Alan Hollinghurst - The Stranger’s Child

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Alan Hollinghurst's first novel in seven years is a magnificent, century-spanning saga about a love triangle that spawns a myth – and a family mystery – across generations.
In 1913, George Sawle brings charming, handsome Cecil Valance to his family's modest home outside London for a summer weekend. George is enthralled by his Cambridge schoolmate, and soon his sixteen-year-old sister, Daphne, is equally besotted by both Cecil and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will be recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried – until, decades later, an ambitious biographer threatens to unearth them.
Rich with the author's signature gifts – haunting sensuality, wicked humor, and exquisite lyricism – The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, and about how the heart creates its own history.

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In the Gents Paul washed the money smell, copper and nickel and grubby paper, from his hands. The geyser rumbled. Grey-black suds speckled the basin. He was bothered about the imminent walk, but it was an opportunity, as his mother would say, and it looked a little easier if the Keepings had sons, one of them about Paul’s own age. John and Julian: he saw them, seductive images spun from nothing; already they were showing him around their large garden. He smiled narrowly at himself in the mirror, turning a little to left and right: he had a long nose, the ‘Bryant nose’, his mother said, disclaiming it; his hair was cut horribly short for the new job, and the strip light, which spared nothing, brought out its odd coppery sheen and the stipple of spots across his forehead. Then he started grinning, to see what that looked like, but immediately Geoff came in behind him and went to the urinal; it was a double one, on a raised step, and Paul looked furtively at Geoff’s back in the mirror.

‘No, the thing about the boss, young Paul,’ Geoff said, with a quick glance over his shoulder, ‘is he had a very bad war.’

‘Oh, did he, right…’ said Paul, busying himself with the taps and then with the damp curtain of roller towel.

‘Prisoner of war,’ said Geoff. ‘He never talks about it, so for god’s sake don’t mention it.’

‘Well, I wouldn’t, would I,’ said Paul, ‘obviously.’

Geoff finished, jiggled, zipped up his wonderfully tight fly, and came over to the basins, where he looked at himself in the mirror with no sign of the dissatisfaction Paul had felt. He jutted his jaw, and turned his head both ways with a stroking hand. His roundish, full-lipped face was sharpened up by a pair of handsome sideburns, shaved forward at the bottom into dark points. ‘Sorry to say,’ he said, ‘he’s a bit of a nervous wreck. Pathetic, really. He ought to have a much bigger branch than this. Brilliant brain, they say, but can’t take the strain. Feels he can’t go anywhere alone. There’s a word for it…’

‘Yes. Agoraphobia?’

‘That’s it. Hence the girls walking him home.’ He ran the hot tap and the geyser flared up again. ‘At least he says that’s the reason…’ Paul found he was looking at him in the mirror, one eyebrow raised, and he sniggered and coloured and looked down. He wasn’t nearly ready to joke about the other staff. He knew he had picked up on certain atmospheres between them, thought he glimpsed little histories; but any sort of sexual joke seemed to threaten him with exposure too. He knew he couldn’t bring them off. Geoff came up close to him to use the towel; he had a sharp five o’clock smell, smoke, bri-nylon and faded aftershave. ‘Well, mustn’t keep My Fair Lady waiting,’ he said. He was walking out with a girl from the National Provincial, the rival bank across the square, a fact which the girls at the Midland seemed to think a bit off.

When Paul got back into the Public Space Mr Keeping was just coming out of the Manager’s office. He held a light raincoat folded over his arm, and carried a dark brown trilby. Paul scanned him nervously for signs of his weakness, his wartime trauma. The dominant impression, of course, was his baldness, the great square blank of brow the home and symbol of that brilliant brain. Below it his features seemed rather small and provisional. He had dry, oddly rimless lips, and his smiles drew the corners of his mouth down with a confusing suggestion of distaste. When they were outside he stayed on the step to hear the successive muffled shocks of the door being locked and bolted from within. Then he settled his hat, with a forward tilt, low on his brows. At once he had a charming and even mischievous look. His guarded grey eyes, in the shadow of the brim, now seemed almost playful. And with a little bow, a little questioning hesitation – it was almost as though he expected Paul to take his arm – they set off up the broad slope of the marketplace, Paul instead earnestly gripping his briefcase, while Mr Keeping, with his raincoat over his arm, had the air of a mildly curious visitor to the town.

Paul wished Geoff hadn’t told him about Mr Keeping’s mental problems – and felt anxiously uncertain whether Mr Keeping himself would expect him to know about them. Smiling vaguely, he took in nothing of the shops and people he was staring at with such apparent alertness. His sense of the walk as an opportunity to get in the Manager’s good books was undermined by his fear that he’d been singled out for some kind of correction or discomfiting pep-talk. He saw Hannah Gearing across the square climbing into the Shrivenham bus as if leaving him to his fate. ‘And how is your mother?’ said Mr Keeping.

‘All right, thank you, sir,’ said Paul. ‘She manages pretty well.’

‘I hope she can manage without you for the week.’

‘Well, my aunt lives quite near us. It’s not really a problem.’ He was relieved but a little disconcerted by these kind questions. ‘We’re fairly used to it.’

‘Terrible thing,’ said Mr Keeping, raising his hat to an approaching lady with a murmur and his unsettling smile, as if to say he remembered exactly the size of her overdraft.

They went up into the quieter reaches of Church Walk, with its fanlights and front railings and lace curtains. A week ago Paul had known almost no one in the town, and now he had been put into an odd grim privileged relation with hundreds of them, over the counter, through the little mahogany doorway of his ‘position’. He was their servant and also an adjudicator, a strange young man granted intimate knowledge of at least one aspect of their lives, which was how much money they had, or didn’t have, and how much they wanted. He spoke to them courteously, amid tacit understandings, muted embarrassments: the loan, the ‘arrangement’. Now he glanced at Church Walk, grey veils of the curtains, glints of polished tables, porcelain, clocks, with a sense of arrangements reaching rooms-deep, years-deep into the shadows. Mr Keeping said nothing else, and seemed satisfied by silence.

Opposite the church they turned into an unmade road, Glebe Lane, with larger houses on one side and a view over a hedge into fields on the other. Long brambly strands of dog-roses swayed in the breeze along the top of the hedge. The lane had its own atmosphere, exclusive and a little neglected. It was odd to find yourself here two minutes from the centre of town. Grass and daisies grew patchily along the ridge of the road. Paul glanced through gateways at squareish villas set back behind gravel sweeps in broad gardens; between one or two of them humbler modern houses had been awkwardly inserted – ‘The Orchard’, ‘The Cottage’. ‘This is a private road, you see, Paul,’ said Mr Keeping, reverting to his ironical tone: ‘hence the countless potholes and unchecked vegetation. I advise you never to bring a motor-car along here.’ Paul felt he could pretty safely promise that. ‘Here we are…’ and they turned into the driveway of the penultimate house: the lane was sloping down already and narrowing, as if to lose itself in the approaching fields.

The house was another wide grey villa, with bay-windowed rooms either side of the front door, and its Victorian name, ‘Carraveen’, in stucco above it. The front door was wide open, as though the house had surrendered itself to the sunny day. A pale blue Morris Oxford stood in the drive with its windows down, and in its shadow a fat little Jack Russell lay on the gravel alternately panting and thinking. Paul squatted down to talk to the dog, which let him scratch it behind the ears but never really got interested. Mr Keeping had gone into the house, and it seemed so unlikely that he had simply forgotten him that Paul stood and waited with a consciously unassuming expression. He saw the drive had an In and an Out, not marked as such, but the fact sank down in him to some buried childhood idea of grandeur.

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