Hermann Hesse - The Glass Bead Game

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This is Hesse’s last and greatest work, a triumph of imagination which won for him the Nobel Prize for Literature. Described as “sublime” by Thomas Mann, admired by André Gide and T. S. Eliot, this prophetic novel is a chronicle of the future about Castalia, an elitist group formed after the chaos of the 20th-century’s wars. It is the key to a full understanding of Hesse’s thought.
Something like chess but far more intricate, the game of Magister Ludi known as the Glass Bead Game is thought in its purest form, a synthesis through which philosophy, art, music and scientific law are appreciated simultaneously. The scholar-players are isolated within Castalia, an autonomous elite institution devoted wholly to the mind and the imagination…

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Frozen silence… Darkness prevails on darkness.
One shaft of light breaks through the jagged clouds
Coming from nothingness to penetrate the depths,
Compound the night with day, build length and breadth,
Prefigure peak and ridge, declivities, redoubts,
A loose blue atmosphere, earth’s deep dense fullness.

That brilliant shaft dissevers teeming generation
Into both deed and war, and in a frenzy of creation
Ignites a gleaming terrified new world.
All changes where the seeds of light descend,
Order arises, magnificence is heard
In praise of life, of victory to light’s great end.

The mighty urge glides on, to move
Its power into all creatures’ being,
Recalling far divinity, the spirit of God’s doing:
Now joy and pain, words, art, and song,
World towering on world in arching victory throng
With impulse, mind, contention, pleasure, love.

Translated by Alex Page

A Dream

Guest at a monastery in the hills,
I stepped, when all the monks had gone to pray,
Into a book-lined room. Along the walls,
Glittering in the light of fading day,
I saw a multitude of vellum spines
With marvelous inscriptions. Eagerly,
Impelled by rapturous curiosity,
I picked the nearest book, and read the lines:
The Squaring of the Circle — Final Stage.
I thought: I’ll take this and read every page!
A quarto volume, leather tooled in gold,
Gave promise of a story still untold:
How Adam also ate of the other tree…
The other tree? Which one? The tree of life?
Is Adam then immortal? Now I could see
No chance had brought me to this library.
I spied the back and edges of a folio
Aglow with all the colors of the rainbow,
Its hand-painted title stating a decree:
The interrelationships of hues and sound:
Proof that for every color may be found
In music a proper corresponding key.
Choirs of colors sparkled before my eyes
And now I was beginning to surmise:
Here was the library of Paradise.
To all the questions that had driven me
All answers now could be given me.
Here I could quench my thirst to understand,
For here all knowledge stood at my command.
There was provision here for every need:
A title full of promise on each book
Responded to my every rapid look.
Here there was fruit to satisfy the greed
Of any student’s timid aspirations,
Of any master’s bold investigations.
Here was the inner meaning, here the key,
To poetry, to wisdom, and to science.
Magic and erudition in alliance
Opened the door to every mystery.
These books provided pledges of all power
To him who came here at this magic hour.

A lectern stood near by; with hands that shook
I placed upon it one enticing book,
Deciphered at a glance the picture writing,
As in a dream we find ourselves reciting
A poem or lesson we have never learned.
At once I soared aloft to starry spaces
Of the soul, and with the zodiac turned,
Where all the revelations of all races,
Whatever intuition has divined,
Millennial experience of all nations,
Harmoniously met in new relations,
Old insights with new symbols recombined,
So that in minutes or in hours as I read
I traced once more the whole path of mankind,
And all that men have ever done and said
Disclosed its inner meaning to my mind.
I read, and saw those hieroglyphic forms
Couple and part, and coalesce in swarms,
Dance for a while together, separate,
Once more in newer patterns integrate,
A kaleidoscope of endless metaphors — —
And each some vaster, fresher sense explores.

Bedazzled by these sights, I looked away
From the book to give my eyes a moment’s rest,
And saw that I was not the only guest.
An old man stood before that grand array
Of tomes. Perhaps he was the archivist.
I saw that he was earnestly intent
Upon some task, and I could not resist
A strange conviction that I had to know
The manner of his work, and what it meant.
I watched the old man, with frail hand and slow,
Remove a volume and inspect what stood
Written upon its back, then saw him blow
With pallid lips upon the title — could
A title possibly be more alluring
Or offer greater promise of enduring
Delight? But now his finger wiped across
The spine. I saw it silently erase
The name, and watched with fearful sense of loss
As he inscribed another in its place
And then moved on to smilingly efface
One more, but only a newer title to emboss.
For a long while I looked at him bemused,
Then turned, since reason totally refused
To understand the meaning of his actions,
Back to my book — I’d seen but a few lines — —
And found I could no longer read the signs
Or even see the rows of images.
The world of symbols I had barely entered
That had stirred me to such transports of bliss,
In which a universe of meaning centered,
Seemed to dissolve and rush away, careen
And reel and shake in feverish contractions,
And fade out, leaving nothing to be seen
But empty parchment with a hoary sheen.
I felt a hand upon me, felt it slide
Over my shoulder. The old man stood beside
My lectern, and I shuddered while
He took my book and with a subtle smile
Brushed his finger lightly to elide
The former title, then began to write
New promises and problems, novel inquiries,
New formulas for ancient mysteries.
Without a word, he plied his magic style.
Then, with my book, he disappeared from sight.

Worship

In the beginning was the rule of sacred kings
Who hallowed field, grain, plow, who handed down
The law of sacrifices, set the bounds
To mortal men forever hungering

For the Invisible Ones’ just ordinance
That holds the sun and moon in perfect balance
And whose forms in their eternal radiance
Feel no suffering, nor know death’s ambience.

Long ago the sons of the gods, the sacred line,
Passed, and mankind remained alone,
Embroiled in pleasure and pain, cut off from being,
Condemned to change unhallowed, unconfined.

But intimations of the true life never died,
And it is for us, in this time of harm
To keep, in metaphor and symbol and in psalm,
Reminders of that former sacred reverence.

Perhaps some day the darkness will be banned,
Perhaps some day the times will turn about,
The sun will once more rule us as our god
And take the sacrifices from our hands.

Soap Bubbles

From years of study and of contemplation
An old man brews a work of clarity,
A gay and involuted dissertation
Discoursing on sweet wisdom playfully.

An eager student bent on storming heights
Has delved in archives and in libraries,
But adds the touch of genius when he writes
A first book full of deepest subtleties.

A boy, with bowl and straw, sits and blows,
Filling with breath the bubbles from the bowl.
Each praises like a hymn, and each one glows;
Into the filmy beads he blows his soul.

Old man, student, boy, all these three
Out of the Maya-foam of the universe
Create illusions. None is better or worse.
But in each of them the Light of Eternity
Sees its reflection, and burns more joyfully.

After Dipping Into the “Summa Contra Gentiles”

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