John Irving - Until I Find You

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Until I Find You When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead — has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England — including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women — from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older — and when his mother dies — he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception,
is also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.

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Both of Noah’s parents were academics, theorists in early-childhood education. From their appearance, and that of their Cambridge household—not to mention Noah’s scholarship to Exeter, and Leah had gone to Andover and Radcliffe on scholarships—Jack guessed that there was little money to be made in early-childhood education. (A pity, because it was inarguably very formative to Jack.)

The Rosens had a high regard for education at every level; it must have devastated them that Leah left Radcliffe. She went to Madison, Wisconsin, and got into some trouble there. It wasn’t drug trouble; it was something political—the wrong bunch of friends, Noah implied. “There was a succession of bad boyfriends,” Noah told Jack, “beginning with you.”

Leah Rosen ended up dead, in Chile. That’s all Jack knew. At least there wasn’t any water involved—not the absurd Nezinscot, the so-called river that claimed Mrs. Adkins.

Jack hadn’t meant these people any harm! Not Mrs. Stackpole, either; her body was found in the Exeter River, below the falls. Above the falls, the river was freshwater and not very deep. Below the falls, the water was brackish—the lower river was tidal—and Mrs. Stackpole was discovered in the salt water, in the mudflats at low tide. The water had receded enough for a golfer to spot the body, or maybe it was a rower on the Exeter crew. Distracted by his impending graduation, Jack couldn’t remember. In either case, the academy’s former dishwasher was unrecognizable; she’d been underwater too long.

She’d been strangled, the town newspaper said, and then dumped in the river—she hadn’t drowned. Had Mrs. Stackpole told her husband about Jack? Had her husband somehow found out? Was there someone else she was seeing, in addition to Jack? As so often happened in New Hampshire, everyone suspected the husband who worked in the gasworks and came home for lunch. But he was never charged.

Nor was Jack charged, except by Noah Rosen—and not even Noah accused Jack of the actual murder. “Let’s just say you probably contributed to it,” Noah said.

He might have said worse, had Leah died in Chile before Mrs. Stackpole was found in the Exeter River. But Leah was still in Madison, Wisconsin, though no doubt she was already in a Chile frame of mind.

In those years away at school, Jack extended the distance between his mother and himself—a process Alice had initiated when Jack was still at St. Hilda’s. But what little he saw of Emma was always elevating, and their fondness for each other grew. He was too young—and too inclined to think of women as novelties—to acknowledge that he adored Emma.

Only Emma understood why, for four years at Exeter, which was a coed school, Jack never really had a girlfriend. Emma knew he liked older women; the Exeter girls were just girls. When Jack was in grade nine, when he was fourteen going on fifteen, some of the Exeter seniors, who were seventeen or eighteen, attracted him, but he was no longer a pretty little boy. He was a gawky young teenager; in his first two years at Exeter, the older teenage girls ignored him.

Naturally, Jack saw something of Emma in those years—and not only over school vacations or for parts of every summer. Upon her graduation from St. Hilda’s, Emma had gone to McGill in Montreal, which Mrs. Oastler, who was a fiercely loyal Torontonian, considered an un-Toronto (or an anti-Toronto) thing to do.

Emma was quickly bored, not by McGill but with the Quebecois. She was always an excellent student, although French wasn’t her favorite subject; she discovered that she liked French movies better with subtitles. It was movies themselves that Emma decided she liked.

She got into NYU, where she declared herself a film major. Her grades had been good at McGill; she was able to transfer all her credits, and she loved living in New York. When Jack began at Exeter, in the fall of 1979, Emma was starting her second year of university but her first at NYU. On her invitation, Jack traveled to New York to see her for a weekend that fall. It wasn’t much of a weekend. Exeter had a half-day of classes on Saturday; getting from New Hampshire to New York City took the rest of the day, and Jack was required to be back at the academy by eight o’clock Sunday night.

Nevertheless he had a thrilling Saturday night and Sunday morning with Emma and her film-major friends. They went to an all-night cinema that was playing Billy Wilder movies. Jack wasn’t that familiar with Wilder, although he’d seen Some Like It Hot in Toronto with his mother; he must have been nine or ten. When Marilyn Monroe sang “I Wanna Be Loved by You” in that sequined dress, Jack got a boner and made the mistake of showing it to his mom. (Alice’s sarcasm toward her son’s penis could be brutal. She didn’t say, “Just like your father,” but the look she gave Jack said it for her.)

In New York, the first film Emma and her friends and Jack saw was Five Graves to Cairo, but Jack would remember only the beginning: that ghost tank transporting dead soldiers through the desert. After the tank, he forgot everything that happened to Franchot Tone—largely because Emma put her hand in his lap and held his penis for the rest of the movie. It was not until years later that Jack realized Erich von Stroheim had been Rommel.

There was more penis-holding through The Lost Weekend, during which Jack got the idea that Ray Milland looked like his father—or like what he imagined his dad might look like if William were drunk.

Jack had fallen asleep on Emma’s shoulder for the whole of Sunset Blvd.; then he woke up and although he had to pee, he watched every minute of Ace in the Hole. On Sunday morning, over breakfast, Emma’s film-major friends said Jack should have slept through Ace in the Hole and stayed awake for Sunset Blvd.

“That’s what I love about you, honey pie—don’t listen to them,” Emma said. Jack didn’t like her friends very much, but being with Emma was worth every minute of that long trip.

He would never be a Billy Wilder fan, although Wilder was born in Vienna and Jack could see what was European about even the most American of his films. It was the European filmmakers who first interested Jack, and it was Emma Oastler who introduced him to them. Whether with Emma on weekends in New York, or with Noah on weekends in Cambridge—when they would see all the foreign films in Harvard Square—Jack became a fan of films with subtitles. With the exception of Westerns, he didn’t like American movies at all.

On the subject of not being like his father, it would occur to Jack that if William had met Emma when he was a young man, he probably would have had sex with her—and from everything she’d heard about Jack’s father, Emma agreed that she would have submitted to his charms.

“That’s one reason you can be happy that we haven’t had sex,” Emma told Jack. As to how she felt about not having sex with Jack, Emma didn’t say.

Every winter term at Exeter, Jack’s weekends were taken up by wrestling. Emma would often rent a car and come to see his matches; she herself had stopped wrestling and was once again struggling with her weight. Emma was a binge eater, but she was a binge weightlifter, too. She would take up smoking, quit smoking, start overeating, stop, and then go kill herself in the gym. When the cycle began again, Emma seemed powerless to interrupt its predictable course.

What she needed was Chenko, her favorite workout partner, but Chenko was not only far away in Toronto—he was waiting for a hip replacement. Boris had gone back to Belarus. “A family matter,” was all Pavel, who had moved to Vancouver, would say. He’d married a woman from British Columbia—someone he met in his cab.

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