Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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During the lonely months with Frankie overseas and Schwiefka trying to deal his own game, Sparrow alone, of that whole semicircle of 4-Fs, from Blind Pig to Drunkie John, had remembered that golden arm.

‘I’d be over there with the dealer right now,’ Sparrow had mourned quietly to himself those months, ‘if I just hadn’t got turned down for admittin’ I steal for a livin’.’

Frankie hadn’t troubled to write anyone until he began coming out of the fog into which an M.G. shell had put him: on his back in an evacuation hospital with a daylong aching from shrapnel buried in his liver for keeps. He’d gotten off a shaky V-mail telling Sophie he was coming home.

Sophie had put the letter on Antek the Owner’s bar mirror, among other wives’ V-mails. The night that Sparrow read it there all the cockiness which association with Frankie had lent him, and Frankie’s absence had taken away, returned. Dealer was coming home.

‘Guys who think they can rough me up, they wake up wit’ the cats lookin’ at ’em,’ he had immediately begun warning everyone. And spat to emphasize just how tough a Division Street punk could get.

He had looked forward to watching Frankie’s bag of corny card tricks once more. All the tricks of which he had never tired; as Frankie’s Sophie had so long ago tired of them all. As Frankie had so long ago tired of showing them to her; yet had never wearied of revealing them, the same ones over and over, for Sparrow’s ever-fresh amazement.

‘That’s one Hebe knows how bad it can get,’ Frankie sometimes explained their friendship obscurely, ‘knows how bad it can get ’n knows how good it can be. Knows the way it used to be ’n how it’s gettin’ now. I’d trust him with my sister all night. Provided, of course, she wasn’t carryin’ more than thirty-five cents.’

Frankie could never acknowledge that he squinted a bit. ‘If anythin’ was wrong with my peepers the army wouldn’t of took me,’ he argued, ‘the hand is quicker than the eye – ’n I got a very naked eye.’ Yet he sometimes failed to see a thing directly beneath that same very naked eye. ‘Where’s the bag?’ he would ask. ‘Under your nose, Dealer,’ someone would point out. ‘Well, there’s suppose to be six bucks in it,’ he’d explain as if that, somehow, were why he hadn’t seen it right away.

He squinted a bit now, in the cell’s dim light, with the ever-present deck in his hand. ‘I can control twenty-one cards,’ he boasted to Sparrow. ‘If you don’t believe me put your money where your mouth is. I’ll deal six hands ’n call every one in the dark. Name your hand. You want three kings? Okay, here we go, you get what you ask for. But watch out, punk – that hand beside you is flushin’ ’n that bird with nothin’ but an ace showin’ is gonna cop with three concealed bullets.’ And that’s how it would be whether he was showing off in a cell or in the back booth of Antek Witwicki’s Tug & Maul Bar.

‘I give a man a square shake till he tries a fast one or talks back to me,’ he warned the punk. To hear him tell it Frankie Machine was pretty mean. ‘When I go after a wise guy I don’t care who he is, how much he’s holdin’ – when you see me start pitchin ’ ’em in, then you know the wise guy is gettin’ boxed.’ Sparrow nodded. He was the only hustler on Division Street who still believed there was anything tough about Frankie Machine. The times he had seen Frankie back down just didn’t count for Sparrow.

‘What you got to realize in dealin’ stud is that it’s just like drill in the army -’ n the dealer’s the drill sergeant. Everybody got to be in step ’n stay on their toes ’n there can’t be no back talk or you got no harmony left – I’m good with a cue because that’s in the wrist too. Used to get fifteen fish for an exhibition of six-no-count. No, they never put my picture on the wall but I lived off the stick three months all the same when the heat was on ’n that’s a lot of hustlers can say.’

It was more than Frankie could say too. He would have starved in those three months if it hadn’t been for Sophie’s pay checks. And although Sparrow was seldom allowed to forget, for long, what a mean job that of an army drill sergeant was, Frankie’s report was still hearsay: he’d put in thirty-six months without so much as earning a pfc’s stripe. Somehow the army had never quite realized what a machine he was with a deck.

(There were those who still thought he was called Machine because his name was Majcinek. But the real sports, the all-night boys, had called him Automatic Majcinek for years; till Louie Fomorowski had shortened that handle for him. Now, whether in the dealer’s slot, at the polls or on a police blotter, he was simply Frankie Machine.)

The bottom card squeaked as he dealt to Sparrow on the gray cell floor, and it irritated him that he couldn’t get a second off the bottom without hitting the card above. Though he never had sufficient nerve to deal from the bottom while in the dealer’s slot he liked to feel he had the knack as a symbol of his skill.

For he had the touch, and a golden arm. ‘Hold me up, Arm,’ he would plead, trying for a fifth pass with the first four still riding, kiss his rosary once for help with the faders sweating it out and zing – there it was, Little Joe or Phoebe, Big Dick or Eighter from Decatur, double trey the hard way and dice be nice – when you get a hunch bet a bunch – bet a dollar and then holler – make me five to keep me alive – it don’t mean a thing if it don’t cross that string – tell ’em where you got it and how easy it was.

When it grew too dark to read the spots on the cards Frankie pulled a tattered and wadded scratch sheet off his hip. ‘Took me ten years to learn this little honey – watch the lunch hooks now.’ Sparrow watched the long, sure fingers begin to weave swiftly and delicately. ‘Fifty operations in less than a minute,’ Frankie boasted – and there it was, a regular Sinatra jazzbow with collar attached out of nothing but yesterday’s scratch sheet. ‘If it was just silk you could put it on now,’ Sparrow saw with awe. ‘Why couldn’t you just turn ’em out all day, Dealer? Everybody in the patch’d buy one – there’s a fortune in it.’

‘I ain’t no businessman,’ Frankie explained, ‘I’m a hustler – now give me five odd numbers between one ’n ten that add up to thirty-two.’

Sparrow pretended to figure very hard, tracing meaningless numerals with his forefinger in the cell’s grayish dust until it was time for Frankie to show him how. Somehow Sparrow never seemed certain which were the odd and which the even numbers. ‘Mat’matics is on my offbalanced side,’ he allowed, ‘I make them dirty offslips.’

Yet he was as accurate as an adding machine in anticipating combinations in any alley crap game; he distinguished clearly between odd and even then – sometimes before they turned up. ‘Playin’ the field is one thing, solvin’ riddles is another,’ it seemed to Sparrow, and saw nothing unusual in the distinction. ‘It’s what they couldn’t figure in the draft, neither,’ he recalled. ‘I was either too smart or too goofy but they couldn’t tell which. It was why I had to get rejected for moral warpitude.’

Frankie was making a vertical row of three ones and a parallel row of two ones. Adding the first row, he got a total of three and, adding the second, a total of two: by the proximity of the two totals he had a total of thirty-two.

‘There’s somethin’ wrong somewheres , Frankie,’ Sparrow complained, sounding distressed. ‘You got my big eyes rollin’ ’n the lights goin’ on in my head – but if I just knew some good old long division I could put the finger on what’s wrong.’

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