James Ballard - Crash

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Crash: краткое содержание, описание и аннотация

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This powerful and often terrifying novel, the fruit of J.G. Ballard’s obsession with the motor-car, will shock and disturb many readers. Few products of modern technology excite as much fascination and interest as the automobile, but each year hundreds of thousands of people die in car crashes throughout the world, millions are injured. Yet attempts to regulate the motor-car and reduce this slaughter constantly meet with strong and almost unthinking resistance. Ballard believes that the key to this paradox is to be found in the car crash itself, which contains an image of all our fantasies of speed, power, violence and sexuality. ‘Three years ago, I held an exhibition of crashed cars at the New Arts Laboratory in London,’ he says. ‘People were fascinated by the cars but I was surprised that these damaged vehicles were continually attacked and abused during the month they were on show—watching this, I decided to write
.’
The novel opens with the narrator recovering in hospital after a serious car crash in which he has killed the husband of a young woman doctor. In his pain-filled dreams he finds himself dominated by strange sexual fantasies, and he determines to find the real meaning of this horrific experience. When he leaves hospital he revisits the scene of the crash, and meets the woman doctor. During their affair they begin an exploration of the motor-car in all its forms, attending stock-car races, watching test vehicles being crashed, conducting a variety of sexual experiments on London motorways. They meet a violent and aggressive figure called Vaughan, a ‘hoodlum scientist’ who seems determined to die in a car crash with a famous film actress. Terrified of Vaughan, and yet under his spell, the narrator is carried closer to the sinister climax of the novel, a disquieting vision of the future in which sex and technology form a nightmare marriage.
Violent and frightening, but always true to its subject,
is above all a cautionary tale, a warning against the brutal, erotic and overlit future that beckons us, ever more powerfully, from the margins of the technological landscape. The book was filmed by Canadian director David Cronenberg in 1996; the movie
provoked fierce debates over censorship and obscenity.
Microsoft ® Encarta ® 2006

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As I started the engine Vaughan laid his bandaged palm across my thigh. Surprised by this physical contact between us, I thought at first that Vaughan was trying to reassure me. He lifted his hand to my mouth, and I saw the dented silver cube in his fingers. I unwrapped the foil and placed the sugar cube on my tongue.

We left the airport through the exit tunnel, crossed Western Avenue and ascended the upward ramp of the interchange. For twenty minutes I drove along the Northolt expressway, holding the car in the centre lane and letting the faster traffic overtake us on either side. Vaughan lay back, right cheek resting against the cool seat, his arms limply at his sides. Now and then his hands contracted, arms and legs flexing involuntarily. Already I could feel the first effects of the acid. My palms felt cool and tender; wings were about to grow from them and lift me into the speeding air. An icy nimbus was gathering around the roof of my skull, like the clouds that form in the hangars of spacecraft. I had taken an acid trip two years earlier, a paranoid nightmare during which I had let a Trojan horse into my mind. As Catherine tried helplessly to calm me she had appeared in my eyes as a hostile and predatory bird. I had felt my brains sliding on to the pillow through the hole she had pecked in my skull. I remembered crying like a child and hanging from her arm, begging her not to leave me as my body shrank to a naked membrane.

With Vaughan, by contrast, I felt at ease, confident of his affection for me, as if he were deliberately guiding me along this expressway which he had created for me alone. The other cars passing us were present through an enormous act of courtesy on his part. At the same time, I was sure that everything around me, the growing extension of the LSD through my body, was part of some ironic intention of Vaughan’s, as if the excitement suffusing my mind hovered between hostility and affection, emotions which had become interchangeable.

We joined the fast westward sweep of the outer circular motorway. I moved the car into the slow lane as we turned around the central drum of the interchange, accelerating when we gained the open deck of the motorway, traffic speeding past us. Everywhere the perspectives had changed. The concrete walls of the slip road reared over us like luminous cliffs. The marker lines diving and turning formed a maze of white snakes, writhing as they carried the wheels of the cars crossing their backs, as delighted as dolphins. The overhead route signs loomed above us like generous dive-bombers. I pressed my palms against the rim of the steering wheel, pushing the car unaided through the golden air. Two airport coaches and a truck overtook us, their revolving wheels almost motionless, as if these vehicles were pieces of stage scenery suspended from the sky. Looking around, I had the impression that all the cars on the highway were stationary, the spinning earth racing beneath them to create an illusion of movement. The bones of my forearms formed a solid coupling with the shift of the steering column, and I felt the smallest tremors of the road-wheels magnified a hundred times, so that we traversed each grain of gravel or cement like the surface of a small asteroid. The murmur of the transmission system reverberated through my legs and spine, echoing off the plates of my skull as if I myself were lying in the transmission tunnel of the car, my hands taking the torque of the crankshaft, my legs spinning to propel the vehicle forwards.

