Tom Boyle - East is East

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Young Japanese seaman Hiro Tanaka, inspired by dreams of the City of Brotherly Love and trained in the ways of the samurai, jumps ship off the coast of Georgia and swims into a net of rabid rednecks, genteel ladies, descendants of slaves, and the denizens of an artists' colony. In the hands of
, praised by
in
as "one of the most exciting young fiction writers in America," the result is a sexy, hilarious tragicomedy of thwarted expectations and mistaken identity, love, jealousy, and betrayal.

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In that moment, all of them—the sheriff, the state troopers, the red-eyed Negroes, the gawk of a hakujin with the speckled face and the runt in fatigues Ruth had told him about—all of them relaxed their grip for the tiniest sliver of an instant. He was on the doorstep, he was on the porch, and they were all gaping at him as if they’d never seen a man with hara before. That was all it took, that sliver of an instant, the sheriff dropping the megaphone from his lips, the Negroes and troopers and poor white trash easing up on the trigger …

“Make my day!” Hiro suddenly shouted, diving for the floorboards as the astonished, outraged cannonade opened up all around him, shattering glass, splintering wood, ricocheting off Ruth’s Olivetti and slicing through the trove of bamboo shoots and fried dace in deadly syncopation. And then, in the next sliver of an instant, in the space between the first round and the second, he bounded over the railing and ran headlong into the first man he encountered, an old Negro with a smoking gun and a pipe jammed between his teeth. The old Negro was a carpet, a rug, a piece of lint. He was gone and there was another, and then a white man, and Hiro ran through them as if they were made of paper, silly astonished faces, black and white, sailing back on their buttocks, guns and cigarettes and spectacles flying up into the air as in some miraculous feat of levitation.

The jungle embraced him. There was another barrage, an anguished shout and a chorus of curses, and Hiro’s bare broad feet pounded at the mud of a trail he knew as well as he knew the stairwell to his obāsan’s apartment. Then he heard the dogs, the savage joy of the multivoiced roar as they were set loose, but he was a samurai, a killer, a hero, and he was heading for a bog that would choke any sixty dogs … nor would he hesitate. He’d plunge headfirst into the muck, live it, breathe it, smear his naked body with it and dwell forever here in the wild, his home primeval, Tarzan the Ape Man, unconquerable and—

Suddenly the whirl of his thoughts choked to nothing. There before him, poised in the middle of the path and with his head and shoulders lowered for action, was a Negro. A boy. Hightops. Jeans. Hair like a New Guinea cannibal. Hiro was running, leaves in his face, a dazzle of sun through the trees, the path beneath his feet, and there was a Negro. He was startled—how had he gotten here?—but there was no time for introductions. Behind him the dogs bayed, guns blazed and hot high voices mounted one atop the other: Hiro lumbered down the path like a bull coming out of the gate.

“Get ’way!” he shouted, swiping at the boy with a jerk of his arm. In the next instant he felt the impact, flesh on flesh, the boy’s hands like claws fastening at his waist, his feet slipping out from under him, and then he was face down in the mud, gasping for breath. Before he knew what had happened the boy was on top of him, flailing at him with fists that were hard little sacks of bone. “You gook son of a bitch,” the boy cried, and Hiro could smell the sweat of him as he tried to fend off the blows and get to his feet, could hear the dogs closing now, swarming at him, the boy’s voice rising to a howl, a shriek, an assault of high piercing syllables that cut through him like bullets: “You killed my uncle!”

Part II

The Okefenokee

Everybody’s Secret

She was in trouble, deep trouble, and she knew it the minute Saxby stepped in the door. For one thing he was supposed to be gone by now, long gone, off to the Okefenokee to dip his nets and scare up his fishes. And then there was the expression on his face—grim and disappointed, the look of a man revising his options, altering his world view, the look of the outraged moralist, the inquisitor, the hanging judge. A tiny chill of recognition brought her back to the previous night. He’d been waiting for her in the billiard room when she got back late from the cabin, and though they’d sat up for an hour and then made love, he’d seemed morose, preoccupied, he’d seemed distant and untouchable. All this rushed on her in the moment of waking as he slipped in the door and pushed it shut behind him.

The room was dark still—she’d drawn the shades before going to bed, thinking to sleep late—but the light of day, hard and uncompromising, assaulted her even as he shut it out with the wedge of the door. Brightness trembled at the corners of the windowframe, the sun insinuated itself under the door. It was Sunday. The clock read 7:15. “Saxby?” she murmured, awake already, awake instantly. “Is anything wrong?”

Of course there was something wrong—he should have been two hours gone by now. Saxby said nothing. Just stood there, his back to the door. And then he was moving suddenly, crossing the room in two angry strides to jerk open the shade. Ruth felt the light explode in the room, her eyes pinched tight, squinted—it was an ache, an assault. “They got him,” he said. “He’s in jail.”

She couldn’t help herself. He’d caught her off guard and she fell back on her natural defenses. She sat up, pressing the sheet to her breast. Her mouth was small, her eyes big. “Who?” she said.

He looked angry, dangerous, looked as if he’d been gored. “Don’t be coy, Ruth. You know who I’m talking about. Your pet. Your houseboy. Or was he more than that, huh? ‘I just want to try something different,’ you said, isn’t that what you said. Huh? Something different?”

“Sax,” she said.

He was standing over her now, his muscles cut, backlit against the window. She could see the veins standing out in his arms. “Don’t ’Sax’ me,” he said. “I was there, Ruth. Last night. I saw him.”

She shifted her weight, tucked the sheet up under her arms. “Okay,” she said, reaching for a cigarette, “all right. I helped him. But it’s not what you think.” She paused to strike a match, inhale, shake it out and deposit the spent curl of it in the ashtray on the night table. “I felt sorry for him, you know? Like with a stray dog or something. Everybody was after him and he was—he’s just this kid, and besides, I needed him—I mean, not at first—but I needed him for this story I’m writing …”

Saxby held himself rigid. He was the man in the boat on Peagler Sound, focused and invincible, beyond her control. “How long?” he demanded. “Two weeks? Three? A month? It’s a big joke, isn’t it? On all of us. Abercorn and that little peckerwood Marine or whatever he is, Thalamus, Regina, Jane—my mother even. But what really burns my ass is you put it over on me too. What, you couldn’t trust me with it? Answer me, goddamn it!”

She was busy with her cigarette. It was all she could do to keep from grinning, grinning with guilt and shame and defiance, and that would only make it worse. And she needed Sax on her side, now more than ever. If he knew—and the thought made her stomach clench—then they all knew, and they wouldn’t find it very funny. She was an accessory, an aider and abettor. She could go to jail. “I wanted to tell you, Sax—I was going to—” she began, and then she trailed off. The light heightened. The room was silent. “Look, Sax: it was a game. Something I knew that none of them did—not Peter Anserine or Laura Grobian or Irving Thalamus either. I was insecure here, you know that. And this was something I could hold on to, something of my own—”

“Yeah,” he said, his voice thick with disgust and self-pity, “but what about me?”

She was angry suddenly. She was in trouble—deep trouble—and he’d put her there. “No,” she said, stabbing the cigarette at him for emphasis, “what about me?” Here he was, her lover, her confidant, the sweet funny guy with the big feet, and he’d betrayed her. “You turned him in, didn’t you?” she said, taking the offensive.

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