Daphne du Maurier: The Apple Tree: a short novel & several long stories

Victor gathered little from this wild talk. It must all be legend, superstition.

The old man shook his head and looked towards the mountain track. "I saw it in her eyes last night," he said, "I was afraid of it. She had the eyes they have, when they are called. I have seen it before. With my own daughter, with others."

By now the rest of the family had woken and had come by turn into the room. They seemed to sense what had happened. The younger man, and the woman, even the children, looked at Victor with anxiety and a strange sort of compassion. He said the atmosphere filled him not so much with alarm as with anger and irritation. It made him think of cats, and broomsticks, and sixteenth century witchcraft.

The mist was breaking slowly, down in the valley, and the clouds were going. The soft glow in the sky, beyond the range of mountains to the eastward, heralded the rising sun. The old man said something to the younger, and pointed with his stick. "My son will put you on the track," he said, "he will come part of the way only. Further he does not care to go."

Victor said he set off with all their eyes upon him; and not only from this first hut, but from the other dwellings in the little village, he was aware of faces looking from drawn shutters, and faces peering from half-open doors. The whole village was astir now and intent upon watching him, held by a fearful fascination.

His guide made no attempt to talk to him. He walked ahead, his shoulders bent, his eyes on the ground. Victor felt that he went only on command of the old man, his father.

The track was rough and stony, broken in many places, and was, Victor judged, part of an old water-course that would be impassable when the rains came. Now, in full summer, it was easy enough to climb. Verdure, thorn and scrub they left behind them, after climbing steadily for an hour, and the summit of the mountain pierced the sky directly above their heads, split into two like a divided hand. From the depths of the valley, and from the village even, this division could not be seen; the two peaks seemed as one.

The sun had risen with them as they climbed, and now shone in full upon the south-eastern face, turning it to coral. Great banks of clouds, soft and rolling, hid the world below. Victor's guide stopped suddenly and pointed ahead, where a jutting lip of rock wound in a razor's edge and curved southward out of sight.

"Monte Verità," he said, and then repeated it again, "Monte Verità."

Then he turned swiftly and began scrambling back along the way that they had come.

Victor called to him, but the man did not answer; he did not even bother to turn his head. In a moment he was out of sight. There was nothing for it but to go on alone, round the lip of the escarpment, Victor said, and trust that he found Anna waiting for him on the further side.

It took him another half-hour to encircle the projecting shoulder of the mountain, and with every step he took his anxiety deepened, because now, on the southward side, there was no gradual incline — the mountain face was sheer. Soon further progress would be impossible.

"Then," Victor said, "I came out through a sort of gully-way, over a ridge about three hundred feet only from the summit; and I saw it, the monastery, built out of the rock between the two peaks, absolutely bare and naked; a steep rock wall enclosing it, a drop of a thousand feet beneath the wall to the next ridge, and above, nothing but the sky and the twin peaks of Monte Verità."

It was true, then. Victor had not lost his mind. The place existed. There had been no accident. He sat there, in his chair by the gas-fire, in the nursing-home; and this had happened, it was not fantasy, born out of tragedy.

He seemed calm, now that he had told me so much. A great part of the strain had gone, his hands no longer trembled. He looked more like the old Victor, and his voice was steady.

"It must have been centuries old," he said, after a moment or two. "God knows how long it must have taken to build, hewn out of the rock-face like that. I have never seen anything more stark and savage, nor, in a strange way, more beautiful. It seemed to hang there, suspended, between the mountain and the sky. There were many long narrow slits, for light and air. No real windows, in the sense we know them. There was a tower, looking west, with a sheer drop below. The great wall encircled the whole place, making it impregnable, like a fortress. I could see no way of entrance. There was no sign of life. No sign of anyone. I stood there staring at the place, and the narrow window-slits stared back at me. There was nothing I could do but wait there until Anna showed herself. Because now, you see, I was convinced the old man had been right, and I knew what must have happened. The inhabitants had seen Anna, from behind those slit windows, and had called to her. She was with them now, inside. She must see me, standing outside the wall, and presently would come out to me. So I waited there, all day…"

His words were simple. just a plain statement of fact. Any husband might have waited thus for a wife who had, during their holiday, ventured forth one morning to call upon friends. He sat down, and later ate his lunch, and watched the rolling banks of cloud that hid the world below move, and disperse, and form again; and the sun, in all its summer strength, beat down upon the unprotected face of Monte Verità, on the tower and the narrow window-slits, and the great encircling wall, from whence came no movement and no sound.

"I sat there all the day," said Victor, "but she did not come. The force of the sun was blinding, scorching, and I had to go back to the gully-way for shelter. There, lying under the shadow of a projecting rock, I could still watch that tower and those window-slits. You and I in the past have known silence on the mountains, but nothing like the silence beneath those twin peaks of Monte Verità.

"The hours dragged by and I went on waiting. Gradually it grew cooler, and then, as my anxiety increased, time raced instead. The sun went too fast into the west. The colour of the rock-face was changing. There was no longer any glare. I began to panic then. I went to the wall and shouted. I felt along the wall with my hands, but there was no entrance, there was nothing. My voice echoed back to me, again and again. I looked up, and all I could see were those blind slits of windows. I began to doubt everything, the old man's story, all that he had said. This place was uninhabited, no one had lived there for a thousand years. It was something built long ago in time, and now deserted. And Anna had never come to it at all. She had fallen, on that narrow lip-way where the track ended and the man had left me. She must have fallen into the sheer depths where the southern shoulder of the mountain ridge began. And this is what had happened to the other women who had come this way, the old man's daughter, the girls from the valleys; they had all fallen, none of them had ever reached the ultimate rock-face, here between the peaks."

The suspense would have been easier to bear if the first strain and sign of breakdown had come back into Victor's voice. As it was, sitting there in the London nursing-home, the room impersonal and plain, the routine bottles of medicines and pills on the table by his side, and the sound of traffic coming from Wigmore Street, his voice took on a steady monotonous quality, like a clock ticking; it would have been more natural had he turned suddenly, and screamed.

"Yet I dared not go back," he said, "unless she came. I was compelled to go on waiting there, beneath the wall. The clouds banked up towards me and turned grey. All the warning evening shadows that I knew too well crept into the sky. One moment the rock-face, and the wall, and the slit-windows were golden; then suddenly, the sun was gone. There was no dusk at all. It was cold, and it was night."