The daylight above the motorway grew brighter, an intense desert air. The white concrete became a curving bone. Waves of anxiety enveloped the car like pools of heat off summer macadam. Looking down at Vaughan, I tried to master this nervous spasm. The cars overtaking us were now being superheated by the sunlight, and I was sure that their metal bodies were only a fraction of a degree below their melting points, held together by the force of my own vision, and that the slightest shift of my attention to the steering wheel would burst the metal films that held them together and break these blocks of boiling steel across our path. By contrast, the oncoming cars were carrying huge cargoes of cool light, floats loaded with electric flowers being transported to a festival. As their speeds increased I found myself drawn into the fast lane, so that the oncoming vehicles were moving almost straight towards us, enormous carousels of accelerating light. Their radiator grilles formed mysterious emblems, racing alphabets that unravelled at high speed across the road surface.

Exhausted by the effort of concentrating on the traffic and holding the cars around us in their lanes, I took my hands off the wheel and let the car press on. In a long and elegant swerve the Lincoln crossed the fast lane. The tyres roared against the concrete verge, lashing the windshield with a storm of dust. I lay back helplessly, my body exhausted. In front of me I saw Vaughan’s hand on the wheel. He sat across me, one knee up on the instrument panel, steering the car within inches of the central reservation. An oncoming truck sped towards us in the adjacent fast lane. Vaughan removed his hand from the wheel and gestured towards it, suggesting that I drive the Lincoln across the central reservation and straight into the truck.

Distracted by Vaughan’s physical presence as he leaned against me, I held the wheel again, steering the car down the fast lane. Vaughan’s body was a collection of loosely coupled planes. The elements of his musculature and personality were suspended a few millimetres apart, floating beside me in this pressure-free zone like the contents of an astronaut’s capsule. I watched the cars approaching us, unable to grasp more than a fraction of the thousands of messages which their wheels and headlamps, windshields and radiator grilles were flashing at me.

I remembered my first journey home from Ashford Hospital after my accident. The brightness of the traffic, the nervous perspectives of the motorway embankments and the vehicle lanes along Western Avenue, had anticipated this acid vision, as if my wounds had flowered into these paradisial creatures, celebrating the unity of my crash and this metallized Elysium. As Vaughan urged me again to crash the car into the vehicles approaching us, I was tempted to obey him, making no effort to answer the teasing pressure of his hand. An airline coach sped towards us, its silver hull irradiating all six lanes of the motorway, bearing down on us like an alighting archangel.

I held Vaughan’s wrist in my hand. The dark hairs of his pallid forearm, the scar tissue on the knuckles of his ring and index fingers, were now irrigated with a harsh beauty. Taking my eyes off the road, I clasped Vaughan’s hand in my own, trying to close my eyes to the fountain of light that poured through the windshield of the car from the vehicles approaching us.

An armada of angelic creatures, each surrounded by an immense corona of light, was landing on the motorway on either side of us, sweeping down in opposite directions. They soared past, a few feet above the ground, landing everywhere on these endless runways that covered the landscape. I realized that all these roads and expressways had been built by us unknowingly for their reception.

Leaning across me, Vaughan steered the car through the flight paths. As we changed direction, horns and tyres screamed around us. Vaughan controlled the wheel, like a parent guiding an exhausted child. I held the rim passively in my hands, following the pathway of the car down a slip road.

We stopped below an overpass, the front fender of the Lincoln rolling on to the concrete palisade that divided the motorway embankment from the edge of an abandoned wrecker’s yard. I listened to the last music of the engine before I switched off the ignition, and lay back in my seat. In the screen of the rear-view mirror I watched the cars climbing the access ramp on to the motorway behind us, eager arrivals at this aerial carnival. They sailed along the road surface above our heads to join the aircraft Vaughan had watched for so many months. As I gazed at the distant causeways of the northern circular motorway I could see that everywhere these metallized creatures were soaring through the sunlight, ascending from the traffic jams that had locked them together.

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