• Пожаловаться

John Irving: In One Person

Здесь есть возможность читать онлайн «John Irving: In One Person» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. Город: New York, год выпуска: 2012, ISBN: 978-1-4516-6412-6, издательство: Simon & Schuster, категория: Современная проза / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

John Irving In One Person

In One Person: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «In One Person»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

A compelling novel of desire, secrecy, and sexual identity, is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a “sexual suspect,” a phrase first used by John Irving in 1978 in his landmark novel of “terminal cases,” The World According to Garp. His most political novel since and , John Irving’s is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself “worthwhile.” * * * “This tender exploration of nascent desire, of love and loss, manages to be sweeping, brilliant, political, provocative, tragic, and funny—it is precisely the kind of astonishing alchemy we associate with a John Irving novel. The unfolding of the AIDS epidemic in the United States in the ’80s was the defining moment for me as a physician. With my patients’ deaths, almost always occurring in the prime of life, I would find myself cataloging the other losses—namely, what these people might have offered society had they lived the full measure of their days: their art, their literature, the children they might have raised. is the novel that for me will define that era. A profound truth is arrived at in these pages. It is Irving at his most daring, at his most ambitious. It is America and American writing, both at their very best.” — ABRAHAM VERGHESE “ is a novel that makes you proud to be human. It is a book that not only accepts but also loves our differences. From the beginning of his career, Irving has always cherished our peculiarities—in a fierce, not a saccharine, way. Now he has extended his sympathies—and ours—still further into areas that even the misfits eschew. Anthropologists say that the interstitial—whatever lies between two familiar opposites—is usually declared either taboo or sacred. John Irving in this magnificent novel—his best and most passionate since —has sacralized what lies between polarizing genders and orientations. And have I mentioned it is also a gripping page-turner and a beautifully constructed work of art?” — EDMUND WHITE

John Irving: другие книги автора


Кто написал In One Person? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

In One Person — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «In One Person», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

“Oh, I will,” I assured her, “but first I want to re read this one.”

Miss Frost’s second reference to me as William had given me an instant erection—though, at fifteen, I had a small penis and a laughably disappointing hard-on. (Suffice it to say, Miss Frost was in no danger of noticing that I had an erection.)

My all-knowing aunt had told my mother I was underdeveloped for my age. Naturally, my aunt had meant “underdeveloped” in other (or in all) ways; to my knowledge, she’d not seen my penis since I’d been an infant—if then. I’m sure I’ll have more to say about the penis word. For now, it’s enough that you know I have extreme difficulty pronouncing “penis,” which in my tortured utterance emerges—when I can manage to give voice to it at all—as “penith.” This rhymes with “zenith,” if you’re wondering. (I go to great lengths to avoid the plural.)

In any case, Miss Frost knew nothing of my sexual anguish while I was attempting to check out Great Expectations a second time. In fact, Miss Frost gave me the impression that, with so many books in the library, it was an immoral waste of time to reread any of them.

“What’s so special about Great Expectations ?” she asked me.

She was the first person I told that I wanted to be a writer “because of” Great Expectations , but it was really because of her .

“You want to be a writer !” Miss Frost exclaimed; she didn’t sound happy about it. (Years later, I would wonder if Miss Frost might have expressed indignation at the sodomizer word had I suggested that as a profession.)

“Yes, a writer—I think so,” I said to her.

“You can’t possibly know that you’re going to be a writer !” Miss Frost said. “It’s not a career choice.”

She was certainly right about that, but I didn’t know it at the time. And I wasn’t pleading with her only so she would let me reread Great Expectations; my pleas were especially ardent, in part, because the more exasperated Miss Frost became with me, the more I appreciated the sudden intake of her breath—not to mention the resultant rise and fall of her surprisingly girlish breasts.

At fifteen, I was as smitten and undone by her as I’d been two years earlier. No, I must revise that: I was altogether more captivated by her at fifteen than I was at thirteen, when I’d been merely fantasizing about having sex with her and becoming a writer—whereas, at fifteen, the imagined sex was more developed (there were more concrete details) and I had already written a few sentences I admired.

Both the sex with Miss Frost and actually being a writer were unlikely, of course—but were they remotely possible? Curiously, I had enough hubris to believe so. As for where such an exaggerated pride or unearned self-confidence came from—well, I could only guess that genes had something to do with it.

