David Nicholls - One Day

‘WHAT? I CAN’T HEAR YOU. .’

‘I said “guess who?”. .’

‘I CAN’T HEAR YOU, WHO IS THIS?’

‘You have to guess!’

‘WHO?’

‘I SAID YOU HAVE TO. .’ The game has become exhausting, so he just says ‘It’s Dexter!’

There’s a moment’s pause.

‘Dexter? Dexter Mayhew? ’

‘How many Dexters do you know, Suki?’

‘No, I know which Dexter, I’m just, like. . WAHEY, DEXTER! Hello, Dexter! Hold on. .’ He hears the scrape of a chair and imagines eyes following her, intrigued, as she leaves the restaurant table and walks into a corridor. ‘So how are you, Dexter?’

‘I’m fine, I’m fine, I’m just, you know, phoning to say I saw you tonight on the telly, and it got me thinking about old times, and I thought I’d phone and say Hi. You looked great by the way. On TV. And I like the show. Great format.’ Great format ? You clown. ‘So. How are you, Suki?’

‘Oh, I’m fine, I’m fine.’

‘You’re everywhere! You’re doing really well! Really!’

‘Thank you. Thanks.’

There’s a silence. Dexter’s thumb caresses the off button. Hang up. Pretend the line’s gone down. Hang up, hang up, hang up. .

‘It’s been, what, five years, Dex!’

‘I know, I was thinking about you just now, because I saw you on TV. And you looked great by the way. And how are you?’ Don’t say that, you’ve said that already. Concentrate! ‘I mean, where are you? It’s very noisy. .’

‘A restaurant. I’m having dinner, with some mates.’

‘Anyone I know?’

‘Don’t think so. They’re kind of new friends.’

New friends. Could that be hostility? ‘Right. Okay.’

‘So. Where are you, Dexter?’

‘Oh, I’m at home.’

‘Home? On a Saturday night? That’s not like you!’

‘Well, you know. .’ and he’s about to tell her that he’s married, has a kid, lives in the suburbs, but feels that this might serve to underline the sheer futility of the phone-call, so instead stays silent. The pause goes on for some time. He notices that there’s an epaulette of snot on the cotton sweater he once wore to Pacha, and he has become aware of the new scent on his fingertips, an unholy cocktail of nappy sacks and prawn crackers.

Suki speaks. ‘So, main course has just arrived. .’

‘Okay, well, anyway, I was just thinking about old times, and thinking it would be nice to see you! You know for lunch or a drink or something. .’

The background music fades as if Suki has stepped into some private corner. In a hardened voice she says, ‘You know what, Dexter? I don’t think that’s such a good idea.’

‘Oh, right.’

‘I mean I haven’t seen you for five years now, and I think when that happens there’s usually a reason, don’t you?’

‘I just thought—’

‘I mean it’s not as if you were ever that nice to me, never that interested, you were off your face most of the time—’

‘Oh, that’s not true!’

‘You weren’t even faithful to me, for fuck’s sake, you were usually off fucking some runner or waitress or whatever so I don’t know where you get off now, phoning up like we’re old pals and getting nostalgic about “old times”, our golden six months that were, quite frankly, pretty shitty for me.’

‘Alright, Suki, you’ve made your point.’

‘And anyway I’m with another guy, a really, really nice guy, and I’m very happy. In fact he’s waiting for me right now.’

‘Fine! So go! GO!’ Upstairs, Jasmine starts to cry, with embarrassment perhaps.

‘You can’t just get pissed-up and phone out of the blue and expect me—’

‘I’m not, I only, Jesus, okay, fine, forget it!’ Jasmine’s howl is echoing down the bare wooden stairs.

‘What’s that noise?’

‘It’s a baby.’

‘Whose baby?’

‘My baby. I have a daughter. A baby daughter. Seven months old.’

There’s a silence, just long enough for Dexter to visibly wither, then Suki says:

‘Then why the hell are you asking me out?’

‘Just. You know. A friendly drink.’

