José Saramago - The History of the Siege of Lisbon

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In this “ingenious” novel (New York Times) by “one of Europe’s most original and remarkable writers” (Los Angeles Times), a proofreader’s deliberate slip opens the door to romance-and confounds the facts of Portugal’s past.

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Raimundo Silva was walking up the stairs to his apartment after taking his letter to the post office, when he heard the telephone ring. He made no attempt to hurry, partly because he was tired, partly because he felt indifferent and detached, most likely it was Costa wanting to know how he was getting on with the proofs of the volume of poetry or with the preliminary reading of the novel he had left him on that black day, Do you remember. He allowed enough time for Costa to give up, but the telephone went on ringing, it rang with gentle insistence, as if someone was determined to persist simply because it was his or her duty and not because they were counting on getting an answer. He was tranquilly inserting the key in the lock when he remembered it could not possibly be Costa who was calling, Costa had ceased to be his direct contact, poor Costa, an innocent victim, demoted in the hierarchy to the almost mechanical task of fetching and carrying, he who, whenever necessary, was capable of treating the proof-reading mob as equals. Raimundo Silva paused on the threshold of the study, and the telephone, as if sensing his presence, became twice as strident, like a pet dog delirious with excitement on hearing its master return, all it had to do was to jump down from the table and start leaping about, anxious to be patted and cuddled, its tongue out, panting, drooling with sheer pleasure. Raimundo has the odd acquaintance who rings from time to time, and there have been occasions when some woman or other has rung him because she wanted or pretended to want to speak to him and hear how he was getting along, but that was ages ago, calls from women were a thing of the past and there they remained, voices which, if they were to come to him now, would sound supernatural as if coming from another world.

He placed his hand on the receiver, waited a moment longer, as if giving the telephone one last chance to stop ringing, but finally picked up the receiver thinking he knew exactly what to expect, Is that Senhor Silva, asked the telephonist, and he laconically replied, Speaking, Since no one was answering I was just about to ring off, What can I do for you, I'm calling on behalf of Dr Maria Sara who wishes to have a word with you, just one moment. There was a pause, noises as the connection was being made, sufficient time to allow Raimundo Silva to gather his thoughts, She's called Maria Sara, so to some extent he had guessed correctly without knowing, for if it is true that he had fallen asleep with a revealing finger on the name Maria, it is also true that he had already forgotten and, on awakening, on raising his head from his hand spread out on the book, and then rubbing his eyes with both hands, he had culled from the page that precarious sign of orientation, he would only have those two limiting references at his disposal, and would know, at most, that what he was looking for had to be between Manuela and Marula, both names that could be ruled out immediately, because totally unsuited to the personality of this person or character. The telephonist said, I'm just connecting you, a phrase common to all telephonists, the jargon of their profession, yet they are words that promise results, as much for good as for evil. I'm just connecting you, she said, indifferent to the destiny that makes use of her services and pays no attention to what she is saying, I'm going to connect, dial, transfer, switch through, link, contact, plug in, put you in touch, in her mind it is simply a matter of making it possible for two people to communicate, but even this straightforward operation is not without its dangers and should be handled with care. But these warnings go unheeded, even though we are reminded daily that every word is a dangerous sorcerer's apprentice.

