Naguib Mahfouz - Palace of Desire

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Palace of Desire The novels of the Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. In
, his rebellious children struggle to move beyond his domination, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s.

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"It seems to me that winter's advocates are normally energetic and industrious. You're that way, and so is Hasan Salim."

Kamal rejoiced at this praise but wished most of it had been reserved for him. "I only expend half my energy on school assignments," he said. "The life of the intellect ranges far beyond school."

Husayn nodded his head approvingly and commented, "I don't think there's a school that could use up all the hours you devote to study each day. By the way, I think you're overdoing it, although occasionally I envy you. Tell me what you're reading now."

Kamal was delighted by this kind of conversation. Next to A'ida, it was wtiat he loved best. He answered, "I can tell you my reading has become more systematic. It's no longer a question of reading anything I want stories in translation, selections of poetry, or critical essays. I've begun to proceed in a slightly more enlightened manner. I recently started spending two hours every evening at the National Library. There I look up the meanings of deep and mysterious words in the encyclopedia, terms like 'literature,'

'philosophy,'

'thought,' and 'culture.' As I read, I jot down the names of books I come across. It's an extraordinary world. My soul dissolves in it from eager curiosity."

Husayn listened with attentive interest, leaning back in his rattan chair and putting his hands in the pockets of his dark blue English jacket. On his broad lips there was a pure smile of empathy. He said, "That's really beautiful. Once you asked me what you should read. Now it's my turn to confer with you. Do you see clearly where you're heading?"

"Gradually…. It seems I'm moving toward philosophy."

Husayn raised his eyebrows and said with a smile, "Philosophy? That's a provocative word. Be careful not to mention it within Isma'il's hearing. I've thought for a long time that you're destined for literature."

"Don't feel bad about it. Literature's a lofty form of entertainment, but that's not enough for me. My primary goal is the truth. What is God? What is man? What is the spirit? What is matter? Philosophy gathers all these together into a single, luminous, logical synthesis — as I've recently learned. That's what I crave with all my heart. This is the real journey. Compared with it, your trip around the world is secondary. Imagine! It will allow me to find a satisfactory answer to all these questions."

Husayn's face lit up with enthusiasm and desire as he said, "That's really extraordinary. I won't hesitate to accompany you into this magical world. In fact, I've read some chapters about Greek philosophy, even if I didn't get much out of that. I don't like plunging into things the way you do. I pluck one flower here and another there. Then I flit back and forth. Let me tell you frankly that I fear philosophy will terminate your relationship with literature, for you're not satisfied with learning about something. You want to think and to write. I believe it won't be possible for you to be a philosopher and a literary figure at the same time."

"Nothing will separate me from literature. Love of truth is not incompatible with the enjoyment of beauty. But work is one thing and relaxation another. I've determined to make philosophy my work and literature my relaxation."

Husayn laughed suddenly. Then he said, "So that's how you're going to duck out of your promise to write a story uniting all of us inside the covers of a book."

Karml could not help but laugh too. He answered, "But I hope to write about 'man' one day. So you'll be part of that."

"I'm not nearly as interested in 'man' as I am in our individual personalities. Wait till I report you to A'ida."

When Kamal heard this name, his heart pounded with recognition, affection, and desire. He felt intoxicated, as if overwhelmed by a livery and expressive tune. Did Husayn really think the matter merited A'ida's censure? How ignorant he was! How could it have escaped him that there was no emotion Kamal felt, idea he pondered, or desire he nurtured that did not have the splendor of A'ida and her spirit glistening across its horizons.

"You wait. Time will show that I won't renege on my commitment so long as I live". Then after a moment he asked in a serious voice, "Why haven't you thought about being a writer? Your circumstances leave you free to devote yourself to this art."

Husayn shrugged his shoulders disdainfully and replied, "I should write so people can read? Why shouldn't people write so I can read?"

"Which of the two is of greater importance?"

"Don't ask me which is more important. Ask which is more pleasant. I consider work the human curse, but not because I'm lazy. Certainly not! Work is a waste of time. It imprisons the individual and gets in the way of living. A life of leisure is the happy one."

Kamal gave him a look that indicated he did not take his friend's words too seriously. Then he said, "I don't know what life a man would have if it weren't for work. An absolutely empty hour is certainly more tedious than a year filled with work."

"What wretchedness! The very truth of your statement confirms how miserable things are. Do you think I'm able to enjoy absolute leisure? Certainly not, alas. I still while away my hours with useful and necessary tasks. But I hope one day to achieve a state of total inactivity."

Kamal started to answer Husayn, but a voice behind them asked, "I wonder what they're talking about". Once this voice, this prei: ty melody, came within earshot his heart began to vibrate. The response came from deep inside him. Her words and his heart seemed to be different harmonious elements of a single tune. His soul was immediately freed of its bounding thoughts, and an absolute emptiness pervaded it. Was this the kind of total emptiness Husayn dreamt of? It was nothing in itself, but happiness pervaded it.

He turned around to watch as A'ida, preceded by Budur, approached from a short distance and came to a halt in front of them. A'ida was wearing a dress the color of cumin and a blue wool jacket with gilded buttons. Her bronze complexion was so clear it had the depth of a cloudless sky and the purity of distilled water.

When Budur rushed to him, he caught her in his arms and hugged her, as though attempting to conceal by that embrace the ecstasy of love he felt. Just then a servant hastened up. He stopped in front of Husayn and said politely, "Telephone."

Husayn rose, excused himself, and retreated to the men's parlor, followed by the servant.

Thus Kamal found himself alone with her for the first time in his life. Budur's presence did nothing to detract from the intimate atmosphere. He wondered apprehensively whether A'ida would remain or depart. But she advanced a couple of steps to stand under the roof of the gazebo, on the far side of the table from him. He gestured for her to sit down, but she smilingly declined with a shake of her head. So he stood up and lifted Budur onto the table. He caressed the young girl's head anxiously as he devoted all his attention to taming his emotions and mastering his feelings. A period of silence ensued, during which the only sounds to be heard were the rustling of the branches, the whispering of the dry leaves scattered about, and the chirping of the sparrows. To his eyes the earth, sky, trees, and distant wall separating garden from desert not to mention the bangs of his beloved falling over her forehead and the extraordinary sparkle and contrast of her eyes — all seemed a joyous vision from a happy dream. He could not tell for certain whether these things were really before his eyes or if it was an imaginary scene glimmering in his memory until the melodious voice crooned, "Don't bother him, Budur."

His response was to clasp Budur to his breast as he said, "If this is what it means to be bothered, I love it."

He gazed at A'ida with eyes full of myriad desires, enjoying himself, free this time of any supervision. He studied her carefully as though to grasp her secrets and to print her features and expressions on the surface of his imagination. He so lost himself in the vision's magic that he seemed in a daze or stupor. Before he knew what was happening she asked, "Why are you looking at me like that?"

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