Italo Calvino: Marcovaldo or The Seasons in the City

In one corner of the square, under a dome of horsechestnuts, there was a remote, half-hidden bench. And Marcovaldo had picked it as his own. On those summer nights, in the room where five of them slept, when he couldn't get to sleep, he would dream of the bench as a vagabond dreams of a bed in a palace. One night, quietly, while his wife snored and the children kicked in their sleep, he got out of bed, dressed, tucked his pillow under his arm, left the house and went to the square.

There it was cool, peaceful. He was already savoring the contact of those planks, whose wood-he knew-was soft and cozy, preferable in every respect to the flattened mattress of his bed; he would look for a moment at the stars, then dose his eyes in a sleep that would compensate him for all the insults of the day.

Cool and peace he found, but not the empty bench. A couple of lovers were sitting there, looking into each other's eyes. Discreetly, Marcovaldo withdrew. "It's late," he thought, "they surely won't spend the whole night outdoors! They'll come to an end of their billing and cooing." But the two were not billing or cooing: they were quarreling. And when lovers start to quarrel there's no telling how long it will go on.

He was saying: "Why don't you admit that when you said what you said you knew you were going to hurt me and not make me happy the way you were pretending you thought?"

Marcovaldo realized it was going to last quite a while. "No, I will not admit it," she answered, as Marcovaldo had already expected.

"Why won't you admit it?"

"I'll never admit it."

Damn, Marcovaldo thought. His pillow clutched under his arm, he went for a stroll. He went and looked at the moon, which was full, big above trees and roofs. He came back towards the bench, giving it a fairly wide berth out of fear of disturbing them, but actually hoping to irritate them a little and persuade them to go away. But they were too caught up in the argument to notice him. "You admit it then?"

"No, no, I don't admit it in the least!"

"But what if you did admit it?"

"Even if I did admit something, I wouldn't admit what you want me to admit!"

Marcovaldo went back to look at the moon, then he went to look at a traffic-light, a bit farther on. The light flashed yellow, yellow, yellow, constantly blinking on and off. Marcovaldo compared the moon with the traffic-light. The moon with her mysterious pallor, also yellow, but also green, in its depths, and even blue; the traffic-light with its common little yellow. And the moon, all calm, casting her light without haste, streaked now and then by fine wisps of clouds, which she majestically allowed to fall around her shoulders; and the traffic-light meanwhile, always there, on and off, on and off, throbbing with a false vitality, but actually weary and enslaved.

He went back to see if the girl had admitted anything. Not on your life: no admission from her. In fact, she wasn't now the one who refused to admit; he was. The situation had changed completely, and it was she who kept saying to him: "Then you admit it?", and he kept saying no. A half hour went by like this. In the end, he admitted, or she did; anyway, Marcovaldo saw them get up and walk off, hand in hand.

He ran to the bench, flung himself on it; but meanwhile, in his waiting, he had lost some of his propensity to feel the sweetness he had been expecting to find there, and his bed at home, as he now remembered it, wasn't as hard as it had been. But these were minor points; his determination to enjoy the night in the open air remained firm. He stuck his face in the pillow and prepared for sleep, the kind of sleep to which he had long become unaccustomed.

Now he had found the most comfortable position. He wouldn't have shifted a fraction of an inch for anything in the world. Too bad, though, that when he lay like this, his gaze didn't fall on a prospect of trees and sky alone, so that in sleep his eyes would close on a view of absolute natural serenity. Before him, foreshortened, a tree was followed by the sword of a general from the height of his monument, then another tree, a notice-board, a third tree, and then, a bit farther, that false, flashing moon, the traffic-light, still ticking off its yellow, yellow, yellow.

It must be said that Marcovaldo's nervous system had been in such poor shape lately that even when he was dead tired a trifle sufficed to keep him awake; he had only to think something was annoying him, and sleep was out of the question. And now he was annoyed by that traffic-light blinking on and off. It was there in the distance, a yellow eye, winking, alone: it was nothing to bother about. But Marcovaldo must have been suffering from nervous exhaustion: he stared at that blinking and repeated to himself: "How I would sleep if that thing wasn't there! How I would sleep!" He closed his eyes and seemed to feel, under his eyelids, that silly yellow blinking; he screwed his eyes shut and he could see dozens of traffic-lights; he reopened his eyes, it was the same thing all over again.

He got up. He had to put some screen between himself and the traffic-light. He went as far as the general's monument and looked around. At the foot of the monument there was a laurel wreath, nice and thick, but now dry and coming apart, standing on props, with a broad, faded ribbon: " The 15th Lancers on the Anniversary of The Glorious Victory. " Marcovaldo climbed up on the pedestal, raised the wreath, and hung it on the general's sabre.

Tornaquinci, the night watchman, making his rounds, crossed the square on his bicycle; Marcovaldo hid behind the statue. Tornaquinci saw the shadow of the monument move on the ground: he stopped, filled with suspicion. He studied that wreath on the sabre: he realized something was out of place, but didn't know quite what. He aimed the beam of his flashlight up there; he read: " The 15th Lancers on the Anniversary of The Glorious Victory. " He nodded approvingly and went away.

To give him time to go off, Marcovaldo made another turn around the square. In a nearby street, a team of workmen was repairing a switch of the tram-track. At night, in the deserted streets, those little groups of men huddling in the glow of the welding torches, their voices ringing, then dying immediately, have a secret look, as of people preparing things the inhabitants of the daytime must never know. Marcovaldo approached, stood looking at the flame, the workmen's movements, with a somewhat embarrassed attention, his eyes growing smaller and smaller with sleepiness. He hunted for a cigarette in his pocket, to keep himself awake; but he had no matches. "Who'll give me a light?" he asked the workmen. "With this?" the man with the torch said, spraying a flurry of sparks.

Another workman stood up, handed him a lighted cigarette. "Do you work nights, too?"

"No, I work days," Marcovaldo said.

"Then what are you doing up at this time of night? We're about to quit."

He went back to the bench. He stretched out. Now the traffic-light was hidden from his eyes; he could fall asleep, at last.

He hadn't noticed the noise, before. Now, that buzz, like a grim, inhaling breath and an endless scraping and also a scratching, filled his ears completely. There is no sound more heart-rending than that of a welding torch, a kind of muffled scream. Without moving, huddled as he was on the bench, his face against the crumpled pillow, Marcovaldo could find no escape, and the noise continued to conjure up the scene illuminated by the gray flame scattering golden sparks all around, the men hunkered on the ground, smoked-glass vizors over their faces, the torch grasped in the hand shaken by a rapid tremor, the halo of shadow around the tool cart, at the tall trellis-like apparatus that reached the wires. He opened his eyes, turned on the bench, looked at the stars among the boughs. The insensitive sparrows continued sleeping up there among the leaves.