Javier Marías - Your Face Tomorrow 1 - Fever and Spear

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In a return to the British setting of his much loved novel All Souls, Javier Marias embarks on a remarkable 'novel in parts', set in the murky world of surveillance and espionage. Fever and Spear is the first volume. In it Marias begins to weave a web of intrigue, both narrative and intellectual, that will entice the reader to follow him into the labyrinth of the novel's future books. Recently divorced, Jacques Deza moves from Madrid to London in order to distance himself from his ex-wife and children. There he picks up old friendships from his Oxford University days, particularly Sir Peter Wheeler, retired don and semi-retired spy. It is at an Oxford party of Wheeler's that Jacques is approached by the enigmatic Bertram Tupra. Tupra believes that Jacques has a talent: he is one of those people who sees more clearly than others, who can guess from someone's face today what they will become tomorrow. His services would be of use to a mysterious group whose aims are unstated but whose day-to-day activities involve the careful observation of people's character and the prediction of their future behaviour. The 'group' may be part of MI6, though Jacques will find no reference to it in any book; he will be called up to report on all types of people from politicians and celebrities, to ordinary citizens applying for bank loans. As Deza is drawn deeper into this twilight world of observation, Marias shows how trust and betrayal characterise all human relationships. How do we read people, and how far can the stories they tell about themselves be trusted when, by its very nature, all language betrays? Moving from the intimacy of Jacques' marriage to the deadly betrayals of the Spanish Civil War, Your Face Tomorrow is an extraordinary meditation on our ability to know our fellow human beings, and to save ourselves from fever and pain.

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'Yes, well, I don't know, they both seemed to be too much into doing their own thing to be a new item, which wouldn't have surprised me if they'd been a battle-hardened couple, in a marriage where the excitement has become so faded and worn that it's basically well past its sell-by date, except when the couple are left alone with nothing to keep them amused, and even then. You, of course, didn't have time to experience that, with your brief marriage all those years ago, but you must have noticed such things: there is a terrible moment, a moment of tacit grief, in almost every such marriage, in which all it takes is for a third person to be present, anyone will do, even a taxi driver with his back to them, for either the wife or the husband to pay the other not the slightest attention. Fun is no longer ever to be found in themselves, his in her or hers in him or that of either in either, it depends who loses interest first or whether the sense of boredom is simultaneous, but it almost always ends up enveloping or affecting both if they stay together, and then neither suffers too much or only from their own disappointment or withdrawal, but during periods when that balance is lacking, this saddens one partner and irritates the other beyond words. The sad one doesn't know what to do or how to behave, trying first one thing and then another and then the opposite of each, racking their brains for ways to make themselves interesting again or to be forgiven even though they don't know what fault it is they've committed, and nothing works because they are already condemned, they try being charming or unpleasant, gentle or surly, indulgent or critical, loving or belligerent, attentive or uncouth, flattering or intimidating, understanding or impenetrable, but the result is confusion and a lot of wasted time. And the irritated partner is occasionally aware of his or her partiality and unfairness, but can do nothing to avoid it, they just feel permanently irascible, and everything about the other person gets on their nerves, and this is the ultimate proof, in personal, day-to-day life, that nothing is ever objective and that everything can be misinterpreted and distorted, that no merit or value is worth anything in itself without the recognition of another person which, more often than not, is purely arbitrary, that actions and attitudes always depend on the intention attributed to them and on the interpretation someone chooses to give them, and that without that interpretation they are nothing, they do not exist, they are either merely neutral or can, without a moment's hesitation, be denied. The most obvious truths are denied, something that has just happened and been witnessed by two people can be immediately denied by one of them, one can deny what the other has just said or heard that very moment, not yesterday or some time ago, but just the minute before. It's as if nothing mattered, nothing accrued or had weight and was, simultaneously, being destroyed, out of sheer indifference, mere uncounted, unremembered air, and grubby air at that, and it's equally maddening for both, although in a different way for each of them and more intensely so for the sad one. Until everything breaks apart. Or doesn't, and then the whole thing drags on, it's assimilated internally, while on the outside all is calm and languor, or else it's stored away and quietly, secretly rots, like something buried. And even though it's all over, the two remain together, as it seemed to me, more or less, Tupra and Beryl have stayed together.'

Wheeler clearly didn't want to lose sight of them, and I had returned to them at last after my long digression, which I was, nevertheless, thinking of continuing. But instead of taking advantage of my return to the subject, he seemed to have momentarily forgotten about the couple and to be interested in what I was saying, even though he thus ran the risk that I might once more go off the subject. It was probably just curiosity, because he couldn't resist asking:

'Was that what happened with you and Luisa? Except that it didn't drag on and you didn't stay together.' He observed me for a second with that look of compassion which he immediately corrected or toned down. He didn't dismiss or reject or withdraw it, far from it, he merely adjusted it after its first appearance, which was entirely sincere and spontaneous.

But it could never persist in him, that state of innocence or elementality, as he might have put it, were he describing it.

