Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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An old wino dragging a pair of mottled suspenders to the floor wandered in from somewhere and asked wonderingly: ‘You fellows remember me?’ When none remembered he repeated the question to himself, with moving lips, as though he himself had nearly forgotten. Yet with each pulse beat his blood demanded to know, once and for all before it went cold for keeps, who remembered him and his mottled suspenders.

‘Remember me? I used to be night watchman on the old Wabash.’ Not one remembered any night watchman off the Wabash, old or new.

‘That’s a good job all the same,’ Frankie explained earnestly to Sparrow. ‘You watch over people while they sleep. It’s when everybody depends on you, nothin’ bad should happen. When you’re asleep, that’s when you can’t protect yourself; even Joe Louis is like a little kid then. It’s why you shouldn’t laugh at some old guy if he’s been a good night watcher.’

‘I seen Fitzsimmons at the old Academy,’ the dodderer reported. ‘Remember the old Academy?’

‘No,’ Frankie told him respectfully, ‘but I want to introduce you to a real live millionaire.’ He shoved Sparrow around so that the old man could take in all of the punk at once. ‘Look at that cap he’s wearin’ – Pop Anson give it to him, it’s worth a fortune today.’ The old man sensed some mockery and, turning his behind upon them both deliberately and leaning so far forward he creaked, began a compulsive sort of scratching through the yellowed underwear, the fingers working with a life of their own, starting below the low sagging hill of the fallen thighs and laboring methodically upward as if pursuing the blood like a dog following its fleas; up over the hill and there paused, digging with blunted fingernails but yet without haste and even with something of pleasure. A full five minutes they watched him, he seemed to be pacing himself, knowing just how long this job would require; then up with the pants and, suspenders still dragging the soiled concrete behind, moved forward once more toward the one thing the blood asked as insistently as it itched in the buttocks: ‘You fellows remember me?’

The dying blood sought to renew itself by finding someone – anyone – to share a recollection of the old Wabash where so many nights had been shared. If but once somebody would say, ‘I remember,’ the blood would be touched; to make him for one moment as he once had been.

But those who remembered were gone with his strength, all down the drain with last year’s rain; friends and family and foes together and the blood soon to follow the rains.

‘Remember me?’ Paused in his ceaseless scratching in that ancestral light, for it seemed that the men about him had all just wandered in off the old Wabash; they too had wandered away their lives in a flesh-colored light and now moved toward him for that final reunion beside a fog-colored trench. ‘They don’t remember people around here any more,’ he complained aloud at last. So returned to his ceaseless scratching, rump pointed insultingly and suspenders trailing the mottled dust.

‘A good turnkey can do better than a patrolman on a beat,’ Sparrow informed Frankie, ‘if he gets a houseful that’s thirty-four bucks right there.’

‘It all depends on the neighborhood,’ Frankie told him out of his wider knowledge of the world. ‘You take a patrolman up there in Evanston, he’s just walkin’ around smilin’ ’n tippin’ his cap, sayin’ how nice the lawn looks this morning, Mrs Rugchild – he’s like a watchman is all, up there. He’s got to be polite ’cause that means good tips, it ain’t like down here in hustlers’ territory where they got to line up guys like Schwiefka by pinchin’ guys like us before they can pick up anythin’ on the side. It’s why they got you dead to rights if they catch you duckin’ through a Division Street alley after twelve – you’re guilty the second that spotlight hits you ’cause you’re a wrong guy in a wrong neighborhood out at the wrong hour. If it wasn’t for guys like you ’n me guys like Cousin Kvork could be walkin’ a North Side beat, they figure. It’s why they’re down on us, we interrupt their careers.’

‘Kvork ain’t the worst,’ Sparrow put in, ‘he just does what he has to do. The time I was up for robbin’ he didn’t testify, he knew what one more conviction’d do to me.’

‘Kvork is the best,’ Frankie agreed, ‘he don’t forget when you do somethin’ for him. But it’d serve that pokey right if somebody slapped him silly. He’s been shakin’ down the greenhorns in here fourteen years. Someday he’ll shake down the wrong dino.’

‘He’s done that five-six times awready,’ Sparrow remembered, ‘but he always gets reinstated. How can a man get that hungry?’

‘It’s not hard to mistreat the homeless,’ Frankie explained.

A roach had leaped, or fallen, from the ceiling into the water bucket, where a soggy slice of pumpernickel and a sodden hunk of sausage now circled slowly, about and about, although there was no current. Belly upward, the roach’s legs plied the alien air, trying dreamily to regain a foothold; while Frankie, leaning dreamily on one elbow, knew just how that felt.

It was, he decided, the same wanderer that had waved so invitingly to him from under a radiator while he was being questioned and felt half inclined to help the poor devil now just for old time’s sake. He started to poke it over upon its belly so it could try for the bucket’s walls, then decided against such charity.

‘You ain’t gettin’ out till I get out,’ he scolded it aloud, recalling that he too had leaped, or fallen, between walls he couldn’t scale; that he too plied the air at times. ‘We’re in the bucket together for not watchin’ them lights,’ he nagged the insect as Sophie so often nagged him; while Sparrow listened without laughter. ‘Maybe next time you’ll look where you’re drivin” – he imitated Sophie’s rattling whine – ‘“yer fault, yer fault, takin’ everythin’ in yer own hands when you’re stewed to the gills, all yer dirty fault.” Next time maybe you’ll know better,’ Frankie consoled himself by consoling the roach. ‘This’ll be a good lesson to you, bug.’

The growing light began making a stairway to nowhere out of the shadows of the bars: a stairwell lit feebly by the reflecting mirror’s glow as it competed with the lightening day.

‘I’m no good but my wife’s a hundred per cent,’ somebody down the tier confided aloud to everyone in hearing distance.

‘Mine stinks,’ Frankie Machine thought softly; immediately his conscience kicked him in the shin. ‘I got a good one too,’ he answered loudly to make up for everything.

And his conscience kicked him in the other shin for lying.

The night’s first shadows, nudging each other down the corridors, slipped quietly aside to let a paunch draped in a candy-striped shirt and a greasy black mortician’s suit pass by: Zero Schwiefka threw out his big flat feet so that the soles squeaked painfully, like little live things being crunched beneath the full burden of his weight.

He stood before Frankie’s cell rubbing his hands together breathlessly, clear to the elbows, like a great bluebottle fly preening its front legs, then tilting its head and body forward to preen the back ones; the hand-rubbing became an arm-rubbing, his head tilted darkly forward from the dark and twisted lapels till one almost expected him to tilt forward on his palms and start pressing his legs together with the same mechanical insectlike intent.

‘Where you been, cabbagenose?’ Frankie greeted him, sitting up. ‘Gettin’ married?’

‘Who’d marry that?’ Sparrow asked from the cell’s safety – ‘A woomin?’

‘Got here as soon as I could, Dealer,’ Heavy-belly apologized, holding the belly up with the hamlike hands. Between his jowls, loosened by idleness and drink, the bulbous nose overhung a mouth like a half-healed knife wound. ‘You’ll be out in half an hour, Dealer – leave Non Compis here till the dogcatchers go home.’ And spat to show his contempt for Division Street punks.

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