John Irving - In One Person

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In One Person: краткое содержание, описание и аннотация

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A compelling novel of desire, secrecy, and sexual identity,
is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a “sexual suspect,” a phrase first used by John Irving in 1978 in his landmark novel of “terminal cases,” The World According to Garp.
His most political novel since
and
, John Irving’s
is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself “worthwhile.” * * *
“This tender exploration of nascent desire, of love and loss, manages to be sweeping, brilliant, political, provocative, tragic, and funny—it is precisely the kind of astonishing alchemy we associate with a John Irving novel. The unfolding of the AIDS epidemic in the United States in the ’80s was the defining moment for me as a physician. With my patients’ deaths, almost always occurring in the prime of life, I would find myself cataloging the other losses—namely, what these people might have offered society had they lived the full measure of their days: their art, their literature, the children they might have raised.
is the novel that for me will define that era. A profound truth is arrived at in these pages. It is Irving at his most daring, at his most ambitious. It is America and American writing, both at their very best.”
— ABRAHAM VERGHESE “
is a novel that makes you proud to be human. It is a book that not only accepts but also loves our differences. From the beginning of his career, Irving has always cherished our peculiarities—in a fierce, not a saccharine, way. Now he has extended his sympathies—and ours—still further into areas that even the misfits eschew. Anthropologists say that the interstitial—whatever lies between two familiar opposites—is usually declared either taboo or sacred. John Irving in this magnificent novel—his best and most passionate since
—has sacralized what lies between polarizing genders and orientations. And have I mentioned it is also a gripping page-turner and a beautifully constructed work of art?”
— EDMUND WHITE

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Nor did the money matter. Grandpa Harry was excited that I was “keepin’ up the wrestlin’”—my guess is that Herm Hoyt had talked to him. Harry said he would happily pay the fee for my lifetime membership.

“Don’t put yourself out, Arthur—no more than you already have,” I told him. “The club has been good for me, but I wouldn’t want you alienating people or losing friends over me.”

“You’re a shoo-in, Billy,” Arthur told me. “It’s no big deal being gay.”

“I’m bi—” I started to say.

“I mean bi—it’s no big deal, Billy,” Arthur said. “It’s not like it was .”

“No, I guess it isn’t,” I said, or so it seemed—as 1980 was soon to become 1981.

How one decade could slide unnoticed into another was a mystery to me, though this period of time was marked by the death of Nils Borkman—and Mrs. Borkman’s subsequent suicide.

“They were both suicides, Bill,” Grandpa Harry had whispered to me over the phone—as if his phone were being tapped.

Nils was eighty-eight—soon to be eighty-nine, had he lived till 1981. It was the regular firearm season for deer—this was shortly before Christmas, 1980—and Nils had blown off the back of his head with a .30-30 carbine while he was transversing the Favorite River Academy athletic fields on his cross-country skis. The students had already gone home for Christmas vacation, and Nils had called his old adversary Chuck Beebe—the game warden who was opposed to Nils and Grandpa Harry making deer-hunting a biathlon event.

“Poachers, Chuck! I have with my own eyes seen them—on the Favorite River athletic fields. I am, as we speak, off to hunt down them!” Nils had urgently shouted into the phone.

“What? Whoa! ” Chuck had shouted back. “There’s poachers in deer season—what are they usin’, machine guns or somethin’? Nils?” the game warden had inquired. But Nils had hung up the phone. When Chuck found the body, it appeared that the rifle had been fired while Nils was withdrawing the weapon—from behind himself. Chuck was willing to call the shooting an accident, because he’d long believed that the way Nils and Grandpa Harry hunted deer was dangerous.

Nils had known perfectly well what he was doing. He normally hunted deer with a .30-06. The lighter .30-30 carbine was what Grandpa Harry called a “varmint gun.” (Harry hunted deer with it; he said deer were varmints.) The carbine had a shorter barrel; Harry knew that it was easier for Nils to shoot himself in the back of the head with the .30-30.

“But why would Nils shoot himself?” I’d asked Grandpa Harry.

“Well, Bill—Nils was Norwegian,” Grandpa Harry had begun; it took several minutes for Harry to remember that he’d not told me Nils had been diagnosed with an inoperable cancer.

“Oh.”