'No, I or we didn't let it get that far. It was something else, something simpler perhaps and certainly faster. Less cloying. Cleaner perhaps.'

'Some day you'll have to tell me a little more about it. If you want to, of course, and if you can, sometimes it's impossible to explain the really important things, those that have affected us most deeply, and keeping silent is all that saves us in difficult times, because explanations almost always sound so lame with respect to the pain we have inflicted or that others have inflicted on us. They tend not to match up to the evil suffered or caused and so they break down. I don't understand what's happened between you two, although I can understand why I don't. I was very fond of you both. Well, it's absurd to talk about you in the past: I am very fond of you both. I suppose it's because as a couple you seem to belong to the past, for the moment. Because you never know with such bonds, do you, regardless of their actual nature. Bonds.' He stopped for a moment, as if weighing the word or remembering some particular bond of his own. 'I meant that I liked you together, and usually one tends to prefer people separately, on their own, without conjugal or family accretions. Although, now that I think of it, I don't know if I've ever seen Luisa without you, if I've ever seen her alone, can you remember? I have an idea that I have, but I'm not entirely sure.'

'I don't think so, Peter, I don't think you've seen her without me being there. Though obviously you've spoken on the phone.' I must have sounded reluctant to take up this final and, for me, unexpected tangent. But it did not escape me that if Wheeler and Luisa had not seen each other without me (I wasn't quite sure about this either, some vague, ungraspable memory was nagging at me), what he had just said was that he liked me more with Luisa than on my own, as I was when he had first met me. I was not offended by the inference: I was in no doubt that she had improved me, had made me happier and lighter, less given to brooding, less dangerous and much less opaque.

'My dear, my dear,' I thought, and I thought it in English because that was the language I was speaking and because some things are less embarrassing in a language not your own, even if you only think them. 'If I could only forget,' I thought now in Spanish. 'If you would only grant me your forgetting.'

But before getting back to the Tupras – or, rather, to Tupra and Beryl – Peter added something of his own to this detour, or as he would doubtless have called it, this excursus.

'I don't know if you realise,' he said, as he rekindled his cigar with another match, so that, as he spoke, he was enveloped in a cloud of smoke worthy of a steam engine, 'but everything you have described as happening in the conjugal or private world happens in every other sphere as well, at work, in public life, in politics. The denial of everything, of who you are and who you've been, of what you do and what you've done, of what you're trying or have tried to do, of your motives and intentions, of your professions of faith, your ideas, your greatest loyalties, your causes… Everything can be distorted, twisted, destroyed, erased, if, whether you know it or not, you've been sentenced already, and if you don't know, then you're utterly defenceless, lost. That's how it is with persecutions, purges, with the worst of intrigues and plots, you have no idea how frightening it is when someone with power and influence decides to deny you, or when many people band together in agreement, although agreement isn't always necessary, all that's needed is a malicious deed or word that takes and spreads like fire, and convinces others, it's like an epidemic. You don't know how dangerous persuasive people can be, never pit yourself against such people unless you are prepared to become even more despicable than they are and unless you're sure that your imagination, no, your capacity for invention is even greater than theirs, and that your outbreak of cholera will spread faster and in the right direction. You have to bear in mind that most people are stupid. Stupid and frivolous and credulous, you have no idea just how stupid, frivolous and credulous they are, they're a permanently blank sheet without a mark on it, without the least resistance, and though you may think you know this, you can never really know it, after all, you haven't lived through war, and I hope you never will. The person doing the persuading relies on that stupidity, he may rely on it too much and yet he's never wrong, he relies on it to the utmost, to the point of exaggeration, and that reliance confers on him an almost limitless boldness. If he's good, he never makes a mistake.' He stopped talking for a moment and allowed the smoke, which seemed now to be emerging from his white, pastry-like hair, to subside, then he looked at me very hard, with a mixture of curiosity and confirmation, as if he were both seeing me for the first time and recognising me (perhaps as the subject of the last sentence he had uttered), or were comparing me with someone else or with himself, or as if he were perhaps blessing me. 'You have that quality, you're very persuasive. It would be most unwise of anyone to pit themselves against you.' The cigar was drawing well again, he observed its glowing red end with satisfaction and even blew on it for sheer pleasure, to see it blush redder still. 'Nowadays, people don't often use the expression "to fall from grace", do they? To fall from grace. It's interesting and rather odd that it should be so little used, when what it denotes, better than any other expression, is happening all the time, unstoppably and everywhere and possibly more than ever, although more quietly and more surreptitiously than in the past, and it often entails the destruction of the person who falls, who is literally one of the fallen, who is, how can I put it, a casualty, a non-person, a felled tree. I've seen it often, more than that, I've even been a party to it myself, by which I mean that I've contributed to the fall from grace of a number of individuals, a horrible fall which no one ever recovers from. I've even brought it about myself. Or, rather, I've helped to bring about a fall from grace decreed by others. I've helped carry it out.'

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