John Irving - The World According to Garp

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This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with “lunacy and sorrow”; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

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“Hey, you better wait here!” the policeman called after him, but Garp was in stride and clearly not stopping.

He followed the great rents in the ground that the horse had made. He had not gone even half a mile back along the path before he saw the bent figure of a man, maybe twenty-five yards off the path and almost hidden by the trees. Garp yelled at the figure, an elderly gentleman with a white mustache, who looked over his shoulder at Garp with an expression so surprised and ashamed that Garp was sure he'd found the child molester. He thundered through the vines and small, whiplike trees to the man, who had been peeing and was hastening to fold himself back into his trousers. He looked very much like a man caught doing something he shouldn't have done.

“I was just...” the man began, but Garp was upon him and thrust his stiff, cropped beard into the man's face. Garp sniffed him over like a hound.

“If it's you, you bastard, I can smell it on you!” Garp said. The man flinched away from this half-naked brute, but Garp seized both the man's wrists and snapped the man's hands up under his nose. He sniffed again, and the man cried out as if he feared Garp was going to bite him. “Hold still!” Garp said. “Did you do it? Where are the child's clothes?”

“Please!” the man piped. “I was just going to the bathroom.” He had not had time to close his fly and Garp eyed his crotch suspiciously.

“There is no smell like sex,” Garp wrote. “You cannot disguise it. It is as rich and clear as spilled beer.”

So Garp dropped to his knees in the woods and unbuckled the man's belt and tore open the man's pants and yanked the man's undershorts straight down to the man's ankles; he stared at the man's frightened equipment.

“Help!” the old gentleman screamed. Garp took a deep sniff and the man collapsed in the young trees; staggering like a puppet strung under the arms, he thrashed in a thicket of slender trunks and branches too dense to allow him to fall. “Help, God !” he cried, but Garp was already running back out to the bridle path, his legs digging through the leaves, his arms pummeling the air, his struck collarbone throbbing.

At the entrance to the park the mounted policeman clattered about the parking lot, peering in parked cars, circling the squat brick hut where the rest rooms were. A few people watched him, sensing his eagerness. “No mustaches,” the policeman called to Garp.

“If he got back here before you did, he could have driven away,” Garp said.

“Go look in the men's room,” the policeman said, riding toward a woman with a baby carriage piled high with blankets.

Every men's room made Garp remember every W.C.; at the door to this sour place, Garp passed a young man who was just leaving. He was clean-shaven, his upper lip so smooth that it almost shone; he looked like a college kid. Garp entered the men's room like a dog with his hair standing up on the back of his neck and his hackles curling. He checked for feet under the crapper-stall doors; he would not have been surprised to see a pair of hands—or a bear. He looked for backs turned toward him at the long urinal—or for anyone at the dirty brown sinks, peering into the pitted mirrors. But there was no one in the men's room. Garp sniffed. He had worn a full but trimmed beard for a long time and the smell of shaving cream was not instantly recognizable to him. He just knew he smelled something foreign to this dank place. Then he looked in the nearest sink: he saw the gobs of lather, he saw the whiskers rimming the bowl.

The young, clean-shaven man who looked like a college kid was crossing the parking lot, quickly but calmly, when Garp came out the men's room door. “It's him !” Garp hollered. The mounted cop looked at the young molester, puzzled.

He doesn't have a mustache,” the policeman said.

“He just shaved it off!” Garp cried; he ran across the lot, straight at the kid, who began to run toward the maze of paths lacing the park. A litter of things flew out from under his jacket as he ran: Garp saw the scissors, a razor, a shaving cream can, and then came the little batches of clothes—the girl's, of course. Her jeans with a ladybug sewn at the hip, a jersey with the beaming face of a frog on the breast. Of course there was no bra; there was no need. It was her panties that got to Garp. They were simply cotton, and a simple blue, stitched at the waistband was a blue flower, sniffed at by a blue bunny.

The mounted policeman simply rode over the kid who was running away. The chest of the horse pounded the kid face forward into the cinder entry path and one rear hoof took a U-shaped bite of flesh out of the kid's calf; he curled, fetal, on the ground, holding his leg. Garp came up then, the girl's blue-bunny panties in his hand; he gave them to the mounted cop. Other people—the woman with the blanketed carriage, two boys on bikes, a thin man carrying a newspaper—approached them. They brought the cop the other things the kid had dropped. The razor, the rest of the girl's clothes. Nobody spoke, Garp wrote later that at that moment he saw the short history of the young child molester spread out at the horse's hooves: the scissors, the shaving cream can. Of course! The kid would grow a mustache, attack a child, shave the mustache (which would be all most children would remember).

“Have you done this before?” Garp asked the kid. ”

You're not supposed to ask him anything,” the policeman said. But the kid grinned stupidly at Garp. “I've never been caught before,” he told him, cockily. When he smiled, Garp saw that the young man had no upper front teeth: the horse had kicked them out. There was just a bleeding flap of gum. Garp realized that something had probably happened to this kid so that he didn't feel very much—not much pain, not much of anything else.

Out of the woods at the end of the bridle path the second policeman came walking his horse—the child in the saddle, covered by the policeman's coat. She clutched Garp's T-shirt in her hands. She did not seem to recognize anybody. The policeman led her right up to where the molester lay on the ground, but she didn't really look at him. The first policeman dismounted; he went to the molester and tilted his bleeding face up toward the child. “Him?” he asked her. She stared at the young man, blankly. The molester gave a short laugh, spat out a mouthful of blood; the child made no response. Then Garp gently touched his finger to the molester's mouth; with the blood on his finger, Garp lightly smeared a mustache on the young man's upper lip, tbe child began to scream and scream. The horses needed quieting. The child kept screaming until the second policeman took the molester away. Then she stopped screaming and gave Garp back his T-shirt. She kept patting the thick ridge of black hair on the back of the horse's neck as if she had never been on a horse before.

Garp thought it must have hurt her to sit on horse back, but suddenly she asked, “Can I have another ride?” Garp was at least glad to hear that she had a tongue.

It was then that Garp saw the nattily dressed, elderly gentleman whose mustache had been innocent; he was making his meek way out of the park, coming cautiously into the parking lot, looking anxiously about for the madman who'd so savagely snatched his pants down and sniffed him like some dangerous omnivore. When the man saw Garp standing beside the policeman, he seemed relieved—he assumed Garp had been apprehended—and he more boldly walked toward them. Garp contemplated running—to avoid the confusion, the explanation—but just then the policeman said, “I have to get your name. And what it is that you do. Besides run in the park.” He laughed.

“I'm a writer,” Garp told him. The policeman was apologetic that he hadn't heard of Garp, but at the time Garp hadn't published anything except “The Pension Grillparzer"—there was very little the policeman could have read. This seemed to puzzle the policeman.

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