James Ballard - Crash

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Crash: краткое содержание, описание и аннотация

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This powerful and often terrifying novel, the fruit of J.G. Ballard’s obsession with the motor-car, will shock and disturb many readers. Few products of modern technology excite as much fascination and interest as the automobile, but each year hundreds of thousands of people die in car crashes throughout the world, millions are injured. Yet attempts to regulate the motor-car and reduce this slaughter constantly meet with strong and almost unthinking resistance. Ballard believes that the key to this paradox is to be found in the car crash itself, which contains an image of all our fantasies of speed, power, violence and sexuality. ‘Three years ago, I held an exhibition of crashed cars at the New Arts Laboratory in London,’ he says. ‘People were fascinated by the cars but I was surprised that these damaged vehicles were continually attacked and abused during the month they were on show—watching this, I decided to write
.’
The novel opens with the narrator recovering in hospital after a serious car crash in which he has killed the husband of a young woman doctor. In his pain-filled dreams he finds himself dominated by strange sexual fantasies, and he determines to find the real meaning of this horrific experience. When he leaves hospital he revisits the scene of the crash, and meets the woman doctor. During their affair they begin an exploration of the motor-car in all its forms, attending stock-car races, watching test vehicles being crashed, conducting a variety of sexual experiments on London motorways. They meet a violent and aggressive figure called Vaughan, a ‘hoodlum scientist’ who seems determined to die in a car crash with a famous film actress. Terrified of Vaughan, and yet under his spell, the narrator is carried closer to the sinister climax of the novel, a disquieting vision of the future in which sex and technology form a nightmare marriage.
Violent and frightening, but always true to its subject,
is above all a cautionary tale, a warning against the brutal, erotic and overlit future that beckons us, ever more powerfully, from the margins of the technological landscape. The book was filmed by Canadian director David Cronenberg in 1996; the movie
provoked fierce debates over censorship and obscenity.
Microsoft ® Encarta ® 2006

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Abruptly, the light faded. Vaughan’s car sank into the darkness below the bridge. Everything had become drab again. The air and light were exhausted. I stepped into the road, moving away from the car, aware of Vaughan’s uncertain arm reaching for me. I walked along the palisade to the weed-grown entrance of the breaker’s yard. Above me, the cars on the motorway moved like motorized wrecks, paintwork worn and blunted. Their drivers sat stiffly behind their wheels, overtaking the airline coaches rilled with mannequins dressed in meaningless clothing.

An abandoned car, its engine and wheels removed, sat on its axles in a layby below the overpass. I opened the door on its rusting hinges. A confetti of fragmented glass covered the front passenger seat. For the next hour I sat there, waiting for the acid to wear its way through my nervous system. Crouching over the mud-streaked instrument panel of this hollow wreck, I tightened my knees against my chest wall, flexing the muscles of my calves and arms, trying to squeeze the last micro-drops of this insane irritant from my body.

The termites had gone. The light changes became less frequent, and the air over the motorway steadied itself. The last silver and golden sprays sank back into the deserted wrecks in the breaker’s yard. The distant motorway embankments resumed their blurred outlines. Irritable and exhausted, I pushed back the door and stepped from the car. The nodes of glass scattered on the ground glinted like pieces of discredited coinage.

An engine started with a roar. As I stepped into the road from the layby I was briefly aware of a heavy black vehicle accelerating towards me from the shadow of the overpass where Vaughan and I had lain together. Its white-walled tyres tore through the broken beer bottles and cigarette packs in the gutter, mounted the narrow kerb and hurtled on towards me. Knowing now that Vaughan would not stop for me, I pressed myself against the concrete wall of the layby. The Lincoln swerved after me, its right-hand front fender striking the rear wheel housing of the abandoned car in which I had sat. It swung away, ripping the open passenger door from its hinges. A column of exploding dust and torn newspaper rose into the air as it slid sideways across the access road. Vaughan’s bloodied hands whirled at the steering wheel. The Lincoln re-mounted the kerb on the far side of the access road. It crushed a ten-yard section of the wooden palisade. The rear wheels regained their traction on the road surface and the car swung away on to the motor road above.