Raimundo Silva had slumped into a chair, suddenly feeling twice as tired, Trembling knees are a sign of old age, the obligatory quotation mocked him unjustly, a man who has just turned fifty is not old, perhaps in the past, but nowadays men take better care of themselves, there are lotions, dyes, creams, various skin conditioners, where, for example, would you find a man in the civilised world today, who after shaving would use alum, so severe on the skin, in this modern age cosmetics are queen, king and president, and if, as we have seen, he was unable to disguise the shaking in his legs, at least he has ways and means of contriving a look of composure in the presence of any witnesses. In their absence, Raimundo Silva's face starts twitching, while at the other end of the line, the composed Dr Maria Sara, no doubt with a graceful gesture, tosses her head to throw her hair back on the left side before putting the receiver to her ear, and at last she is ready to speak, We weren't introduced the other day, so let me introduce myself, my name is Maria Sara, yours, she was about to say, I already know, but Raimundo Silva, from force of habit, gave his name, but gave it in full, adding the Benvindo, and almost died of embarrassment there and then. Dr Maria Sara, however, despite having revealed nothing more about herself, ignored this confidence and addressed him as Senhor Silva, without ever suspecting how much balm she was pouring on to the proof-reader's wounded susceptibility, I'd like to discuss how we might organise our work, I'm having meetings with all the proof-readers in order to hear what they think, yes private meetings, I can think of no other way, tomorrow at midday, if that suits you, agreed, I'll expect you then, see you tomorrow. She then rang off but it took Raimundo Silva some time to regain his composure, now the apartment is filled with silence, only the faintest pulsation can be heard, which could be that of the palpitating city, the flowing river, or simply the proof-reader's heartbeat.

He awoke several times in the night with a start, as if someone had shaken him. He kept his eyes closed, trying to ward off insomnia, and soon he passed from uneasy torpor to another restless sleep, but without any dreams. As midnight approached it began to rain, the noise on the verandah roof was always the first sign, however light the rain, and Raimundo Silva's sleep was disturbed by the continuous patter of raindrops falling and reverberating, he slowly opened his eyes to greet the wan light that was just beginning to filter through the chinks of the shutters. As nearly always happens to anyone awakening at this hour, he went back to sleep, this time troubled by dreams, worrying if there would be enough time to dye his hair which badly needed doing, and whether he would be able to do it effectively enough to disguise the fact that it was dyed. It was after nine when he awoke, and immediately thought, I haven't time, then changed his mind. He went into the bathroom and, blinking his eyes, hair uncombed, his face wrinkled, he examined himself under the strong light of the two lamps, one on each side of the mirror. White roots were sadly visible, it would not be enough to ruffle his hair in order to hide them, the solution was really to dye them. He got through his breakfast in a matter of minutes, sacrificing his confirmed appetite for buttered toast, and went back into the bathroom, where he locked himself in to get on with the minting of false coin, in a word, to applying the product, as the instructions on the label described it. He always locked himself in, even though he might be all alone in the apartment when he dyed his hair, he did it in secret, which, as he ought to know, was no secret to anyone, and he would certainly have died of shame were he ever to be discovered carrying out what he himself considered a depressing operation. Like that of Dr Maria Sara, his hair, in more truthful times, was brown, but now it would be impossible to compare their respective hair tones, nature with nature, because that of Raimundo Silva has a uniform colour which bears a striking resemblance to a dowdy, moth-eaten wig, long forgotten then rediscovered in some attic, entangled amongst old pictures, items of furniture, ornaments, knick-knacks, the masks of another age. It was getting on for eleven-thirty before he was ready to leave, already very late, and unless he was fortunate enough to find a taxi right away, the situation would warrant another quotation, this time from an old saying, 111 often comes on the back of worse, a succinct and telling expression which could be transposed as, Out of one ill come many. He was truly fortunate to be living in the Rua do Milagre de Santo Antonio, for only a miracle could have brought an empty taxi into such a deserted street on such a rainy day and it actually stopped when he hailed it without signalling back that it was heading elsewhere. Feeling cheerful, Raimundo Silva arrived at the publishers and made for the editorial department, but later, as he was depositing his umbrella, he realised he was being idiotic, his anxiety was showing in two quite different ways, the fear of going, the desire to arrive, the publishing house for him had become a loathsome place, and, on the other hand, it was not simply to arrive at midday on the dot that he had urged the taxi-driver to go faster, I'm in a hurry, running the risk of making an enemy of someone who had just shown himself to be instrumental in the working of a miracle. Descending into the lower part of the city took some time, to make headway amidst traffic held up by the rain was like thrashing about in treacle, Raimundo Silva perspired with impatience, it was already ten minutes past midday when he walked into the office, panting for breath, and in the worst possible frame of mind for a meeting to discuss new responsibilities and, almost certainly, to reopen the question of his recent fall from grace.

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