John Irving - A Son of the Circus

Mr. Sethna also observed that everyone was watching them. By design, Mr. Sethna knew, they kept to that portion of the dance floor which was visible from the main dining room, forcing numerous couples to see them perform their gyrations. Nearest to this view of the ballroom was the table Mr. Sethna had reserved for Mr. and Mrs. Dogar; the steward had followed Detective Patel’s instructions to the letter, taking care that the second Mrs. Dogar was shown to the chair that offered her the very best view of Dhar dancing.

From the Ladies’ Garden, the Daruwallas’ table looked in upon the main dining room; from where the doctor and the detective were seated, they could observe Mrs. Dogar but not the ballroom. It wasn’t Dhar they wanted to see. Blessedly, the big blonde had hidden her unusual navel, Mr. Sethna observed; Nancy was dressed like the headmistress of a school—or a nanny, or a clergyman’s wife—but the steward nevertheless detected her lawlessness, her penchant for unpredictable or inexplicable behavior. She sat with her back to Mrs. Dogar, staring into the gathering darkness beyond the trellis; at this hour, the bougainvillea had the luster of velvet. The exposed nape of Nancy’s neck—the downy blond hair that looked so soft there—reminded Mr. Sethna of her furry navel.

The doctor’s sleek tuxedo and black silk tie clashed with the deputy commissioner’s badly wrinkled Nehru suit; Mr. Sethna determined that most Duckworthians were never in contact with that element of society which could recognize policemen by their clothes. The steward approved of Julia’s gown, which was a proper gown—the long skirt almost brushing the floor, the long sleeves ruffled at the cuffs, the neckline not a mandarin choker but a decent distance above any discernible cleavage. Ah, the old days, Mr. Sethna mourned; as if anticipating his thoughts, the band responded with a slower number.

Dhar and Muriel, breathing hard, relaxed a little too languidly into each other’s arms; she hung on his neck, his hand resting possessively on the hard beaded sequins at her hip. She appeared to be whispering to him—actually, she was just singing the words to the song, for Muriel knew every song that this band knew, and many more besides—while Inspector Dhar smiled knowingly at what she was saying. There was his sneer, which was almost a smirk—that look of disdain, which was at once decadent and bored. Actually, Dhar was amused by Muriel’s accent; he thought the stripper was very funny. But what the second Mrs. Dogar saw did not amuse her. She saw John D. dancing with a tart, a presumably loose woman—and one close to Mrs. Dogar’s age. Women like that were so easy; surely Dhar could do better, Rahul thought.

On the dance floor, the staid Duckworthians who dared to dance—they’d been waiting for a slow number—kept their distance from Dhar and Muriel, who was clearly no lady. Mr. Sethna, the old eavesdropper and lip-reader extraordinaire , easily caught what Mr. Dogar said to his wife. “Has the actor brought an actual prostitute to the party? I must say she looks like a whore.”

“I think she’s a stripper,” said Mrs. Dogar—Rahul had honed a sharp eye for such social details.

“Perhaps she’s an actress,” Mr. Dogar said.

“She’s acting, but she’s no actress,” Mrs. Dogar replied.

From what Farrokh could see of Rahul, the transsexual had inherited the reptilian scrutiny of her Aunt Promila; it was as if, when she looked at you, she were seeing a different life-form—certainly not a fellow human being.

“It’s hard to tell from here,” said Dr. Daruwalla. “I don’t know if she’s attracted to him or if she wants to kill him.”

“Maybe with her,” said the deputy commissioner, “the feeling is one and the same.”

“Whatever else she feels, she’s attracted,” Nancy said. Her back was the only part of her that Rahul could see, if Rahul had been looking. But Rahul had eyes for John D. only.

When the band played a faster number, Dhar and Muriel grew even rougher with each other, as if invigorated by the slower interlude or by their closer contact. A few of the cheap sequins were torn from Muriel’s dress; they glittered on the dance floor, reflecting the light from the ballroom chandelier—when Dhar or Muriel stepped on them, they crunched. A constant rivulet of sweat ran its course in Muriel’s cleavage, and Dhar was bleeding slightly from a scratch on his wrist; the cuff of his white shirt was dotted with blood. Because of how tightly he held Muriel at her waist, a sequin had scratched him. He paid the scratch only passing attention, but Muriel took his wrist in her hands and covered the cut with her mouth. In this way, with his wrist to her lips, they kept dancing. Mr. Sethna had seen such things only in the movies. The steward didn’t realize that this was what he was seeing: a screenplay by Farrokh Daruwalla, a movie starring Inspector Dhar.

When Muriel left the Duckworth Club, she made a fuss over her departure. She danced one last dance (another slow one) with her shawl on; she downed a nearly full glass of champagne in the foyer. Then the exotic dancer leaned on Vinod’s head while the dwarf walked her to the Ambassador.

“A to-do worthy of a slut,” said Mr. Dogar. “I suppose she’s going back to the brothel.”

But Rahul merely glanced at the time. The second Mrs. Dogar was a close observer of Bombay’s low life; she knew that the hour for the first show at the Eros Palace was fast approaching, or maybe Dhar’s tart worked at the Wetness Cabaret—the first show there was 15 minutes later.

When Dhar asked the Sorabjees’ daughter to dance, a new tension could be felt throughout the main dining room and the Ladies’ Garden. Even with her back to the action, Nancy knew that something unscripted had happened.

“He’s asked someone else to dance, hasn’t he?” she said; her face and the nape of her neck were flushed.

“Who’s that young girl? She’s not part of our plan!” said Detective Patel.

“Trust him—he’s a great improviser,” the screenwriter said. “He always understands who he is and what his role is. He knows what he’s doing.”

Nancy was pinching a pearl on her necklace; her thumb and index finger were white. “You bet he knows,” she said Julia turned around, but she couldn’t see the ballroom—only the look of loathing that was unconcealed on Mrs. Dogar’s face.

“It’s little Amy Sorabjee—she must be back from school,” Dr. Daruwalla informed his wife.

“She’s only a teenager!” Julia cried.

“I think she’s a little older,” the real policeman replied.

“It’s a brilliant move!” the screenwriter said. “Mrs. Dogar doesn’t know what to think!”

“I know how she feels,” Nancy told him.

“It’ll be all right, sweetie,” the deputy commissioner told his wife. When he took her hand, she pulled it away.

“Am I next?” Nancy asked. “Do I wait in line?”

Almost every face in the main dining room was turned toward the ballroom. They watched the unstoppable sweating movie star with his bulky shoulders and his beer belly; he was twirling little Amy Sorabjee around as if she were no heavier than her clothes.

Although the Sorabjees and the Daruwallas were old friends, Dr. and Mrs. Sorabjee had been surprised at Dhar’s spur-of-the-moment invitation—and that Amy had accepted. She was a silly girl in her twenties, a former university student who hadn’t merely come home for the holiday; she’d been withdrawn from school. Granted, Dhar wasn’t mashing her; the actor was behaving like a proper gentleman—excessively charming, possibly, but the young lady seemed delighted. Theirs was a different kind of dancing from Dhar’s performance with Muriel; the friskiness of the youthful girl was appealingly offset by the sure, smooth quality of the older man’s gestures.