John Irving - Until I Find You

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Until I Find You When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead — has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England — including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women — from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older — and when his mother dies — he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception,
is also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.

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But that didn’t explain the photos of Jack with Emma—though Lottie must have taken the ones in Mrs. Wicksteed’s kitchen, there were more pictures of Jack with Emma in Mrs. Oastler’s house—or the ones of Jack with Chenko in the Bathurst Street gym, or the ones of Jack wrestling at Redding! Had Leslie Oastler sent William photographs? Had Jack’s mother relented, if only a little?

But Mrs. Oastler and Jack’s mom had never been to Redding. Had Coach Clum sent those wrestling pictures to William? There were Exeter wrestling photographs, too; maybe Coach Hudson and Coach Shapiro had also been messengers.

Jack heard the door to the corridor close softly. When he looked at his father on the hospital bed, William’s eyes were open and he was smiling. Jack had no idea how long his father had been watching him. Jack had barely glanced at one of the dozen or more bulletin boards; he’d seen only a fraction of the photographs, but enough to know that his dad had surrounded himself with images of Jack’s childhood and his school years. (It explained something about Heather’s anger toward Jack—namely, that Jack’s past was more of a visual presence in their father’s confined quarters than hers. )

“I was afraid you’d forgotten me,” his dad said. It was one of Billy Rainbow’s lines. Jack had always liked that line, and his father delivered it perfectly.

Jack made a feeble gesture to all the photographs. “I was afraid you’d forgotten me !” he blurted out—in his own voice, not Billy Rainbow’s.

“My dear boy,” his dad said; he patted the bed and Jack sat beside him. “You don’t have children of your own; when you do, you’ll understand that it’s impossible to forget them!”

Jack only now noticed his father’s gloves. They must have been women’s gloves—close-fitting and of such thin material that William could turn the pages of his book as well as if he were bare-handed. The gloves were a light tan, almost skin-colored.

“My hands are so ugly,” Jack’s father whispered. “They got old before the rest of me.”

“Let me see them,” Jack said.

William winced once or twice, pulling the gloves off his fingers, but he wouldn’t allow Jack to help him. He put his hands in his son’s hands; Jack could feel his father trembling a little, as if he were cold. (The room now felt hot to Jack.) The gnarling of his dad’s knuckles was so extreme that Jack doubted his father could slide a ring on or off his fingers—William wore no rings. And the bony bumps, Heberden’s nodes, which had formed on the far-knuckle joints, disfigured his father’s hands more than Jack had anticipated.

“The rest of me is okay, Jack,” his dad said. He held one hand on his heart. “Except here, on occasion.” He put the index finger of his other hand to his temple, as if he were pointing a gun at his head. “And in here, ” he added, giving Jack a mischievous little smile. “How about you?”

“I’m okay,” Jack told him.

It was like looking at himself on a hospital bed, in clothes he would never wear—as if Jack had fallen asleep one night when he was thirty-eight, and had woken up the next day when he was sixty-four.

William Burns was thin in the way that many musicians were. With his long hair and the small-boned, feminine prettiness of his face, he looked more like a rock musician than an organist—more like a lead singer (or one of those skinny, androgynous men with an electric guitar) than “a keyboard man,” as Heather had called him.

“Are we really going to the Kronenhalle?” Jack’s father asked.

“Yes. What’s so special about it?” Jack asked him.

“They have real art on the walls—Picasso, and people like that. James Joyce had his own table there. And the food’s good,” William said. “We’re not going with Dr. Horvath, I hope. I like Klaus, but he eats like a farmer!”

“We’re going with Dr. von Rohr and Dr. Krauer-Poppe,” Jack told him.

“Oh, what joy,” William said, as he had before—sarcastically. “They’re two of the best-looking shrinks you’ll ever see—I’ll give them that—but a little of Ruth goes a long way, and Anna-Elisabeth never takes me anywhere without bringing some medication along.”

Jack was struggling against the feeling that his sister had warned him he would have: his father seemed almost normal to him, or not half as eccentric as he’d expected. William certainly wasn’t as wound up as Professor Ritter, or as obstreperous as Dr. Horvath—nor was he a third as intense as Dr. Berger, or Dr. von Rohr, or Dr. Krauer-Poppe. In fact, among the team attending to William Burns, only Dr. Huber had struck Jack as normal— and she was an internist, not a psychiatrist. (A pragmatist, Heather had called her.)

“You have so many photographs,” Jack said to his dad. “Of me, I mean.”

“Well, yes—of course !” William cried. “You should have a look at them. You never knew that some of them were being taken, I’m sure!”

Jack got up from the bed and looked at the bulletin boards, his father following him in his socks—as closely and silently as Jack’s shadow.

There were more wrestling photos—too many, Jack thought. Who could have taken them all? There were as many as ten of the same match! This was true of one of his matches at Redding and two at Exeter. Jack wasn’t aware that he’d had such a devoted admirer at either school. Of course Jack knew that his father had paid the tuition, both at Exeter and at Redding; perhaps William had felt entitled to ask someone to take pictures of Jack wrestling, but who ?

Jack felt his father’s arms around his chest, under his own arms; the long, knobby fingers of William’s small hands were interlocked on his son’s heart. Jack felt his father kiss the back of his head. “My dear boy!” his dad said. “It was so hard to imagine my son as a wrestler ! I simply had to see it for myself.”

“You saw me wrestle?”

“I promised your mother that I wouldn’t make contact with you. I didn’t say I’d never see you!” he cried. “Your wrestling matches were public; even if she’d known, and she didn’t, she couldn’t have kept me away!”

“You took some of these photographs?” Jack asked him.

Some of them, of course! Coach Clum was a nice man, if not a very gifted photographer, and Coach Hudson and Coach Shapiro—what wonderful people! Your friend Herman Castro is a great kid! You should keep in touch with Herman. I mean, more than you do, Jack. But I took many of the wrestling pictures myself. Yes, I did!” William seemed suddenly irritated that Jack looked so stunned. “Well, I wasn’t going to go all that way and not take a few pictures!” his father said, with a measure of indignation in his voice. “What a pain in the ass it is, to go to Maine— and it’s not a whole lot easier to get to New Hampshire.”

Jack was thinking that Heather had just been born when he was first wrestling at Redding; William might have traveled to Maine when Barbara was pregnant, or when Heather was an infant. And when William had come to New Hampshire, when Jack was wrestling at Exeter, Heather would have been a little girl—too young to remember those times when her father was away. But had those wrestling trips been difficult for Barbara? Jack wondered. First she’d had cancer; then she was killed by a taxi, and there’d been no more trips.

On one of William’s bulletin boards, there was a snapshot of Jack at Hama Sushi—the way he was smiling at the camera, only Emma could have taken the photograph. And another of Jack with Emma in his lap; he remembered Emma taking that one. They were in their first apartment, their half of that rat-eaten duplex in Venice. There was also a photo of Jack dressed for his waiter’s job at American Pacific; only Emma could have taken that one, too.

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