John Irving - The World According to Garp

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This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with “lunacy and sorrow”; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

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There was also a bad but very popular novel that followed Garp's murder by about two months. It took three weeks to write and five weeks to publish. It was called Confessions of an Ellen Jamesian and it did much to drive the Ellen Jamesians even wackier or simply away. The novel was written by a man, of course. His previous novel had been called Confessions of a Porn King , and the one before that had been called Confessions of a Child Slave Trader . And so forth. He was a sly, evil man who became something different about every six months.

One of his cruelly forced jokes, in Confessions of an Ellen Jamesian , was that he conceived of his narrator-heroine as a lesbian who doesn't realize until after she's cut off her tongue that she has made herself undesirable as a lover , too.

The popularity of this vulgar trash was enough to embarrass some Ellen Jamesians to death. There were, actually, suicides. “There are always suicides,” Garp wrote, “among people who are unable to say what they mean.”

But, in the end, Ellen James sought them out and befriended them. It was, she thought, what Jenny Fields would have done. Ellen took to giving poetry readings with Roberta Muldoon, who had a huge, booming voice. Roberta would read Ellen's poems while Ellen sat beside her, looking as if she were wishing very hard that she could say her own poems. This brought out of hiding a lot of Ellen Jamesians who had been wishing they could talk, too. A few of them became Ellen's friends.

Ellen James would never marry. She may have known an occasional man, but more because he was a fellow poet than because he was a man. She was a good poet and an ardent feminist who believed in living like Jenny Fields and believed in writing with the energy and the personal vision of T. S. Garp. In other words, she was stubborn enough to have personal opinions, and she was also kind to other people. Ellen would maintain a lifelong flirtation with Duncan Garp—her younger brother, really.

The death of Ellen James would cause Duncan much sorrowing. Ellen, at an advanced age, became a long-distance swimmer—about the time she succeeded Roberta as the director of the Fields Foundation. Ellen worked up to swimming several times across the wide neck of Dog's Head Harbor. Her last and best poems used swimming and “the ocean's pull” as metaphors. But Ellen James remained a girl from the Midwest who never thoroughly understood the undertow; one cold fall day, when she was too tired, it got her.

“When I swim,” she wrote to Duncan, “I am reminded of the strenuousness, but also the gracefulness, of arguing with your father. I can also feel the sea's eagerness to get at me—to get at my dry middle, my landlocked little heart. My landlocked little ass, your father would say, I'm sure. But we tease each other, the sea and I. I suppose you would say, you raunchy fellow, that this is my substitute for sex.”

FLORENCE COCHRAN BOWLSBY, who, was best known to Garp as Mrs. Ralph, would live a life of larkish turmoil, with no substitute for sex in sight—or, apparently, in need. She actually completed a Ph.D. in comparative literature and was eventually tenured by a large and confused English Department whose members were only unified by their terror of her. She had, at various times, seduced and scorned nine of the thirteen senior members—who were alternately admitted to and then ridiculed from her bed. She would be referred to by her students as “a dynamite teacher,” so that she at least demonstrated to other people, if not to herself, some confidence in an area other than sex.

She would hardly be referred to at all by her cringing lovers, whose tails between their legs were all remindful to Mrs. Ralph of the manner in which Garp had once left her house.

In sympathy, at the news of Garp's shocking death, Mrs. Ralph was among the very first to write to Helen. “His was a seduction,” Mrs. Ralph wrote, “whose non-occurrence I have always regretted but respected.”

Helen came to rather like the woman, with whom she occasionally corresponded.

Roberta Muldoon also had occasion to correspond with Mrs. Ralph, whose application for a Fields Foundation fellowship was rejected. Roberta was quite surprised by the note sent the Fields Foundation by Mrs. Ralph.

Up yours,

the note said. Mrs. Ralph did not appreciate rejection.

Her own child, Ralph, would die before her; Ralph became quite a good newspaperman and, like William Percy, was killed in a war.

BAINBRIDGE PERCY, who was best known to Garp as Pooh, would live a long, long time. The last of a train of psychiatrists would claim to have rehabilitated her, but Pooh Percy may simply have emerged from analysis—and a number of institutions—too thoroughly bored with rehabilitation to be violent anymore.

However it was achieved, Pooh was, after a great while, peaceably reintroduced to social intercourse; she reentered public life, a functioning if not speaking member of society, more or less safe and (finally) useful. It was in her fifties that she became interested in children; she worked especially well and patiently with the retarded. In this capacity, she would frequently meet other Ellen Jamesians, who in their various ways were also rehabilitated—or, at least, vastly changed.

For almost twenty years Pooh would not mention her dead sister, Cushie, but her fondness for children eventually confused her. She got herself pregnant when she was fifty-four (no one could imagine how) and she was returned to institutional observation, convinced, as she was, that she would die in childbirth. When this didn't occur, Pooh became a devoted mother; she also continued her work with the retarded. Pooh Percy's own child, for whom her mother's violent history would be a severe shock in her later life, was fortunately not retarded; in fact, she would have reminded Garp of Cushie.

Pooh Percy, some said, became a positive example for those who would forever put an end to capital punishment: her rehabilitation was so impressive. Only not to Helen, and to Duncan Garp, who would wish to their graves that Pooh Percy had died at that moment when she last cried “Ig!” in the Steering wrestling room.

One day Pooh would die, of course; she would succumb to a stroke in Florida, where she was visiting her daughter. It was a small consolation to Helen that Helen would outlive her.

The faithful Whitcomb would choose to describe Pooh Percy as Garp had once described her, following his escape from the first feminist funeral. “An androgynous twerp,” Garp said to Dean Bodger, “with a face like a ferret and a mind completely sodden by spending nearly fifteen years in diapers.”

That official biography of Garp, which Donald Whitcomb titled Lunacy and Sorrow: The Life and Art of T. S. Garp , would be published by the associates of JOHN WOLF, who would not live to see the good book in print. John Wolf had contributed much effort to the book's careful making, and he had worked in the capacity of an editor to Whitcomb—over most of the manuscript—before his untimely demise.

John Wolf died of lung cancer in New York at a relatively young age. He had been a careful, conscientious, attentive, even elegant man—most of his life—but his deep restlessness and unrelieved pessimism could only be numbed and disguised by smoking three packs of unfiltered cigarettes per day from the time he was eighteen. Like many busy men who maintain an otherwise calm and managed air about themselves, John Wolf smoked himself to death.

His service to Garp, and to Garp's books, is inestimable. Although he may from time to time have held himself responsible for the fame which, in the end, provoked Garp's own violent killing, Wolf was far too sophisticated a man to dwell on such a narrow view. Assassination, in Wolf's opinion, was “an increasingly popular amateur sport of the times"; and “political true believers,” as he called nearly everybody, were always the sworn enemy of the artist—who insisted, however arrogantly, on the superiority of a personal vision. Besides, Wolf knew, it was not only that Pooh Percy had become an Ellen Jamesian, and had responded to Garp's baiting; hers was a grievance as old as childhood, possibly aggravated by politics but basically as deep as her long need for diapers. Pooh had gotten it into her head that Garp's and Cushie's love for fucking each other had finally been lethal to Cushie. At least, it is true, it was lethal to Garp.

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