Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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‘We’ll book you for killin’ that officer in Humboldt Park if you want,’ the turnkey offered, and a moment later the bars clanged shut. Behind his easy boasting the punk concealed a genuine terror of being caged – and every officer in the Saloon Street Station knew it.

‘Bring up a couple fuses while you’re down there,’ Record Head Bednar’s voice called from the top of the stairs, ‘we’re gonna fry the goofy one at 1:01.’

‘That’s you, Frankie,’ the punk assured the dealer swiftly.

‘No, that’s you,’ the dealer corrected him slowly.

It looked like a long night for Solly Saltskin. Not even Frankie Machine would guarantee him that the officers had only been joking.

‘There’s some things to kid about ’n some you ain’t s’pposed to, Frankie,’ the punk scolded him. ‘It’s a libel suit when you do. I could sue right now. I could sue you. You got me in here. Record Head was gettin’ me ready to make the street ’n you jammed the deal – false pertenses, that’s all you are.’ He threw a long looping left that Frankie caught in one hand, then scrubbed the punk’s wispy poll with it like a man fondling a mangy pup. If Sparrow had had a tail he would have wagged it then; if they’d been in the death house together he wouldn’t be too frightened so long as Frankie Machine was by.

To manhandle him fondly and get him into jams and then get him out again, just like that, the very next day.

‘If Schwiefka wasn’t always tryin’ to chisel on the aces we wouldn’t get tossed in the bucket so much,’ he confided in Frankie in the tone of one giving strictly inside information. ‘Bednar had Kvork pick us up just to show Schwiefka he’s a week behind wit’ the payoff.’ Then turned from the dealer, as the lockup went past rattling his keys, and in the same hoarse inside-info whisper: ‘Sssss – Pokey! You got this door locked good? We don’t want none of you crooked cops breakin’ in here tonight!’

The tranquil, square-faced, shagheaded little buffalo-eyed blond called Frankie Machine and the ruffled, jittery punk called Sparrow felt they were about as sharp as the next pair of hustlers. These walls, that had held them both before, had never held either long.

‘It’s all in the wrist ’n I got the touch,’ Frankie was fond of boasting of his nerveless hands and steady eye. ‘I never get nowheres but I pay my own fare all the way.’ Frankie was regular.

‘I’m a little offbalanced,’ Sparrow would tip the wink in that rasping whisper you could hear for half a city block, ‘but oney on one side. So don’t try offsteerin’ me, you might be tryin’ my good-balanced side. In which case I’d have to have the ward super deport you wit’ your top teet’ kicked out.’

For being regular got you in about as often as being offbalanced on one side. That was the way things were because that was how things had always been. Which was why they could never be any different. Neither God, war, nor the ward super work any deep change on West Division Street.

For here God and the ward super work hand in hand and neither moves without the other’s assent. God loans the super cunning and the super forwards a percentage of the grift on Sunday mornings. The super puts in the fix for all right-thinking hustlers and the Lord, in turn, puts in the fix for the super. For the super’s God is a hustler’s God; and as wise, in his way, as the God of the priests and the businessmen.

The hustlers’ Lord, too, protects His own: the super has been in office fourteen years without having a single bookie door nailed shut in his territory without his personal consent. No man can manage that without the help of heaven and the city’s finest precinct captains.

What’re you gonna do for Dunovatka

After what Dunovatka done for you?

the captains still sing together at ward meetings-

Are you goin’ to carry the preesint?

Are you goin’ to be true blue?

Offhand it might appear to be a policeman’s God who protects the super’s boys. Yet a hundred patrolmen, wagon men, and soft-clothes aces have come and gone their appointed ways while the super’s hustlers linger on, year after year, hustling the same scarred doors. They are in the Chief Hustler’s hand; they have been chosen.

The hustlers’ God watched over Frankie Machine too; He marked Sparrow’s occasional fall. He saw that both boys worked for Zero Schwiefka by night while the super himself gave them hot tips each day.

The only thing neither the super’s God nor the super was wise to was the hypo Frankie kept, among other souvenirs, at the bottom of a faded duffel bag in another veteran’s room. The barrel of a German Mauser and a rusting Kraut sword leaned out of the bag against the wall of Louie Fomorowski’s place above the Club Safari.

We all leave something of ourselves in other veterans’ rooms. We all keep certain souvenirs.

Sparrow himself had only the faintest sort of inkling that Frankie had brought home a duffel bag full of trouble. The little petit-larceny punk from Damen and Division and the dealer still got along like a couple playful pups. ‘He’s like me,’ Frankie explained, ‘never drinks. Unless he’s alone or with somebody.’

‘I don’t mind Frankie pertendin’ my neck is a pipe now ’n then,’ the child from nowhere admitted, ‘but I don’t like no copper john to pertend that way.’ For no matter how Frankie shoved him around the punk never forgot who protected him nightly at Zero Schwiefka’s.

Their friendship had kindled on a winter night two years before Pearl Harbor when Sparrow had first drifted, with that lost year’s first snow, out of a lightless, snow-banked alley onto a littered and lighted street. Frankie had found him huddled under a heap of Racing Forms in the woodshed behind Schwiefka’s after that night’s last deck had been boxed.

‘What you up to under there?’ Frankie wanted to know of the battered shoes protruding from the scattered forms. For this was the place where Schwiefka, urged by some inner insecurity, piled dated racing sheets. He never had it in him to throw a sheet away, pretending to himself that he was filing them here against a day when age would lend them value; as age had in no wise increased his own. Frankie used them, on the sly, for starting Schwiefka’s furnace; but advised the shoes severely: ‘Don’t you know this is Schwiefka’s filin’ cab’net?’

Sparrow sat up, groping blindly for his glasses gone astray somewhere among the frayed papers below his head. ‘I’m a lost-dog finder,’ he explained quickly, experience having taught him to assure all strangers, the moment one started questioning, that he was regularly employed.

‘I know that racket,’ Frankie warned him, trying to sound like a private eye, ‘but there ain’t no strays to steal in here. You tryin’ to steal wood?’ Frankie had been stealing an armload of Schwiefka’s kindling every weekday morning for almost two months and didn’t need help from any punk.

‘I got no place to sleep, Dealer,’ Sparrow had confessed, ‘my landlady got me locked out since the week before Christmas. I been steerin’ for Schwiefka all day ’n he told me I could sleep in here – but he ain’t paid me a cryin’ dime so it’s like I paid my way in, Dealer. It’s too cold to steal hounds, they’re all inside the houses. Some nights it gets so cold I wisht I was inside one too.’

Frankie studied the shivering punk. ‘Don’t shake,’ he commanded. ‘When you get the shakes in my business you’re through. Steady hand ’n steady eye is what does it.’ He handed him a half dollar.

‘Here. You’ll get a double case of pneumonia sleepin’ in here. Get a room by Kosciusko Hotel.’ N the next time Zero don’t pay you off come tell Frankie Machine. That’s me – the kid with the golden arm.’ He paused to brush back the shaggy mop of dark blond hair under his cap, squinting a bit with the weak right eye. ‘It’s all in the wrist ’n I got the touch – dice, stud or with a cue. I even beat the tubs a little ’cause that’s in the wrist too. Here – pick a card.’ Cold as he was, the punk had had to pick a card.

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