Javier Marías - Your Face Tomorrow 1 - Fever and Spear

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In a return to the British setting of his much loved novel All Souls, Javier Marias embarks on a remarkable 'novel in parts', set in the murky world of surveillance and espionage. Fever and Spear is the first volume. In it Marias begins to weave a web of intrigue, both narrative and intellectual, that will entice the reader to follow him into the labyrinth of the novel's future books. Recently divorced, Jacques Deza moves from Madrid to London in order to distance himself from his ex-wife and children. There he picks up old friendships from his Oxford University days, particularly Sir Peter Wheeler, retired don and semi-retired spy. It is at an Oxford party of Wheeler's that Jacques is approached by the enigmatic Bertram Tupra. Tupra believes that Jacques has a talent: he is one of those people who sees more clearly than others, who can guess from someone's face today what they will become tomorrow. His services would be of use to a mysterious group whose aims are unstated but whose day-to-day activities involve the careful observation of people's character and the prediction of their future behaviour. The 'group' may be part of MI6, though Jacques will find no reference to it in any book; he will be called up to report on all types of people from politicians and celebrities, to ordinary citizens applying for bank loans. As Deza is drawn deeper into this twilight world of observation, Marias shows how trust and betrayal characterise all human relationships. How do we read people, and how far can the stories they tell about themselves be trusted when, by its very nature, all language betrays? Moving from the intimacy of Jacques' marriage to the deadly betrayals of the Spanish Civil War, Your Face Tomorrow is an extraordinary meditation on our ability to know our fellow human beings, and to save ourselves from fever and pain.

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I shifted into Spanish where I had to: 'no le hacía ni puto caso' - she didn't take a blind bit of notice of him – 'pistonuda' – bloody gorgeous. Untranslatable really. Or perhaps not, there's a translation for everything, it's just a question of working at it, but I wasn't prepared to do that work then. The reappearance of my language made Wheeler move into it momentarily too.

' "Pistonuda"? "Pistonuda" did you say?' He asked this with a degree of confusion as well as annoyance, he didn't like to discover gaps in his knowledge. 'I don't know that term. Although I think I can grasp what it means. Is it the same as "cojonuda"?'

'Well, yes, pretty much. But don't worry, Peter. I can't really explain it to you now, but I'm sure you've understood it perfectly.'

Wheeler scratched himself just above one sideburn. Not that he wore them long or carefully sculpted, not at all, but he was, in his own way, elegant; he didn't lack sideburns either, certainly not, he wasn't one of those obscene men who do not frame their faces with hair, faces that look fat even when they're not. They are bad people in my experience (with, in my experience, one major exception, there's always one, which is awkward and disconcerting, it really throws you), almost as bad as someone who sports a chin-tuft, a newgate frill, an imperial. (Proper goatee beards are another matter.)

'I assume it has something to do with pistons,' he muttered, suddenly deep in thought. 'Although I can't really see the connection, unless it's like that other expression "de traca", which I do know, I learned it a few months ago. Do you use "de traca"? Or is it very vulgar?'

'It's the kind of thing young people say.'

'I really should visit Spain more often. I've visited so rarely in the last twenty years that I'll be incapable of reading and understanding a newspaper soon, colloquial language changes all the time. Don't do yourself down, though. Rafita may not be quite as imbecilic as we thought, and if so, I'd be very pleased for his good father's sake. But his perceptive powers are nothing in comparison with yours, you can be quite sure about that, so don't delude yourself.'

I noticed that he looked suddenly tired. A few minutes before he had been jolly, smiling vivaciously, now he seemed worn out, sunk in himself. And then I noticed my own tiredness too. For a man his age, such a long, busy day must have been utterly exhausting, with all the preparations, the fuss, the waiters, the party, the cigarette smoke and the clever comments, lots of drink and lots of talk. Perhaps the final surrender of his socks had been the limit, or the cause.

'Peter,' I said, perhaps out of superstition, and showing a definite lack of prudence, 'I don't know if you realise, but your socks have slipped down.' And I managed to point with one timid finger at his ankles.