I walked to the abandoned car and leaned against the roof. The passenger door had been crushed into the front fender, the deformed metal welded together by the impact. Thinking of Vaughan’s scar-tissue, fused together in the same way along these arbitrary seams, contours of sudden violence, I retched emptily over a pool of acid mucus. As the Lincoln crushed the palisade Vaughan had looked back, his hard eyes calculating if he could make a second pass at me. Shreds of torn paper eddied through the air around me, pasting themselves at various points against the crushed door panels and radiator hood.

Chapter 23

Glass aeroplanes climbed into the sky above the airport. Through the brittle air I watched the traffic move along the motorway. The memories of the beautiful vehicles I had seen soaring down the concrete lanes transformed these once-oppressive jams and tail-backs into an endless illuminated queue, patiently waiting for some invisible slip road into the sky. From the balcony of my apartment I gazed across the landscape below, trying to find this paradisial incline, a mile-wide gradient supported on the shoulders of two archangelic figures, on to which all the traffic in the world might flow.

In these strange days, as I recovered from my acid trip and my near-death afterwards, I remained at home with Catherine. Sitting here, my hands in a familiar grip on the arms of the chair, I watched the metallized plain below for any sign of Vaughan. The traffic moved sluggishly along the crowded concrete lanes, the roofs of the vehicles forming a continuous carapace of polished cellulose. The after-effects of the LSD had left me in a state of almost disturbing calm. I felt detached from my own body, as if my musculature were suspended a few millimetres from the armature of bones, the two joined together only by the few wound points which had been alerted when I flexed my legs and arms during the acid trip. For days afterwards segments of the experience returned intact, and I would see the cars on the motorway wearing their coronation armour, soaring along the causeways on wings of fire. The pedestrians in the streets below wore their suits of lights, as if I were a solitary visitor in a city of matadors. Catherine would move behind me like some electric nymph, a devotional creature guarding my gestures of excitement with her calm presence.

At less happy moments the sluggish delirium and queasy perspectives of the grey overpass would return, the damp hypogeum at whose mouth I had seen the thousands of flies festering on the instrument panel of the car, on Vaughan’s buttocks as he lay back watching me with his trousers around his knees. Terrified by these brief re-enactments, I held Catherine’s hands as she pressed my shoulders, trying to convince myself that I was sitting with her by a sealed window in my own apartment. Often I asked her what period of the year it was. The light changes within my retina moved the seasons without warning.

One morning, when Catherine had left me alone to take her last flying lesson, I saw her aircraft above the motorway, a glass dragonfly carried by the sun. It seemed to hang motionlessly over my head, the propeller rotating slowly like a toy aircraft’s. The light poured from its wings in a ceaseless fountain.

Below her, the cars soaring along the motorway marked on the plain of the landscape all the possible trajectories of her flight, laying down the blueprints of our coming passage through heaven, the transits of a technology with wings. I thought of Vaughan, covered with flies like a resurrected corpse, watching me with a mixture of irony and affection. I knew that Vaughan could never really die in a car-crash, but would in some way be re-born through those twisted radiator grilles and cascading windshield glass. I thought of the scarred white skin over his abdomen, the heavy pubic hair that started on the upper slopes of his thighs, his tacky navel and unsavoury armpits, his crude handling of women and automobiles, and his submissive tenderness towards myself. Even as I had placed my penis in his rectum Vaughan had known he would try to kill me, in a final display of his casual love for me.

Catherine’s car sat in the drive below the bedroom window. The paintwork along the left-hand side had been marked in some minor collision.

‘Your car—?’ I held her shoulders. ‘Are you all right?’

She leaned against me, as if memorializing the image of this collision into our body pressures. She took off her flying jacket. Both of us had now made our separate love to Vaughan.

‘I wasn’t driving—I’d left the car in the parking lot at the airport.’ She reached out and held my elbows in her hands. ‘Could it have been deliberate?’

‘One of your suitors?’

‘One of my suitors.’

She must have been frightened by this meaningless assault on the car, but she watched me examine it with a calm gaze. I felt the abrasions on the left-hand door and body panels, and explored with my hand the deep trench that ran the full length of the car from the crushed tail-light to the front headlamp. The imprint of the other car’s heavy front bumper was clearly marked on the rear wheel guard, the unmistakable signature of Vaughan’s Lincoln. I felt the curved groove, as clear as the rounded cleft between Vaughan’s hard buttocks, as well-formed as the tight annulus of his anus which I could still feel on my penis during my erections.

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