. So that explained the colony's name. The apartment façades were painted with black-rimmed rectangles of bold colors: red, yellow, blue, and white. The top floors of all three were still under construction, bristling with bamboo lifters and half-walls of raw brick pocked by window cutouts, with outer walls waiting for their final coats of plaster and paint. The boxy balconies of the lower floors were littered with children's toys and draped with drying laundry. A team of uniformed malis watered a still-scruffy cricket pitch, while a construction crew worked to complete the second floor of a supermarket for the convenience of Reach Colony residents. The billboard map indicated a yet-to-be-built shopping center and Montessori school: the Bangalore dream, a self-contained, self-sufficient city for the affluent.

Usha Desai lived in one of the four apartments that took up the third floor. Galaxy had an elevator shaft, but the elevator had not yet been installed. Even the air was tinged with the smell of wet concrete. Anjali had a flash memory of crumbling Pinky Mahal: she had spent her life amid empty promises and the expectation of decay and dissolution. What must watching glass skyscrapers and shopping malls rise intact from hacked earth and churned rice paddies do to a child? At that strange dinner party of Minnie's, she had intuited the Bangalore spirit and blurted out her longing for it. But now, as she stood before the front door of apartment 3B, she wondered if she had the brashness to gut her Gauripur past. Except that she had already lost it. Peter had flown in just to inform her of that loss. Her father was dead. Her mother and sister had chosen to be dead to her. Moving forward was now her only option. The wooden nameplate on the door bore two names: DESAI DATA SYSTEMS and CONTEMPORARY COMMUNICATIONS INSTITUTE. She rang the bell and was let into the apartment by a maid who was about her own age.

"I hope you didn't have trouble finding the place," Usha Desai said. Her voice was creamy-smooth, betraying no annoyance at Anjali's lateness. "I should have told you that I live in a building that looks like a Mondrian."

Anjali wasn't going to let on that she didn't know what a Mondrian was. She was here for one specific purpose: admission to CCI. Stay focused. "It's almost like a painting," Anjali offered.

Usha was wearing a gray salwar-kameez set this time, not an imported couture pantsuit, as she had at the Bagehot House party. A fifty-year-old with a teenager's body: Anjali marveled. She wore her graying hair in a bob and her reading glasses on a silver chain around her neck. Diet, exercise, authority, composure: she radiated self-discipline. And speed: she covered the long, narrow hallway to the parlor as though her legs were motorized. Anjali's mother and maternal aunts were plump, slow-moving women younger than Usha, quick only in perceiving slights.

Usha led Anjali through the parlor into a sunny, spacious room she called her office. It was furnished with a squat glass-topped desk, swivel chairs, filing cabinets, and a colorful Sankhera sofa and armchair set. Lined up, facing the windows, were two large exercise machines, which Anjali had seen advertised in lifestyle magazines that Tookie passed around, and a stationary bicycle. The windows looked out on a part of the Reach Colony that she hadn't noticed from her auto-rickshaw: a partly bulldozed strip of forest, and beyond that, an intact small village. Perhaps the villagers provided the colony's labor; or equally plausible, perhaps they ignored the encroaching urbanization altogether.

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