Mrs . Borkman will be the next to go, Bill,” Grandpa Harry announced dramatically. We’d always joked about Mrs. Borkman being an Ibsen woman, but, sure enough, she shot herself that same day. “Like Hedda—with a handgun, in the temple!” Grandpa Harry had said admiringly—in a not that much later phone call.

I have no doubt that losing his partner and old friend, Nils, precipitated Grandpa Harry’s decline. Of course Harry had lost his wife and his only children, too. Thus Richard and I would soon venture down that assisted-living road of committing Grandpa Harry to the Facility, where Harry’s “surprise” appearances in drag would quickly wear out his welcome. And—still early in ’81, as I recall—Richard and I would move Grandpa Harry back into his River Street home, where Richard and I hired a live-in nurse to look after him. Elmira was the nurse’s name; not only did she have fond memories of seeing Harry onstage as a woman (when Elmira had been a little girl), but Elmira even participated in choosing Grandpa Harry’s dress-of-the-day from his long-hoarded stash of Nana Victoria’s clothes.

It was also relatively early in that year (’81) when Mr. Hadley left Mrs. Hadley; as it turned out, he ran off with a brand-new Favorite River Academy graduate. The girl was in her freshman year of college—I can’t remember where. She would drop out of college in order to live with Mr. Hadley, who was sixty-one—Martha Hadley’s age, exactly. Mrs. Hadley was my mother’s age; she was a whopping ten years older than Richard Abbott, but Elaine must have been right in guessing that her mom had always loved Richard. (Elaine was usually right.)

“What a melodrama, ” Elaine said wearily, when—as early as the summer of ’81—Mrs. Hadley and Richard started living together. Old hippie that she was, Martha Hadley refused to get married again, and Richard (I’m sure) was happy just to be in Mrs. Hadley’s uncomplaining presence. What did Richard Abbott care about remarrying?

Besides, they both understood that if they didn’t get married, they would be asked to move out of Bancroft Hall. It may have been the start of the eighties, but it was small-town Vermont, and Favorite River had its share of boarding-school rules. An unmarried couple, living together in a faculty apartment in a prep school—well, this wouldn’t quite do. Both Mrs. Hadley and Richard had had it with an all-boys’ dorm; Elaine and I didn’t doubt that. It’s entirely possible that Richard Abbott and Martha Hadley decided they would be crazy to get married; by choosing to live together in sin, they got out of living in a dorm!

Mrs. Hadley and Richard had the summer to find a place to live in town, or at least near First Sister—a modest house, something a couple of secondary-school teachers could afford. The place they found was not more than a few doors down River Street from what had once been the First Sister Public Library—now the historical society. The house had gone through a succession of owners in recent years; it needed some repairs, Richard told me somewhat haltingly over the phone.

I sensed his hesitation; if it was money he needed, I would have gladly given him what I could, but I was surprised Richard hadn’t asked Grandpa Harry first. Harry loved Richard, and I knew that Grandpa Harry had given his blessing to Richard’s living with Martha Hadley.

“The house isn’t more than a ten-minute walk from Grandpa Harry’s house, Bill,” Richard said over the phone. I could tell he was stalling.

“What is it, Richard?” I asked him.

“It’s the former Frost home, Bill,” Richard said. Given the history of the many recent and unreliable owners, we both knew that no traces of Miss Frost could conceivably have remained. Miss Frost was gone—both Richard Abbott and I knew that. Yet the house being “the former Frost home” was a glimpse into the darkness—the past darkness, I thought at the time. I saw no foreshadow of a future darkness.

AS FOR MY SECOND warning that a plague was coming, I just plain missed it. There’d been no Christmas card from the Atkins family in 1980; I hadn’t noticed. When a card came—it was long after the holiday, but the card still proclaimed “Season’s Greetings”—I remember being surprised that Tom hadn’t included a review of my fourth novel. (The book wasn’t yet published, but I’d sent Atkins a copy of the galleys; I thought that such a faithful fan of my writing deserved a sneak preview. After all, no one else was comparing me favorably to Flaubert!)

But there was nothing enclosed with the “Season’s Greetings” card, which arrived sometime in February of ’81—at least I think it showed up that late. I noted that the children and the dog looked older. What gave me pause was how much older poor Tom looked; it was almost as if he’d aged several years between Christmases.

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