I don’t mean my mother’s; I saw no hubris in her backstage role of the prompter. After all, I spent most of my evenings with my mom in that safe haven for those variously talented (and untalented) members of our town’s amateur theatrical society. That little playhouse was not a uniformly prideful or brimming-with-confidence kind of place—hence the prompter.

If my hubris was genetic, it surely came from my biological father. I was told I’d never met him; I knew him only by his reputation, which didn’t sound great.

“The code-boy,” as my grandfather referred to him—or, less often, “the sergeant.” My mom had left college because of the sergeant, my grandmother said. (She preferred “sergeant,” which she always said disparagingly, to “code-boy.”) Whether William Francis Dean was the contributing cause of my mom leaving college, I didn’t really know; she’d gone to secretarial school instead, but not before he’d gotten her pregnant with me. Consequently, my mother would leave secretarial school, too.

My mom told me that she’d married my dad in Atlantic City, New Jersey, in April 1943—a little late for a shotgun wedding, because I’d been born in First Sister, Vermont, back in March of ’42. I was already a year old when she married him, and the “wedding” (it was a town-clerk or justice-of-the-peace deal) had been chiefly my grandmother’s idea—or so my aunt Muriel said. It was implied to me that William Francis Dean hadn’t entered into the marriage all that willingly.

“We were divorced before you were two,” my mom had told me. I’d seen the marriage certificate, which was why I remembered the seemingly exotic and far-from-Vermont location of Atlantic City, New Jersey; my father had been in basic training there. No one had shown me the divorce records.

“The sergeant wasn’t interested in marriage or children,” my grandmother had told me, with no small amount of superiority; even as a child, I could see that my aunt’s loftiness had come from my grandmother.

But because of what happened in Atlantic City, New Jersey—no matter at whose insistence—that certificate of marriage legitimized me, albeit belatedly. I was named William Francis Dean, Jr.; I had his name, if not his presence. And I must have had some measure of his code-boy genes—the sergeant’s “derring-do,” in my mom’s estimation.

“What was he like?” I’d asked my mother, maybe a hundred times. She used to be so nice about it.

“Oh, he was very handsome—like you’re going to be,” she would always answer, with a smile. “And he had oodles of derring-do.” My mom was very affectionate to me, before I began to grow up.

I don’t know if all preteen boys, and boys in their early teens, are as inattentive to linear time as I was, but it never occurred to me to examine the sequence of events. My father must have knocked up my mother in late May or early June of 1941—when he was finishing his freshman year at Harvard. Yet there was never any mention of him—not even in a sarcastic comment from Aunt Muriel—as the Harvard -boy. He was always called the code -boy (or the sergeant), though my mom was clearly proud of his Harvard connection.

“Imagine starting Harvard when you’re just fifteen!” I’d heard her say more than once.

But if my derring-do dad had been fifteen at the start of his freshman year at Harvard (in September 1940), he had to be younger than my mother, whose birthday was in April. She was already twenty in April of ’40; she was just a month short of twenty-two when I was born, in March of ’42.

Did they not get married when she learned she was pregnant because my dad was not yet eighteen? He’d turned eighteen in October 1942. As my mom told me, “Obligingly, the draft age was lowered to that level.” (I would only later think that the obligingly word was not a common one in my mother’s vocabulary; maybe that had been the Harvard-boy talking.)

“Your father believed he might better control his military destiny by volunteering for advanced induction, which he did in January 1943,” my mom told me. (The “military destiny” didn’t sound like her vocabulary, either; the Harvard-boy was written all over it.)

My dad traveled by bus to Fort Devens, Massachusetts—the beginning of his military service—in March 1943. At the time, the air force was part of the army; he was assigned a specialty, that of cryptographic technician. For basic training, the air force had taken over Atlantic City and the surrounding sand dunes. My father and his fellow inductees were bivouacked in the luxury hotels, which the trainees would ruin. According to my grandfather: “No one ever checked IDs in the bars. On weekends, girls—mostly government workers from Washington, D.C.—flocked to town. It was very jolly, I’m sure—the firin’ of all sorts of weapons on the sand dunes notwithstandin’.”

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «In One Person»

Представляем Вашему вниманию похожие книги на «In One Person» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


Отзывы о книге «In One Person»

Обсуждение, отзывы о книге «In One Person» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.