Nelson Algren - The Man with the Golden Arm

At the open door Frankie remembered something. He grinned wryly with his flat pug’s mug under the tawny tousle of his hair and went to the water bucket. ‘I promised to give him a hand when I got out of the bucket myself,’ he explained softly, eying the roach while the turnkey eyed him with deadpan suspicion. ‘Only look – it’s too late awready.’

It was too late all right. Too late for roaches or old Skid Row rumdums; it was even getting a little late for cripples and junkies and punks too long on the same old hustle. The water-soaked corpse was only half afloat, the head submerged and the rear end pointing to the ceiling like a sinking sub when the perpetual waters pull it downward and down forever. ‘I could have saved him,’ Frankie realized with a faint remorse. ‘It’s all my fault again.’

‘Guys like you,’ the turnkey warned him, ‘I handle them every day,’ and watched the pair mounting the narrow steps toward a narrower freedom. On the street they waited for a northbound car.

A car that came on slowly, but not too slowly for Frankie Machine. If it would just sort of keep on coming forever, like streetcars sometimes did for him in dreams, without ever really arriving, he wouldn’t have to go anywhere any more. The dealer didn’t want to go home. Sophie did all the dealing there.

‘Mama, deal yourself another hand,’ he hummed idly, deciding to himself, ‘If she starts that screaming about What was it for this time Why don’t I get a broom in my tail ’n go to work on the legit Why don’t we move out of the neighborhood the spades are moving in it’s gettin’ smokier every day ’n if it wasn’t for me she wouldn’t be strapped to no wheelchair when she could be out dancin’ – Come on upstairs with me,’ he asked Sparrow, out of need of a barrier between himself and Sophie’s crossfire.

Sparrow shook his head. He’d been trapped in that barrage before. She gave it to him first and hottest because she got so few chances at him. ‘I got to look for a job,’ he explained. Frankie understood.

Just as the street lamps came on the streetcar paused and went dark half a block down. It had slipped its trolley and against the last light of evening the pole groped blindly for the wire overhead, found it at last and came on again, slowly, but with all self-confidence gone; yet bearing its precious load of light caught from that magic wire with a sort of tenderness. And screeched to a stop like Sophie’s opening volley.

Frankie boarded it feeling done up and Sparrow followed whispering hoarsely: ‘You want to bet on the transfer numbers?’ Trolley transfers had a serial number on the lower right-hand corner that could be bet on like a stud-poker hand, the loser paying both fares. It was the one game which the punk won more often than he lost against Frankie.

But Frankie held his transfer listlessly, unaware that he held it at all. Sparrow slipped it out of his hand.

‘Beat you again, Frankie, I got two pair. You owe me eight centses.’

‘You owe me twenty slapses.’

‘Call it square, Frankie?’ He held onto Frankie’s transfer.

‘All square.’

Both had won.

Yet, all the way home, Sparrow had the restless feeling that someone must have lost.

‘I’ll buy you a drink by Antek,’ Sparrow offered suddenly when they reached Milwaukee Avenue and Division Street.

They entered Antek Witwicki’s Tug & Maul Bar together. At the corner table the little terrier called Drunkie John was scolding Molly Novotny, a girl scarcely out of her teens who supported both herself and John hustling drinks at the Club Safari in the early morning hours. A small girl with a heart-shaped face and eyes dark with exhaustion, she sat listening to John, a man close to forty, with a sort of dull hopelessness. Each evening she had to listen here, while paying for the drinks, to all the things she had done wrong since morning. She herself sat without drinking and without once moving her eyes off his bitter mouth as if fearing to miss a single word.

Frankie noticed that John’s hair, thin as it was, had been parted so precisely in the middle it must have taken him ten minutes before the mirror to achieve the part. His comb hand trembled, even as Frankie watched, when reaching for his glass. The girl kept her own glass out of his reach. John’s own had certainly been emptied too often and Frankie heard her pleading, under the rise and fall of the uproar about them, to pick up his hat and come home with her, he had had enough.

Drunkie John never had enough. ‘The nuthouse is the best place for you,’ he began shouting at her for some reason, ‘babies your age ’r hoppin’ up ’n down out there!’ He reached for her glass just as she drew it back, his hand struck hers and sent the whisky trickling down the front of her flowered cotton dress.

‘Have your own way then, have your own way,’ she placated him, not even knowing what way he wished to have next: her days were made up trying to guess what he might want next, a thing John could never tell himself. For he was a man with certain fancies on his mind. Once he’d gotten Molly drunk in here and had decided that what he really wanted to do next was ‘to make the people laugh’ by pinning her dress up to the small of her back. She had staggered blindly about trying to unpin it while the barflies had snickered and she herself had laughed in a loose self-derision.

The next day John would have nothing to do with her, she had made such an exhibition of herself, how could a man like himself ever face his friends again?

John was as unpredictable as the weather in the streets. Sometimes he told her to put on her coat and leave him forever. And the minute she had it on would demand that she strip and get into bed right away, he was going to show her what a bull she had for a man. But once in bed the years of boozing would betray him and he would succeed only in showing her what a freak she had.

A good kicking around was what she had coming then, making a freak of a decent sort like himself. For he never used his hands on her. It was always a businesslike kick with the toe of his outworn dancing pumps, delivered not so much in rage as with a certain matter-of-factness, even a kind of contentment.

‘Don’t say you won’t, ’ he warned her about something or other now. ‘Don’t never say you won’t nothin ’.’

‘Just drink up,’ Molly pleaded, ‘the people ’r watchin’.’ She was trying to fit the nipple of a little blue balloon into the brown beer bottle beside her glass.

‘What you doin’ here anyhow?’ he wanted to know as if only now realizing who she was. Then grinned slyly, bringing his face so close to her own that she drew back a bit. ‘You gettin’ drunkie too, honey?’ he asked insinuatingly, as if meaning that there was a great deal more between them than just getting drunk together again; and began shaking her by both shoulders in an access of drunken humor. ‘Now you’re a big-time entertainer!’

She protested with strained laughter. ‘Johnny! Stop it!’

‘Start singin’ ’n dancin’ ’n somethin’! Makin’ the people laugh! That’s right! Make the people laugh!’ He added reprovingly: ‘I can’t do it all myself, honey.’

‘Give that kid somethin’,’ Frankie told Sparrow, ‘I took her to a dance when she was fourteen ’n Soph slapped her face for goin’ around wit’ older men. I was twenty-one, I guess.’ He pushed Sparrow’s change toward Sparrow. ‘Put a dime in the juke ’n give her a dime to sing along with it, she used to be singin’ all the time.’

Sparrow cocked his head to one side, studying Frankie dubiously. ‘Give it to the kid yourself, I don’t interfere in fam’ly situations.’