William Kennedy - Legs

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A fictionalized narrative of the erratic, stylish life and deadly career of notorious twenties gangster Legs Diamond, told with equivocal disbelief by his attorney, Marcus Gorman.

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Kiki thought about these things as she was lying naked in her bed wishing the fudge would harden. Earlier in the night, after Jack had rolled out of her bed, they'd gone out, had eaten steaks at the New York Restaurant in Catskill, one of the best, then had drinks at Sweeney's club, a good-time speakeasy. It was on the way home that everything was so beautiful and quiet. She felt strange then. She and Jack were in the back seat and Fogarty was driving. She was holding Jack's hand, and they were just sitting there, a little glassy-eyed from the booze, yes, but that wasn't the reason it was so beautiful. It was beautiful because they were together as they deserved to be and because they didn't have to say anything to each other. She remembered looking ahead on the road and looking out the window she'd rolled down and feeling the car was moving without a motor. She couldn't hear noise, couldn't see anything but the lights on the road and the darkened farmhouses and the open fields that were all so brightly lighted by the new moon. The stars were out too, on this silent, this special night. It was positively breathtaking, is how Kiki later described the scene and the mood that preceded the vision of the truck.

That damn truck.

Why did it have to be there ahead of them?

Why couldn't Joe have taken another road and not seen it?

Oh, jeez, wouldn't everything in her whole life have been sweet if they just hadn't seen that truck?

* * *

When he saw the old man in the truck, got a good look and saw the side of his face with its bumpkin stupid smile, Jack felt his heart leap up. When Fogarty said, "Streeter from Cairo-he hauls cider, but we never caught him with any," Jack felt the flush in his neck. He had no pistol with him, but he opened the gun rack in the back of the front seat and unclipped one of the.38's. He rolled down the window on his side, renewed.

"Jack, what's going to happen?" Kiki asked.

"Just a little business. Nothing to get excited about."

"Jack, don't get, don't get me, don't get…"

"Just shut up and stay in the car. "

They were on Jefferson Avenue, heading out of Catskill when the trucker saw Jack's pistol pointing at him. Fogarty cruised at equal speed with the truck until Streeter pulled to the side of the road across from a cemetery. Jack was the first out, his pistol pointed upward. He saw the barrels on the truck and quick-counted more than fifteen. Son of a bitch. He saw the shitkicker's cap, country costume, and he hated the man for wearing it. Country son of a bitch, where Jack had to live.

"Get down out of that truck. "

Streeter slid off the seat and stepped down, and Jack saw the second head, another cap on it, sliding across the seat and stepping down, a baby-faced teen-ager with a wide forehead, a widow's peak, and a pointy chin that gave his face the look of a heart.

"How many more you got in there?" Jack said.

"'No more. Just me and the boy."

"Who is he?"

"Bartlett, Dickie Bartlett."

"What's he to you?"

"A helper."

Streeter's moon face was full of rotten teeth and a grin.

"So you're Streeter, the wise guy from Cairo," Jack said.

Streeter nodded, very slightly, the grin stayed in place and Jack punched it, cutting the flesh of the cheekbone.

"Put your hands up higher or I'll split your fucking head."

Jack poked Streeter's chest with the pistol barrel. The Bartlett boy's hands shot up higher than Streeter's. Jack saw Fogarty with a pistol in his hand.

"What's in the barrels?"

"Hard cider," said Streeter through his grin.

"Not beer or white?"

"I don't haul beer, or white either. I ain't in the booze business."

"You better be telling the truth, old man. You know who I am?"

"Yes, I know."

"I know you too. You been hauling too many barrels."

"Haulin's what I do."

"Hauling barrels is dangerous business when they might have beer or white in them."

"Nothing but cider in them barrels."

"We'll see. Now move."

"Move where?"

"Into the car, goddamn it," Jack said, and he slapped Streeter on the back of the head with his gun hand. He knocked off the goddamn stinking cap. Streeter bent to pick it up and turned to Jack with his grin. He couldn't really be grinning.

"Where you taking that cider?"

"Up home, and some over to Bartlett's."

"The kid?"

"His old man."

"You got a still yourself?"

"No."

"Bartlett got a still?"

"Not that I know of. "

"What's all the cider for then?"

"Drink some, make vinegar, bottle some, sell some of that to stores up in the hollow, sell what's left to neighbors. Or anybody."

"Where's the still?"

"Ain't no still I know of."

"Who do you know's got a still?"

"Never hear of nobody with a still."

"You heard I run the only stills that run in this county? You heard that?"

"Yes siree, I heard that."

"So who runs a still takes that much cider?"

"Ain't that much when you cut it up."

"We'll see how much it is," Jack said. He told Kiki to sit in front and he put Streeter and Bartlett in the back seat. He pulled their caps down over their eyes and sat in front with Kiki while Fogarty drove the truck inside the cemetery entrance. Fogarty was gone ten minutes, which passed in silence, and when he came back, he said, "Looks like it's all hard cider. Twenty-four barrels." And he slipped behind the wheel. Jack rode with his arm over the back seat and his pistol pointed at the roof. No one spoke all the way to Acra, and Streeter and Bartlett barely moved. They sat with their hands in their laps and their caps over their eyes. When they got out of the car inside the garage, Jack made them face the wall and tied their hands behind them. Fogarty backed the car out, closed the door, and took Kiki inside the house. Jack sat Streeter and Bartlett on the floor against a ladder.

Shovels hung over the old man's head like a set of assorted guillotines. Jack remembered shovels on the wall of the cellar in The Village where the Neary mob took him so long ago when they thought he'd hijacked a load of their beer-and he had. They tied him to a chair with wire around his arms and legs, then worked him over. They got weary and left him, bloody and half conscious, to go to sleep. He was fully awake and moved his arms back and forth against the wire's twist until he ripped his shirt. He sawed steadily with the wire until it ripped the top off his right bicep and let him slip his arm out of the bond. He climbed up a coal chute and out a window, leaving pieces of the bicep on the twist of wire, and on the floor: skin, flesh, plenty of blood. Bled all the way home. Bicep flat now. Long, rough scar there now. Some Nearys paid for that scar.

He looked at the old man and saw the ropes hanging on the wall behind him, can of kerosene in the corner, paintbrushes soaking in turpentine. Rakes, pickax. Old man another object. Another tool. Jack hated all tools that refused to yield their secrets. Jack was humiliated before the inanimate world. He hated it, kicked it when it affronted him. He shot a car once that betrayed him by refusing to start. Blew holes in its radiator.

The point where the hanging rope bellied out on the garage wall looked to Jack like the fixed smile on Streeter's face. Streeter was crazy to keep smiling. He wasn't worth a goddamn to anybody if he was crazy. You can kill crazies. No loss. Jack made ready to kill yet another man. Wilson, the first one he killed. Wilson, the card cheat. Fuck you, cheater, you're dead. I'm sorry for your kids.

In the years after he dumped Wilson in the river Jack used Rothstein's insurance connections to insure family men he was going to remove from life. He made an arrangement with a thieving insurance salesman, sent him around to the family well in advance of the removal date. When the deal was sealed, give Jack a few weeks, then bingo!

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