He immediately pulled himself together, blinked away his fatigue and had sufficient presence of mind not to look down and check. Perhaps he'd already noticed, perhaps he knew and didn't care. His gaze had grown sombre or dull now, his eyes were two newly extinguished match-heads. He smiled again, but feebly this time, or with fatherly compassion. And he reverted to English, it was less of an effort for him, as it is for me to speak in my own language.

'Another time I would have been infinitely grateful to you for pointing that out, Jacobo. But it's of little importance now. I'm going to get straight into bed and I'll be sure to take them off first. We'd both better get some sleep if we're to be fresh in the morning, we have a lot of unfinished business to deal with. Thanks for telling me, though. Good night.' He turned and started up the stairs that lay between him and the first floor, where he had his bedroom, the guest room that I would occupy and had occupied on other occasions was on the second and penultimate floor. As he turned, Wheeler accidentally kicked the ashtray, which was still there along with the corpse of his cigar. It rolled away, without breaking, its fall cushioned by the carpeted area on which the ash fell like snow, I hurried to pick it up when it was still spinning. Wheeler heard and identified the noise, but did not turn round. Still with his back to me, he said, unconcernedly: 'Don't bother cleaning it up. Mrs Berry will restore order tomorrow. She can't stand dirt. Good night.' And with the aid of his walking-stick and the banister, he began the ascent, overwhelmed once more by exhaustion, as if a great wave had suddenly broken over him, leaving him soaked and shaken, a suddenly dislocated figure, slightly shrunken despite his great size, as if he were shivering, his steps hesitant, each stair a struggle, his lovely new shiny shoes seeming to weigh heavily, his walking-stick merely a stick now. I listened, I could hear very clearly the quiet or patient or languid murmur of the river. It seemed to be talking, calmly or indifferently, almost indolently, a thread. A thread of continuity, the River Cherwell, between the dead and the living with all their similarities, between the dead Rylands and the living Wheeler.

'Sorry, Peter, can I just delay you a second longer? I wanted to ask you…'

'Yes?' said Wheeler, stopping, but still not turning round.

'I don't think I'll be able to get to sleep straight away. I imagine you've got Orwell's Homage to Catalonia and Thomas's history of the Spanish Civil War somewhere. I'd like to have a quick look at them, to check something before I go to bed, if you don't mind, that is. If you wouldn't mind lending them to me, and if they're more or less to hand.'

Now he did turn round. He raised his walking-stick and with it indicated a place above my head, moving the stick gently from side to side to his left, that is, to my right, like a pointer. His muscles had slackened, his skin, like tree bark or damp earth, seemed suddenly terribly worn.

'Almost everything about the Spanish Civil War is in there, in the study, behind you. The west bookshelf' Then, irritated, he said in scolding tones: "I imagine", he says. "I imagine." Of course I've got them. I am a Hispanist, remember. And although I've written about centuries of greater interest and momentum, the twentieth century is still my period too, you know, the one I've lived through. And yours too, by the way. Even though you've got a lot of the next century to live through as well.'

'Yes, sorry, Peter, and thanks. I'll go and find them now, if that's all right. Sleep well. Good night.'

He turned his back on me again, he only had a few more stairs to climb. He knew I wouldn't take my eyes off him until I saw that he'd reached the top, safe and sound, I feared those too-smooth soles. And doubtless knowing this, he didn't even turn his head when he spoke to me again for the last time that night, but continued to present me with the back of his neck as the obscure origin of his words. With its wavy white hair, the back of his neck was the same as Rylands's, like a carved capital grown blurred over time. From behind they were even more alike, the two friends, the similarities even more marked. From behind they were identical.

If you're thinking of looking me up in the index of names, to see if I appear and to find out what I did in the Civil War, don't lose a minute's sleep over it. I don't think Orwell's book even has that kind of index. Bear in mind, too, that in Spain my name wasn't Wheeler.'

I couldn't see his face, but I was sure that he'd recovered his vivacious smile while he was saying this. I didn't know whether to reply or not. I did:

'I see. So what did you call yourself then?'

I saw that he was tempted to turn round again, but each time he did so was something of an effort, at least it was that night, at that late hour.

'That's asking an awful lot, Jacobo. Tonight anyway. Perhaps another time. But as I say, don't waste your time, you'll never find me in those indices of names. Not in those of that period.'

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