John Irving - Until I Find You

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Until I Find You When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead — has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England — including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women — from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older — and when his mother dies — he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception,
is also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.

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Alice sat up suddenly and covered her breasts with both hands. She was naked, too, but Jack had not seen her in the bed until she moved. She sat bolt-upright with Leslie Oastler’s legs wrapped around her. Mrs. Oastler hadn’t moved, but Jack saw that her eyes had regained their focus; he was greatly relieved that she saw him.

“I didn’t die, but I had a dream,” Jack told them.

“Go back to your room, Jack—I’ll be right there,” his mom told him.

Alice was looking for her nightgown, which she found tangled in the sheets at the foot of the bed. Leslie Oastler just lay there naked, staring at Jack. In the candlelight, the rose-red, rose-pink petals of her Rose of Jericho looked like two shades of black—black and blacker.

Jack was in the hall, going back to his room, when he heard Mrs. Oastler say: “You shouldn’t still be sleeping in the same bed with him, Alice—he’s too old.”

“I only do it when he’s had a bad dream,” Alice told her.

“You do it whenever Jack wants to do it,” Mrs. Oastler said.

“I’m sorry, Leslie,” Jack heard his mother say.

The boy lay in his bed, not knowing quite what he should do or say about the wet spot. Maybe nothing. But when his mother got into bed with him, it didn’t take her long to discover it. “Oh, it was that kind of dream,” she said, as if this hardly counted as a nightmare.

“It’s not blood, it’s not pee,” the boy elaborated.

“Of course it isn’t, Jack—it’s semen.

Jack was thoroughly confused. (He failed to see how a wet dream could have anything to do with sailors !) “I didn’t mean to do it,” he explained. “I don’t even remember doing it.”

“It’s not your fault, Jackie—a boy’s wet dreams just happen.”

“Oh.”

He wanted her to hold him; he wanted to snuggle against her, the way he used to snuggle against her after bad dreams when he was smaller. But when he tried to get closer to her, he unintentionally touched her breasts and she pushed him away. “I think you’re too old to be in bed with me,” she said.

“I’m not too old!” Jack told her. How could he go from being not old enough to being too old in such a hurry? He felt like crying, but he didn’t. His mom must have sensed it.

“Don’t cry, Jack—you’re almost too old to cry,” she said. “When you go away to school, you can’t cry. If you cry, the boys will tease you.”

“Why am I going away to school?” he asked her.

“It’s better for everyone,” his mother said. “Under the circumstances, it’s just better.”

What circumstances?”

“It’s just better,” she repeated.

“It’s not better for me !” Jack cried. She put her arms around him and let him snuggle against her. It was the way he used to fall asleep when he was four and they were in Europe.

Jack should have told his mom about Mrs. Machado. (If he’d told his mother about Mrs. Machado, maybe Alice would have realized that he was still not old enough—that there was nothing too old about him.) But Jack didn’t tell her. He fell asleep in her arms, like the old days—or almost like the old days. Something about her smell was different; his mother’s face had a funny odor. Jack realized it was the same strong smell he had noticed in his bath. Maybe the odor had come from Mrs. Machado. As before, it was strange not knowing if he liked the smell. Even in his sleep, the smell persisted.

How long had Leslie Oastler been there in Jack’s bedroom with them, just sitting on Alice’s side of the bed? When Jack woke up and saw her, he didn’t know at first that it was Mrs. Oastler. Jack thought it was the stained-glass saint. She’d come back to claim him! (Maybe that was how a woman saint took possession of you, by taking all her clothes off first.)

Leslie Oastler was naked, and she was rubbing Alice on that spot between her shoulder blades where Boris had a tattoo of the Chinese character for luck and Pavel had a tattoo of a tenaculum.

Jack must have woken up only a split second before his mom did. “You should put some clothes on, Leslie,” Alice was saying.

“I had a dream,” Mrs. Oastler replied. “A bad one.”

“Go back to your room, Leslie—I’ll be right there,” Alice said. Jack watched Mrs. Oastler leave his room; she was awfully proud of her body, the boy thought. His mother kissed him on the forehead. There was that smell again; he shut his eyes, still trying to decide if he liked it. His mom kissed him on his eyelids. It was a hard smell to like; nevertheless, he thought he liked it.

“I’m sorry, Jack,” his mom said. He kept his eyes closed and listened to her bare feet padding down the hall after Leslie Oastler.

He couldn’t wait for Emma to get back from the fat farm in California. Surely Emma would help him understand these new and troubling “circumstances”—to use his mother’s word for her relationship with Mrs. Oastler.

With Mrs. Machado as his regular workout partner, Jack’s wrestling noticeably improved—although not as noticeably as hers. She was a feisty competitor—even Chenko was impressed—and she was twice his weight, an advantage he couldn’t overcome. Jack still managed to hold her down with a cross-body ride, but he had trouble taking her down in the first place; she controlled their tie-ups on the feet, to the degree that he couldn’t ankle-pick her anymore. An arm-drag to an outside single-leg was the only offensive takedown he occasionally got on her, and Mrs. Machado was impossible to pin unless he caught her in a cross-face cradle. She was just too strong for him, especially in the area of hand control. But Jack knew he was getting better.

Mrs. Machado knew it, too, and she encouraged him. Two thirds of the points they scored were hers, but she was the one who needed to rest. He wasn’t the one who got tired.

Wrestling was a weight-class sport, Chenko kept reminding him. If or when he ever got the opportunity to wrestle a kid his own size, both Boris and Pavel agreed that Jack would pound him. But there was no one Jack’s size in his life, at least not for the remainder of that summer.

When Emma came home from the fat farm, she’d lost ten pounds—but neither her disposition nor her eating habits had improved. “They just fucking starved me,” was how she put it.

Emma still outweighed Mrs. Machado, whom Emma briefly replaced as Jack’s nanny. Emma was in Toronto less than a week before she had to leave for her father’s cottage in Georgian Bay for all of July. Still, in the few nights they were alone together, Jack could have told Emma about Mrs. Machado. He didn’t. It was upsetting enough that he told her about her mom and his, about discovering them in bed together. What upset Jack most was that Emma was unsurprised. “Well, I’ve seen them do everything but lick each other,” she said with disgust. “It’s no wonder they’re sending you to fucking Maine and making me a goddamn boarder !”

“Lick what ?”

“Forget it, Jack. They’re lovers, okay? They like each other in the way girls usually like boys, and vice versa.”

“Oh.”

“I don’t care what they’re doing!” Emma cried. “What pisses me off, baby cakes, is that they won’t talk to us about it. They’re just getting rid of us instead!”

Jack decided that he had a right to be pissed off about the issue of not talking about it, too. It seemed a further injustice that there were photographs of Emma and Jack, often together, all over the Oastler house. Surely these pictures were evidence that they were a family, that Emma and Jack belonged there—yet they were being sent away!

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