‘I have friends,’ says Suki, very quietly. ‘I think you’d better go and see to your daughter, don’t you Dex?’ and she hangs up.

For a while he just sits and listens to the dead line. Eventually he lowers the phone, stares at it, then shakes his head vigorously as if he has just been slapped. He has been slapped.

‘Well, that went well,’ he murmurs.

Address Book, Edit Contact, Delete Contact. ‘Are you sure you want to delete Suki Mobile?’ asks the phone. Fuck me, yes, yes, delete her, yes! He jabs at the buttons. Contact Deleted says the phone, but it’s not enough; Contact Eradicated, Contact Vaporised, that’s what he needs. Jasmine’s crying is reaching the peak of its first cycle, so he stands suddenly and hurls the phone against the wall where it leaves a black scratch mark on the Farrow and Ball. He throws it again to leave a second.

Cursing Suki, cursing himself for being so stupid, he makes up a small bottle of milk, screws the lid on tight, puts it in his pocket, grabs the wine then runs up the stairs towards Jasmine’s cry, an awful hoarse rasping sound now that seems to tear at the back of her throat. He bursts into the room.

‘For fuck’s sake, Jasmine, just shut up, will you?!’ he shouts, instantly clapping his hand to his mouth with shame as he sees her sitting up in the cot, eyes wide in distress. Scooping her up, he sits with his back against the wall, absorbing her cries into his chest, then lays her in his lap, strokes her forehead with great tenderness, and when this doesn’t work he starts to gently stroke the back of her head. Isn’t there meant to be some secret pressure spot that you rub with your thumb? He circles the palm of her hand as it clenches and unclenches angrily. Nothing helps, his big fat fingers trying this, fumbling with that, nothing working. Perhaps she’s not well, he thinks, or perhaps he is just not her mother. Useless father, useless husband, useless boyfriend, useless son.

But what if she is unwell? Could be colic, he thinks. Or teething, is she teething? Anxiety is starting to grip. Should she go to hospital? Perhaps, except of course he’s too drunk to drive now. Useless, useless, useless man. ‘Come on, concentrate ,’ he says aloud. There’s some medicine on the shelf, on it the words ‘may cause drowsiness’ — the most beautiful words in the English language. Once it was ‘do you have a t-shirt I can borrow?’ Now it’s ‘may cause drowsiness’.

He bounces Jasmine on his knee until she’s a little quieter, then puts the loaded spoon to her lips until he judges that 5ml has been swallowed. The next twenty minutes are spent putting on a demented cabaret, manically waggling talking animals at her. He runs through his limited repertoire of funny voices, pleading in high and low pitches and various regional accents for her to shush now, there there, go to sleep. He holds picture books in front of her face, lifting flaps, pulling tabs, jabbing at pages saying ‘Duck! Cow! Choo-choo train! See the funny tiger, see it!’ He puts on deranged puppet shows. A plastic chimpanzee sings the first verse of ‘Wheels on the Bus’ over and over again, Tinky Winky performs ‘Old MacDonald’, a stuffed pig gives her ‘Into the Groove’ for no reason. Together they squeeze beneath the arches of the baby gym and work out together. He stuffs his mobile phone into her little hands, lets her press the buttons, dribble into the keypad, listen to the speaking clock until finally, mercifully, she’s quieter, just whimpering now, still wide awake but content.

There’s a CD player in the room, a chunky Fisher Price in the shape of a steam train, and he kicks through discarded books and toys and presses play. Relaxing Classics for Tots , part of Sylvie’s total baby-mind-control project. The ‘Dance of the Sugar Plum Fairy’ sounds from tinny speakers. ‘Tuuuuuune!’ he shouts, turns up the volume by way of the steam train’s funnel and starts to waltz woozily around the room, Jasmine close to his chest. She stretches now, her tapered fingers balling into fists then flexing, and for the first time looks at her father with something other than a scowl. He catches a momentary glimpse of his own face smiling back up at him. She smacks her lips, eyes wide. She is laughing. ‘That’s my girl!’ he says, ‘that’s my beauty.’ His spirits lift and he has an idea.