William Kennedy - Legs

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A fictionalized narrative of the erratic, stylish life and deadly career of notorious twenties gangster Legs Diamond, told with equivocal disbelief by his attorney, Marcus Gorman.

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"I hope you're in show business, young lady," the old gent said to her over his pince-nez.

"As a matter of fact, I am."

"It's the only safe place for talentless beauty, miss."

"You've got some crust saying I don't have any talent."

"Anywhere else you'll be destroyed."

"As a matter of fact, I'm quitting show business."

"A disastrous move. "

"But none of your business."

"Forgive me for speaking so freely, but you look to me like a bird wounded in the heart, the brain, and between the legs, and we in the Audubon Society do what we can for the wounded. My card."

"I'm Jack Diamond's girl. What about that?"

"Ah, then, ah. I had no way of knowing"-and the old man retrieved his card and handed her another. "Jack Diamond is an entirely safe place. You have nothing to fear, my dear, as long as you have a role in Jack Diamond's hilarious tragedy."

She looked at the card and saw in the obsolete glory of his pen strokes the biography of her vampy, bondaged, satin-slippered addiction. The card read: "There is no good and bad in the elfin realm." When she looked up, the man had packed his table and was halfway down the block.

* * *

Kiki looked over Madge's shoulder at the headline which read: JACK DIAMOND SHOT FIVE TIMES BY GUNMEN IN 64TH STREET HOTEL.

"I was there," Kiki told Madge.

"You didn't shoot him, did you'?"

"Oh, Madge, I love him."

"What's that got to do with it? Come on, we've got to get you off the street."

And so they took a cab to Madge's place and Kiki had a stiff drink, a very stiff one, and then she started to weep. So Madge held her hand and Kiki knew that even though Madge was her friend that she was touching her because she was a special person. Because Madge never touched her like that before, stroking the back of her hand, patting it with her fingertips; and Kiki felt good because somebody was being nice to her and she finally told Madge then how she heard the shots as she stood in the shower. And she thought somebody would come in and shoot her. And she would die in the bathtub, her blood going down the drain.

Maybe Jack would be the one to shoot her. Why did Kiki think that about J ack?

Then she heard the running in the corridor, and she said to herself, why, Jack wouldn't run away and leave me, and so she quickly got into her pink robe and went next door to Jack's own room and saw the door open and Jack on the floor with his eyes open but not moving, looking up at her. And she said, "Oh, Jackie, you're dead," but he said, "No I'm not, help me up," and they were just the best old words she'd ever heard and she put her arms under him and lifted him and he put one of his hands over his stomach and the other over his chest to hold in the blood where they'd shot him. Blood was coming down his face and all down his blue pajamas so you couldn't even see the red racehorses anymore.

"Get the whiskey," Jack told her when she had him sitting on the bed, and she looked around the room and couldn't see it, and Jack said, "In the bathroom," and when she got it, he said, "In my mouth," and she wiped the blood off his lips and poured in the whiskey. Too much. He choked and coughed and new blood spurted out of one of the holes in his chest, and like a little fountain turned on and off by the pumping of his heart, it flowed down over his fingers. "Get The Count," he said, "across the hall," and she knocked on The Count's door until her knuckles hurt and he came to Jack's room and Jack said to her then: "Get the hell out of here and don't come back and don't admit you were here or you're all washed up." And Kiki nodded but didn't understand and said to Madge, "How would I be washed up, Madge? Did he mean in show business?" And Madge said, "Go on," so she said The Count called a doctor as she was leaving and then took Jack to another room in the hotel, down the hall, because Jack said the killers might come back to see if they did the job right. And Kiki, still in her pink robe, backed down the hallway toward her own room, and watched The Count walking and holding Jack, who was bent like a wishbone, and in they went to another room, which was when Kiki decided she would go to the theater and behave like nothing at all had happened. And things went along perfectly well, didn't they? They went along fine, just fine until she saw it all again while she was dancing. What she saw was that little spurt of blood coming out of Jack's chest like a fountain after she gave him too much whiskey. That was when she decided to fall down.

Madge read in the paper that two gunmen came running out of the hotel about the time Jack was shot and got into a car with its motor running and its door open and drove off with their New Jersey license plates. Those men, awful men, had shot Jack two places in the chest and once in the stomach and once in the thigh and once in the forehead, and the doctor said he was certainly not going to be able to go on living with all those holes in himself. The paper made no mention of the pretty little lady who was the first to see it all, but Kiki knew that her time of attention was going to come.

She caught the faintest smell of mothballs in Madge's closet, and she thought of marriage because only married people need mothballs. Kiki would never keep anything long enough to worry about moths unless she happened to be married. Last year's things? She stuck them away and bought new ones and let the moths have their fun. Kiki never thought of herself as married, even though she and Jack talked about it all the time. She talked about it and Jack tried to change the subject, is more like it.

"I'll marry you someday, kid," he told her once, but she didn't believe that and wasn't even sure she wanted to believe it. Kiki doing the wash. Kiki beating the rugs. Kiki making fudge. It was certainly a laughing matter.

When the second knock on the door came, just seconds after Madge told her to hide in the bedroom (and she was in the closet by then, under the muskrat and smelling the mothballs by then), she heard Madge say to somebody,

"What the hell are you bothering me for? You have no right to come in here. " But they didn't go away. Kiki heard them walking in the rooms and heard them just outside the door, so she breathed so silently that not even a moth would have known she was there.

Who are those men is what Kiki wanted to know. Are they after me? And at that the light flashed into the closet and the muskrat unwrapped itself from her back and a hand grabbed her and two great big faces stared down at her.

"Go away," she said. "I don't know you men." And she pulled one of Madge's dresses over her face. She could hear Madge saying, "I had no idea she was involved in any shooting. I certainly wouldn't have brought her into my own home if I thought she was mixed up in any sort of nasty shooting business. I don't want this kind of publicity."

But they put Madge's picture in the papers too. With her legs crossed.

* * *

Jack didn't die. He became more famous than ever. Both the News and the Mirror ran series on him for weeks. The News also ran Kiki's memoirs: How I went from bathing beauty to the Ziegfeld chorus to Jack Diamond's lap. She and Jack were Pyramus and Thisbe for the world and no breakfast table was without them for at least a month. Kiki overnight became as famous as most actresses, her greatest photo (that gorgeous pout at the police station) on every page one.

Jack recovered at Polyclinic Hospital, and when he came to and saw where he was, he asked to be moved into the room where Rothstein had died. The similarities to this and A. R.'s shooting, both shot in a hotel, both mysterious about their assailants, money owed being at the center of both cases, and Jack being A. R.'s man of yore, were carefully noted by the press. You'd think it was the governor who'd got it, with all the bulletins on conditions and the endless calls from the public. The hospital disliked the limelight and worried too about the bill until a delivery boy brought in an anonymous thirty-five hundred dollars in crumpled fifties and twenties and a few big ones with a note: "See Jack Diamond gets the best." This the work of Owney Madden.

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