Peter Carey - Oscar and Lucinda

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Oscar and Lucinda: краткое содержание, описание и аннотация

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The Booker Prize-winning novel-now a major motion picture from Fox Searchlight Pictures.
This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent-a haven for misfits of both the animal and human kingdoms-could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.

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"Dear little girl," he said.

Her feet were wet and cold. The light was clear and sunny, but with no heat in it. It had the sharpness of a dream. The butcher-birds lined up and sang on the fence posts. The axe rang out again. The poultry had been stolen too, and all Mr Ahearn would say was that she was wealthy. She walked to the hut, carrying her own case. He followed her, wheezing, getting further and further behind. She remembered all this vividly, all her life, but what she did not recall were the circumstances which meant she could not have done otherwise. She imagined she had been too weak, had given up her farm too easily, had let herself be bullied into exile. There was a square of sunshine on the wooden step. She narrowed her eyes against it. Inside she saw (although she tried not to see anything but what she had come for) that someone had folded the blankets on her mother's bed.

The jam jars were still rucked in their hiding places. She would have counted them, but she did not wish to be seen, so she opened her case and rolled up each jar in a different garment, stuffing a sleeve down a glass throat to stop spillage and noise. Then she walked back out into the sunshine and allowed herself to be persuaded into the jinker.

On 7 May 1859, the five farms at Mitchell's Creek were sold at auction. On 10 May Lucinda Leplastrier turned eighteen.

On Ascension Day she travelled on Mr Sol Myer's steamer down to Sydney. She would also blame herself for this "flight." She often imagined her life would have been happier had she stayed, perhaps bought part of Mitchell's Creek herself, but the older Lucinda forgot that the younger one had an itchy impatience to grasp what her mother

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Oscarandlttcinda

that he misunderstood him. He neard a "two" instead of a "one." In any case, when he banged his cane onthe "sported" door he was banging at the wrong address. Wardley-Fish banged hard. He won^d what illicit activity might make West lock up like this, tie bange]fce papier-mâche until the doors take on a slightly melted look, like chocolate left above a fireplace. He heard the door being fiddled w^ an

The Odd Bod peered around fris only partiy Opened oak, blinking, nervously. Wardley-Fish understood the reason for ^s nervousness. The Odd Bod had had water poured into his b«^ Bother occasion his room had been made the venue for a rat hunt. The rats were delivered by someone knocking just as Ian Vv*ardley.Fish had knocked. These rats were perhaps in a bird cage, perhaps in a basket, most likely in a sack. They were dumped on the floor, relea^ and then attacked by men with hockey sticks. The Odd Bod, mednwhile, had stood on his bed, his lips moving soundlessly. Wardley-Fish apologized. He had n0 wjsh to cause the poor little beggar any more fright. It was West r,e wanted. He tried to explain this, but the Odd Bod was stepping bacl(mvitjng him in, althoughit was quite obvious-he was still «>nfusecj ancj nervc,us. Wardley-Fish had never seen an Onel room ^ ^,3^ Chough it was not just cold empty space between objects that defined its worrying personality. It was like stepping into a cell in, say, Spam _ some country you had never visited. There was nothing famili^ nothing one would expect at home, no port on the mantel, no rugs, HO paintings of game or romantic girls soaring high on swings. There was a bed, a very plain desk, a hard ash chair with a straight back. It was schoianv/ and yet not-there were few books on the shelves. It was neat, but there were what one could only call "heaps" of things scattered here and there-papers, clothingThere was a brown felt-covered board leaning against one wall on which the Odd Bod had tacked charts: all m;»nner of scholarly information drawn into small square boxes. The bo*es were most precjse The information inside the boxes was smudged an(j gpjde^ the work not of *n academician but of a small and muddy beetle. On the mantel was displayed a wooden tray, tilted on an angle> ^ a display of fishing tactf6

«A

The Odd Bod

in a high-street shop. Wardley-Fish had heard about this tray. It was famous as far as Trinity. The tray contained his mother's buttons.

There was no fire in the grate. The remains of a very bleak breakfast was on the tray. WardleyFish was shocked. The Odd Bod looked so frail and white, so obliging and yet so lonely. He wished to be kind to him in some way but could not think now.

"I say, Odd Bod, do you like a flutter?" And then, having offered this, he regretted it. He would not feel comfortable in the Odd Bod's company. He would not like it to be known. Oscar was trying to provide his visitor with a chair. He heard "flutter" and thought it pertained to heart, to nerves, to upset, and indeed the banging on the oak had frightened him and he had only opened it to save having it Tom down once more. And yet, meeting the ale-breathing WardleyFish, he was only half-cowed. Wardley-Fish belonged to a fast set, none of whom were very bright. Oscar, who had not until now been academically distinguished, still judged himself to be above this lot of wealthy gentlemen. He was fearful, superior, and also touched by the large man's awkward kindness. He pushed the chair towards his visitor. "What flutter, Fish? If it is slang I am not yet familiar with it."

Wardley-Fish sat, then saw his host had nowhere to sit, and so stood himself. It was ludicrous to imagine the Odd Bod would have a flutter. He had no cash to flutter with. Further, he was of a very literal and Evangelical persuasion. Evangelicals were always most upset by gambling. Wardley-Fish edged towards the door.

But Oscar was so delighted to see his visitor's obvious good intentions that he was determined to make a friend of him. This was an exercise of pure will. It did not feel natural or easy.

"Please, Fish, explain to me."

Wardley-Fish stood still. "It is all connected with the racetrack," he said reluctantly. Oscar nodded.

"You know what a racetrack is?"

Oscar perched on the edge of his bed so that Wardley-Fish might be persuaded to sit. (This succeeded.) "A track," he said, "where one conducts athletic contests." e *"en smiled, or produced a bud of a smile, a tightly compressed ^ginning. Fish found this oddly attractive.

^ is for horses," Wardley-Fish said.

ancy," saj

Oscar and Lucinda

"The contests are held between horses. Odd Bod, you really do know, don't you?" It was the smile that made Wardley-Fish imagine he might be having his leg pulled, but the smile was produced by nothing more than the pleasure of an unexpected visitor. (He wondered if he should light a fire irrespective of expense.)

"And which part of this race involves the flutter?"

There was too much to be explained. The gulf was too great. Time was getting on. If West was not here, he must be upstairs. If he was asleep, he would take time to wake up. Wardley-Fish was overcome with impatience. It made him sound gruff: "A wager, a bet, a flutter." He stood up. Then he felt he had been rude. He had not intended to bark like that. "You know what a bet is," he said, this time more softly than he had meant.

"Actually," said Oscar Hopkins, "no, I don't."

Wardley-Fish saw that this could go on all day. He did not wish to hurt the chap's feelings (he had a tender face and seemed as though he would be easily hurt) but neither did he wish to miss his day at the track. "You give money to chaps and if the horse you like is the one that wins, why then, they give you double your money back, or treble, or whatever."

"Bless me."

"Do not mock me."

"No, Fish, no. I swear to you. It is new to me. I thought you would have known, for what is called my 'ignorance' seems to be a popular topic in this college. I was raised very much out of the way, in a little village in Devon. We were concerned with botany and marine biology." ("And buttons," thought Wardley-Fish, but kept his face straight.)

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