Chris Bohjalian - Skeletons at the Feast

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"Rich in character and gorgeous writing." – Jodi Picoult
In January 1945, in the waning months of World War II, a small group of people begin the longest journey of their lives: an attempt to cross the remnants of the Third Reich, from Warsaw to the Rhine if necessary, to reach the British and American lines.
Among the group is eighteen-year-old Anna Emmerich, the daughter of Prussian aristocrats. There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family's farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred – who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.
As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna's and Callum's love, as well as their friendship with Manfred – assuming any of them even survive.
Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century's greatest tragedies – while creating, perhaps, a masterpiece that will haunt readers for generations.

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“And doesn't even resettlement seem, I don't know, a trifle uncivilized-even if it really is what's occurring?” he went on. “Think of that little family that was with you when you were thirteen. Why do you think there was talk of hiding them? I mean, suppose my government in England just decided to ‘resettle’ the Catholics-to take away their homes, their animals, their possessions, and then just send them away?”

Another prisoner, the balding mason named Wally, passed by with one of the wicker baskets they used for the apples and gave Callum a look that Anna recognized instantly as the universal sign to shut up. His head was cocked slightly and his eyes were wide. Callum ignored him and continued, “Those intelligence chaps from Wales. They told us about another camp. One further east in Poland. They had heard rumors-”

“I've heard rumors. We've all heard rumors. I've listened to your propaganda on the radio.”

“You listen to the BBC? That's illegal, Anna, you know that,” he told her, his voice mocking her good-naturedly.

“Everyone listens. And you know that.”

Wally dumped his apples in one of the shipping crates in the back of a wagon and started to say something, his mouth opening into an anxiety-ridden O, but then stopped himself and returned to the trees where he was working, shaking his head in bewilderment.

“Besides,” she said, angry now, “what am I supposed to do? Am I supposed to go have tea with the führer and advise him on policy?” He paused, seeming to think about this, unsure what to say. She decided to press her advantage. “You would be in serious trouble, you know, if I told anyone what you were saying.”

“Indeed I would. I am putting my trust completely at your discretion.”

“Why?”

“Because you are very pretty and very smart, and until I was sent here I hadn't spoken to a girl who was either in a very, very long time.”

“Spare me,” she said, but she couldn't help being flattered. “I've gone just as long without the company of boys. They're all off fighting somewhere.”

“Ah, but then your navy men arrived,” he said, and she realized he was actually a little jealous of them. He seemed about to say more when Wally returned, this time accompanied by the Yorkshire schoolteacher named Arthur Frost. “Come along, Callum,” Arthur said firmly, “those apples won't pick themselves. No more dillydallying.”

Callum nodded agreeably and left, turning back to Anna once to bring his index and middle finger to the tip of his lips. At the time, she thought he was shushing her; later, she would conclude he had in fact blown her a kiss.

THEO MOVED TWO of his toy cavalrymen to the front of his column, and then had them ride to the river that Anna had helped him paint a year ago now on a piece of barn board. The board was at least a meter and a half square and he could carry it by himself-but just barely. Helmut had found it and his father had sanded it flat. In addition to the river, he and Anna had also painted trees and wooden fences on it, and a long trench winding its way down one of the sides, all as if seen from a low-flying airplane. He had wanted to add barbed wire near the trench, but Anna had convinced him that it would reduce the number of conflicts he could reenact by limiting his scenarios to the Great War. The trench, she had suggested, could be a streambed that had dried up in the summer if he wanted to stage a battle from the nineteenth century.

“Or,” he had suggested helpfully at the time, “one of the fire-fights Werner has been in.”

“That's right,” she had said, but he had been able to tell by the pause and the way her voice had quivered just the tiniest bit that for some reason she was troubled by the idea of him using his lead soldiers to reenact battles along the eastern front. He hadn't really expected at the time that he would, because he had only a pair of toy tanks, and battles these days demanded lots and lots of armor. Moreover, his two tanks were of a different scale than his lead soldiers. They were from another collection and they were barely the height of his fighting men, which meant that he rarely used them.

He did know boys who owned model tanks that would have worked quite well with his men. But they wouldn't have shared their tanks with him and he never played with them. He wanted to, and he would have been happy to join them if they had ever asked-he would have been happy and flattered and more than a little grateful-but they never did. Moreover, he knew they never would. Once he made the mistake of telling some of the boys in school about the scene he and Anna had painted for his soldiers, hinting that they should come to Kaminheim and bring their own model cannons and tanks, but they had laughed at him and suggested that they would sooner have gone and played in Moscow. It wasn't, of course, Kaminheim that kept them away; it was him.

He had set up his playing board this evening after dinner in a corner of the dining room underneath one of the sconces, and these two cavalry officers were reconnoitering the terrain. It was the summer of 1870, and they were deciding whether this might be a good spot to try and force a battle with the French Army of the Rhine.

He heard his father and the naval officer named Oskar in the hallway walking toward Father's office, and he went very still. Oskar had small eyes, a high forehead, and almost no lips, but he was calm and intelligent and Theo knew that his parents respected him. He heard his father pushing the door shut, but it didn't close all the way and he could hear some of what they were saying if he didn't move. They were discussing, as the grown-ups did all the time these days, the Russian front, but it seemed that Oskar was talking as well about the attempt that summer on the life of the führer. A few months earlier, in July, a group of officers had set off a bomb in the führer's headquarters in Prussia. Hitler had survived, but it seemed the conspiracy was extensive. Even now, months later, the SS was still rounding up individuals who were involved. At school and among the Jungvolk, people referred to those officers as traitors and discussed with undisguised glee how cowardly they had been when they were executed for their crime, but Theo had the sense when the subject came up at dinner that his parents believed the plotters had only had Germany's best interests in mind.

It seemed, from what Theo could hear, that Oskar did, too.

“The problem,” the officer was telling his father now, “is that we can't win the war. But we can't negotiate a peace now because of what some of Hitler's lackeys have done.”

“A negotiated peace was never an option. Churchill and Roosevelt said years ago they would only accept a complete surrender,” his father said.

“We are speaking in confidence, true?”

“Of course.”

“Have you heard about the camps?”

“I've heard whispers.”

“When the Russians find them? Or the Americans and the Brits? There will be hell to pay.”

“Tell me: What do you know?”

Suddenly Theo's heart was beating fast in his chest, in part because his father and this officer were discussing the possibility that Germany might actually lose the war, and in part because of whatever it was that Oskar was about to reveal. Before the officer had continued, however, there were great whoops of laughter and the sound of the front door swinging open. He felt a rush of cool air. Two of the other naval officers, Oskar's friends, had come inside, and then he heard Anna and Mutti greeting them and helping them off with their coats. Any moment now they would bring that giant Scotsman in from the bunkhouse and hand him the accordion, and everyone would start dancing. No doubt, one of Anna's friends had arrived with the officers. The two men had probably been off somewhere picking her up.

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