Daphne du Maurier - The Apple Tree - a short novel & several long stories

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A collection of sinister and macabre short stories by Daphne du Maurier, including "The Birds" on which Hitchcock famously based his film of the same name.

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I got up, stamping on my cigarette, and it seemed to me that anything would be better than to remain there in the cell, alone with those figures on the painted walls. I moved to the opening, and as I did so I heard the laughter once again. Softer this time, as though subdued, but mocking and youthful still. That damned boy…

I plunged through the opening, cursing him and shouting. He might have a knife upon him but I didn't care. And there he was, fiattened against the wall, waiting for me. I could see the gleam of his eyes, and I saw his close-cropped hair. I struck at his face, and missed. I heard him laughing as he slipped to one side. Then he wasn't alone any more; there was another just behind, and a third. They threw themselves upon me and I was borne to the ground as though I had no strength at all, and the first one knelt with his knee on my chest and his hands about my throat, and he was smiling at me.

I lay fighting for breath, and he relaxed his grip, and the three of them watched me, with that same mocking smile upon their lips. I saw then that none of them was the boy from the village, nor was the father there, and they did not have the faces of village people or of the valley people: their faces were like the painted frescoes on the wall.

Their eyes were heavy-lidded, slanting, without mercy, like the eyes I had seen once long ago on an Egyptian tomb, and on a vase long hidden and forgotten under the dust and rubble of a buried city. Each wore a tunic to his knees, with bare arms, bare legs and hair cropped close to the head, and there was a strange austere beauty about them, and a devilish grace as well. I tried to raise myself from the ground, but the one who had his hand upon my throat pressed me back, and I knew I was no match for him or his companions, and if they wanted to they could throw me from the walls down to the depths below Monte Verità. This was the end, then. It was only a matter of time, and Victor would die alone, back in the hut on the mountain-side.

"Go ahead," I said, "have done with it," resigned, caring no longer. I expected the laughter again, mocking and youthful, and the sudden seizing of my body with their hands, and the savage thrusting of me through the slit window to darkness and to death. I closed my eyes, and with nerves taut braced myself for horror. Nothing happened. I felt the boy touch my lips. I opened my eyes and he was smiling still, and he had a cup in his hands, with milk in it, and he was urging me to drink, but he did not speak. I shook my head but his companions came and knelt behind me, supporting my shoulders and my back, and I began to drink, foolishly, gratefully, like a child. The fear went as they held me, and the horror too, and it was as though strength passed from their hands to mine, and not only to my hands but to the whole of me.

When I had finished drinking the first one took the cup from me and put it on the ground, then he placed his two hands on my heart, his lingers touching, and the feeling that came to me was something I had never experienced in my life before. It was as if the peace of God came upon me, quiet and strong, and, with the touch of hands, took from me all anxiety and fear, all the fatigue and terror of the preceding night; and my memory of the cloud and mist on the mountain, and Victor dying on his lonely bed, became suddenly things of no importance. They shrank into insigniiicance beside this feeling of strength and beauty that I knew now. If Victor died it would not matter. His body would be a shell lying there in the peasant hut, but his heart would be beating here, as mine was beating, and his mind would come to us too.

I say "to us" because it seemed to me, sitting there in the narrow cell, that I had been accepted by my companions and made one of them. This, I thought to myself, still wondering but bewildered, happy, this is what I always hoped that death would be. The negation of all pain and all distress, and the centre of life flowing, not from the quibbling brain, but from the heart.

The boy took his hands from me, still smiling, but the feeling of strength, of power, was with me still. He rose to his feet and I did the same, and I followed him and the two others through the gap in the cell. There was no honeycomb of twisting corridors, no dark cloisters, but a great open court on to which the cells all gave, and the fourth side of the court led upwards to the twin peaks of Monte Verità, ice-capped, beautiful, caught now in the rose light of the rising sun. Steps cut in the ice led to the summit, and now I knew the reason for the silence within the walls and in the court as well, for there were the other ones, ranged upon the steps, dressed in those same tunics with bare arms and legs, girdles about the waist, and the hair cropped close to the head.

We passed through the court and up the steps beside them. There was no sound: they did not speak to me or to one another, but they smiled as the first three had done; and their smile was neither courteous nor tender, as we know it in the world, but had a strange exulting quality, as if wisdom and triumph and passion were all blended into one. They were ageless, they were sexless, they were neither male nor female, old or young, but the beauty of their faces, and of their bodies too, was more stirring and exciting than anything I had ever seen or known, and with a sudden longing I wanted to be one of them, to be dressed as they were dressed, to love as they must love, to laugh and worship and be silent.

I looked down at my coat and shirt, my climbing breeches, my thick socks and shoes, and suddenly I hated and despised them. They were like grave clothes covering the dead, and I flung them off, in haste to have them gone, throwing them over my shoulder down to the court below; and I stood naked under the sun. I was without embarrassment or shame. I was quite unconscious how I looked and I did not care. All I knew was that I wanted to have done with the trappings of the world, and my clothes seemed to symbolise the self I had once been.

We climbed the steps and reached the summit, and now the whole world lay before us, without mist or cloud, the lesser peaks stretching away into infinity, and far below, concerning us not at all, hazy and green and still, were the valleys and the streams and the little sleeping towns. Then, turning from the world below, I saw that the twin peaks of Monte Verità were divided by a great crevasse, narrow yet impassable, and standing on the summit, gazing downwards, I realised with wonder, and with awe as well, that my eyes could not penetrate the depths. The ice-blue walls of the crevasse descended smooth and hard without a break to some great bottomless chasm, hidden forever in the mountain heart. The sun that rose to bathe the peaks at midday would never touch the depths of that crevasse, nor would the rays of the full moon come to it, but it seemed to me, between the peaks, that the shape of it was like a chalice held between two hands.

Someone was standing there, dressed in white from head to foot, on the very brink of the chasm, and although I could not see her features, for the cowl of the white robe concealed them, the tall upright figure, with head thrown back and arms outstretched, caught at my heart with sudden tense excitement.

I knew it was Anna. I knew that no one else would stand in just that way. I forgot Victor, I forgot my mission, I forgot time and place and all the years between. I remembered only the stillness of her presence, the beauty of her face, and that quiet voice saying to me, "We are both in search of the same thing, after all." I knew then that I had loved her always, and that though she had met Victor first, and chosen him, and married him, the ties and ceremony of marriage concerned neither of us, and never had. Our minds had met and crossed and understood from the first moment when Victor introduced us in my club, and that queer, inexplicable bond of the heart breaking, through every barrier, every restraint, had kept us close to one another always, in spite of silence, absence and long years of separation.

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