Daphne du Maurier - The Apple Tree - a short novel & several long stories

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A collection of sinister and macabre short stories by Daphne du Maurier, including "The Birds" on which Hitchcock famously based his film of the same name.

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He thought of that other man from the village who some years ago had waited there three months, day after day, night after night; and Victor wondered what limitation time would put to his endurance, and whether he would equal the other in fortitude.

On the third day, at that moment of midday when the sun was strongest, he could bear the heat no longer and went to lie in the gully-way, in the shadow and blessed coolness of the projecting rock. Worn with the strain of watching, and with the despair that now filled his entire being, Victor slept.

He awoke with a start. The hands of his watch pointed to five o'clock, and it was already cold inside the gully. He climbed out and looked towards the rock-face, golden now in the setting sun. Then he saw her. She was standing beneath the wall, but on a ledge only a few feet in circumference, and below her the rock-face fell away sheer, a thousand feet or more.

She waited there, looking towards him, and he ran towards her shouting "Anna… Anna…." And he said that he heard himself sobbing, and he thought his heart would burst.

When he drew closer he saw that he could not reach her. The great drop to the depths below divided them. She was a bare twelve feet away from him, and he could not touch her.

"I stood where I was, staring at her," said Victor. "I did not speak. Something seemed to choke my voice. I felt the tears running down my face. I was crying. I had made up my mind that she was dead, you see, that she had fallen. And she was there, she was alive. Ordinary words wouldn't come. I tried to say 'What has happened? Where have you been?'—but it wasn't any use. Because as I looked at her I knew in one moment, with terrible blinding certainty, that it was all true, what the old man had said, and the child; it wasn't imagination, it wasn't superstition. Though I saw no one but Anna, the whole place suddenly became alive. From behind those window slits above me there were God knows how many eyes, watching, looking down on me. I could feel the nearness of them, beyond those walls. And it was uncanny, and horrible, and real."

Now the strain had come back into Victor's voice, now his hands trembled once again. He reached out for a glass of water and drank thirstily.

"She was not wearing her own clothes," he said. "She had a kind of shirt, like a tunic, to her knees, and round her waist a circlet of stones, like the one the child had shown me. Nothing on her feet, and her arms bare. What frightened me most was that her hair was cut quite short, as short as yours or mine. It altered her strangely, made her look younger, but in some way terribly austere. Then she spoke to me. She said quite naturally, as if nothing had happened, 'I want you to go back home, Victor darling. You mustn't worry about me any more.'"

Victor told me he could hardly credit it, at first, that she could stand there and say this to him. It reminded him of those so-called psychic messages that mediums give out to relatives at a spiritualistic séance. He could hardly trust himself to answer.

He thought that perhaps she had been hypnotised and was speaking under suggestion.

"Why do you want me to go home? " he said, very gently, not wanting to damage her mind, which these people might have destroyed.

"It's the only thing to do," she answered. And then, Victor said, she smiled, normally, happily, as if they were at home discussing plans. "I'm all right, darling," she said. "This isn't madness, or hypnotism, or any of the things you imagine it to be. They have frightened you in the village, and it's understandable. This thing is so much stronger than most people. But I must have always known it existed, somewhere; and I've been waiting all these years. When men go into monasteries, and women shut themselves up in convents, their relatives suffer very much, I know, but in time they come to bear it. I want you to do the same, Victor, please. I want you, if you can, to understand."

She stood there, quite calm, quite peaceful, smiling down at him.

"You mean," he said, "you want to stay in this place always?"

"Yes," she said, "there can be no other life for me, any more, ever. You must believe this. I want you to go home, and live as you have always done, and look after the house and the estate, and if you fall in love with anyone to marry and be happy. Bless you for your love and kindness and devotion, darling, which I shall never forget. If I were dead, you would want to think of me at peace, in paradise. This place, to me, is paradise. And I would rather jump now, to those rocks hundreds of feet below me, than go back to the world from Monte Verità."

Victor said he went on staring at her as she spoke, and he said there was a radiance about her there had never been before, even in their most contented days.

"You and I," he said to me, "have both read of transfiguration in the Bible. That is the only word I can use to describe her face. It was not hysteria, it was not emotion; it was just that. Something — out of this world of ours — had put its hand upon her. To plead with her was useless, to attempt force impossible. Anna, rather than go back to the world, would throw herself off the rock-face. I should achieve nothing."

He said the feeling of utter helplessness was overwhelming, the knowledge that there was nothing he could do. It was as if he and she were standing on a dockway, and she was about to set foot in a ship, bound to an unknown destination, and the last few minutes were passing by before the ship's syren blew, warning him the gangways would be withdrawn and she must go. He asked her if she had all she needed, if she would be given suiiicient food, enough covering, and whether there were any facilities should she fall ill. He wanted to know if there was anything she wanted that he could send to her. And she smiled back at him, saying she had everything, within those walls, that she would ever need.

He said to her, "I shall return every year, at this time, to ask you to come back. I shall never forget."

She said, "It will be harder for you if you do that. Like putting flowers on a grave. I would rather you stayed away."

"I can't stay away," he said, "with the knowledge you are here, behind these walls."

"I won't be able to come to you again," she said, "this is the last time you will see me. Remember, though, that I shall go on looking like this, always. That is part of the belief. Carry me with you."

Then, Victor said, she asked him to go. She could not return inside the walls until he had gone. The sun was low in the sky and already the rock-face was in shadow. Victor looked at Anna a long time; then he turned his back on her, standing by the ledge, and walked away from the wall towards the gully, without looking over his shoulder. When he came to the gully he waited there a few minutes, then looked out again towards the rock-face. Anna was no longer standing on the ledge. There was nothing there but the wall and the slit windows, and above, not yet in shadow, the twin peaks of Monte Verità.

I managed to spare half-an-hour or so, every day, to go and visit Victor in the nursing-home. Each day he appeared stronger, more himself I spoke to the doctor attending him, to the matron and the nurses. They told me there was no question of a deranged mind; he came to them suffering from severe shock and nervous collapse. It had already done him immense good to see me and to talk to me. In a fortnight he was well enough to leave the nursing-home, and he came to stay with me in Westminster.

During those autumn evenings we went over all that had happened again and again. I questioned him more closely than I had done before. He denied that there had ever been anything abnormal about Anna. Theirs had been a normal, happy marriage. Her dislike of possessions, her spartan way of living, was, he agreed, unusual; but it had not struck him as peculiar — it was Anna. I told him of the night I had seen her standing with bare feet in the garden, on the frosted lawn. Yes, he said, that was the sort of thing she did. But she had a fastidiousness, a certain personal reticence, that he respected. He never intruded upon it.

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