Tom Boyle - East is East

She came up to him at cocktail hour and laid a hand on his arm (blessedly, as the Fates would have it, he was leaning over the bar with Sandy at the time; Jane was nowhere to be seen). “Hi,” Ruth said, and that was it, the six days of silence forgotten, Jane Shine a verboten subject, the party a distant memory. And without another word she took him by the hand and led him upstairs to her room.

In the morning, before she tripped off to breakfast in the convivial room, she woke him with a gentle rub and lubrication and told him she’d be needing a ride into Savannah that afternoon—for groceries. “Savannah?” he said. “What’s wrong with Darien?”

“Oh”—offhand, gazing out the window—“you know, there are some things I want that you’re just not going to find at the local Winn Dixie.” She turned to him and grinned and he felt the relief again, coursing and strong, washing over him like a hot shower. “Let’s face it, Sax—Darien, Georgia, isn’t exactly gourmet heaven.”

“Okay,” he said, shrugging, “fine,” and at four he drove her to an address on De Lesseps and had a beer in a place he knew on the waterfront while she pushed a shopping cart around. When he swung by to pick her up an hour later, she was waiting for him on the street, engulfed in brown paper bags. He was surprised by how much she’d bought—eight bags of canned goods—and even more surprised when she declined his offer to help carry the stuff out to her studio. “What do you mean?” he said, glancing over his shoulder at the mountain of groceries as he put the car in gear. “You’re going to haul all this shit out to the cottage by yourself? Cans and all?”

Ruth was examining her nails. “I’ll do it in shifts,” she said, “don’t worry about it.”

“But it’s no problem, I mean I’d be happy—”

“Don’t worry about it,” she said.

But Saxby did worry about it, all the way down the highway to the ferry and all the way across Peagler Sound and up the blacktop road to the house. How was she going to get eight bags of canned goods out to her studio—and what in god’s name did she need them for anyway? She had her breakfast and dinner at the house and each afternoon Owen brought her a gourmet lunch—finest lunch offered by any artists’ colony anywhere, or so his mother claimed. It was crazy. Was she expecting a siege or something?

And then, as they were staggering through her bedroom door with the booty, one of the bags split, spilling cans all over the floor, and Ruth stopped him when he bent to pick them up. “I can do it myself,” she said, turning her back to him and crouching over the cans as if she meant to hide them. That was odd. And it was odder still when he retrieved the two cans that had escaped her.

“Fried dace?” he said. “Bamboo shoots? What are you, going Oriental on us?”

She spun round on him, and while she didn’t exactly snatch the cans out of his hand, she took them firmly from him and dropped them into the unrevealing depths of the bag on the table behind her. “No,” she said, smiling then, “not really. It’s just that… I like to try new things.”

“Fried dace?” He shook his head and returned her smile, and then she fell into his arms, but the whole thing was very peculiar, very peculiar indeed.

On the weekend, Jane Shine went off to sea island with some clown in a silver XKE and he watched Ruth come to life again. She practically pirouetted round the room at cocktail hour, and at dinner she couldn’t sit still, flitting from table to table like a gossip columnist at a premiere. Saxby didn’t mind. He was glad to see her enjoying herself, reasserting her preeminence, shining like a supernova in the Thanatopsis firmament. And he was glad too that she seemed to have forgotten all about the party, letting him off the hook vis-à-vis the Jane Shine incident and any number of related peccadilloes he wasn’t necessarily even aware of, but condemned for all the same. While she was clowning with Thalamus at the next table, he laid his aquarium woes on Clara Kleinschmidt, talking to hear himself talk—and to pay her back, in small measure, for Arnold Schoenberg.

After dinner, there was a recital by Patsy Arena, a squat, broad-faced woman of Cuban extraction who looked as if she’d stepped out of a Botero painting. She was new to the colony, having come just that week at the invitation of Clara Kleinschmidt, and she played the old Steinway in the front parlor as if she were tenderizing meat. In all, she was to play three compositions that evening, two of her own and one of Clara’s. Owen turned the lights down. Ruth held Saxby’s hand. The colonists cleared their throats, twisted in their seats, leaned forward in fear and expectation.

Bang! Patsy Arena hit the piano like a boxer. Silence. One and two, one and two, she whispered, bobbing her frizzy head. Bang! Bang! she slammed at the keyboard with the ball of her fist. And then: nothing. For three full agonizing minutes she sat rigid, staring at the cheap plastic alarm clock perched atop the gleaming ebony surface before her. Finally the alarm went off— ding-ding-ding —and Bang! she hit the keyboard. The piece was called Parfait in Chrome, and it went on for forty-five minutes.

Afterward, as a kind of dessert, there was the weekly movie (Woman in the Dunes, a nod to Owen, who was in one of his Japanese phases). Nearly everyone sat through both the recital and the film, which ultimately had more than a little in common. Life at Thanatopsis, as stimulating as it might have been to the artistic sensibility, was problematic as far as entertainment was concerned—Saxby was aware that most of the colonists found it a grinding bore—and the nightly readings, recitals and exhibitions, as well as the weekly film, were small moments of release in a bleak continuum.

Of course, none of that stopped Ruth from spontaneously rewriting the film’s dialogue, much to the amusement of her fellow colonists, or from parodying Patsy Arena’s performance later on in the billiard room. She had the whole crew in hysterics. They were red in the face and pounding at their breastbones as she pantomimed the pianist’s clumsy assault on her instrument, but then Clara and her protégée hunkered into the room and Ruth deftly threw the ball to Abercorn, who’d been giggling innocently in his beer. “Catch anything in your snares today, Det?” she asked.

The laughter subsided. Clara poured Patsy a drink. Everyone looked at Abercorn.

Abercorn had been mooning round the place off and on for the past week or so. Sometimes he had the other character with him, sometimes not. Ruth’s question had a barb in it, and Saxby swirled the ice in his drink, watching Abercorn squirm. He kind of liked the guy, actually—or maybe he just felt sorry for him. Abercorn looked up at Ruth out of his big darting rabbit’s eyes. The question seemed to sadden him. “Nothing,” he said. He tugged at his nostrils, scratched an ear. “Lewis and I think somebody else is involved.”

Ruth looked away. Suddenly she was deeply interested in the way the bourbon in her glass caught the light. At the time, Saxby thought nothing of it—but there was a look on her face, lips pursed, eyes downcast but alert, that he was to recall later. “I don’t get it,” he said. “What do you mean—like somebody on the island is hiding him or something?”

Abercorn nodded, slowly and gravely, his chin stabbing at the circle of colonists gathered round him. Everyone was listening now. “I can’t think of anything else—he’s been out there for five weeks, and aside from that business down at Tupelo Shores and the shit he’s been able to steal here and there, don’t you wonder what he’s eating?”