Roald Dahl - The Collected Short Stories of Roald Dahl, Volume 1

Claud and I started running up and down the driveway waving our arms to frighten them off the premises. "Go away!" we shouted. "Shoo! Go away!" But they were too dopey still to take any notice of us and within half a minute down they came again and settled themselves like a swarm of locusts all over the front of my filling-station. The place was covered with them. They sat wing to wing along the edges of the roof and on the concrete canopy that came out over the pumps, and a dozen at least were clinging to the sill of the office window. Some had flown down on to the rack that held the bottles of lubricating-oil, and others were sliding about on the bonnets of my second-hand cars. One cock-bird with a fine tail was perched superbly on top of a petrol pump, and quite a number, those that were too drunk to stay aloft, simply squatted in the driveway at our feet, fluffing their feathers and blinking their small eyes.

Across the road, a line of cars had already started forming behind the brick-lorry and the grocery-van, and people were opening their doors and getting out and beginning to cross over to have a closer look. I glanced at my watch. It was twenty to nine. Any moment now, I thought, a large black car is going to come streaking along the road from the direction of the village, and the car will be a Rolls, and the face behind the wheel will be the great glistening brewer's face of Mr Victor Hazel.

"They near pecked him to pieces!" Bessie was shouting, clasping the screaming baby to her bosom.

"You go on home, Bessie," Claud said, white in the face.

"Lock up," I said. "Put out the sign. We've gone for the day."

OH God, how I am frightened.

Now that I am alone I don't have to hide it; I don't have to hide anything any longer. I can let my face go because no one can see me; because there's twenty-one thousand feet between me and them and because now that it's happening again I couldn't pretend any more even if I wanted to. Now I don't have to press my teeth together and tighten the muscles of my jaw as I did during lunch when the corporal brought in the message; when he handed it to Tinker and Tinker looked up at me and said, "Charlie, it's your turn. You're next up." As if I didn't know that. As if I didn't know that I was next up. As if I didn't know it last night when I went to bed, and at midnight when I was still awake and all the way through the night, at one in the morning and at two and three and four and five and six and at seven o'clock when I got up. As if I didn't know it while I was dressing and while I was having breakfast and while I was reading the magazines in the mess, playing shove-halfpenny in the mess, reading the notices in the mess, playing billiards in the mess. I knew it then and I knew it when we went in to lunch, while we were eating that mutton for lunch. And when the corporal came into the room with the message it wasn't anything at all. It wasn't anything more than when it begins to rain because there is a black cloud in the sky. When he handed the paper to Tinker I knew what Tinker was going to say before he had opened his mouth. I knew exactly what he was going to say.

So that wasn't anything either.

But when he folded the message up and put it in his pocket and said, "Finish your pudding. You've got plenty of time," that was when it got worse, because I knew for certain then that it was going to happen again, that within half an hour I would be strapping myself in and testing the engine and signalling to the airmen to pull away the chocks. The others were all sitting around eating their pudding; mine was still on my plate in front of me, and I couldn't take another mouthful. But it was fine when I tightened my jaw muscles and said, "Thank God for that. I'm tired of sitting around here picking my nose." It was certainly fine when I said that. It must have sounded like any of the others just before they started off. And when I got up to leave the table and said, "See you at tea time," that must have sounded all right too.

But now I don't have to do any of that. Thank Christ I don't have to do that now. I can just loosen up and let myself go. I can do or say anything I want so long as I fly this aeroplane properly. It didn't use to be like this. Four years ago it was wonderful. I loved doing it because it was exciting, because the waiting on the aerodrome was nothing more than the waiting before a football game or before going in to bat; and three years ago it was all right too. But then always the three months of resting and the going back again and the resting and the going back; always going back and always getting away with it, everyone saying what a fine pilot, no one knowing what a near thing it was that time near Brussels and how lucky it was that time over Dieppe and how bad it was that other time over Dieppe and how lucky and bad and scared I've been every minute of every trip every week this year. No one knows that. They all say, "Charlie's a great pilot,"

"Charlie's a born flyer,"

"Charlie's terrific."

I think he was once, but not any longer.

Each time now it gets worse. At first it begins to grow upon you slowly, coming upon you slowly, creeping up on you from behind, making no noise, so that you do not turn round and see it coming. If you saw it coming, perhaps you could stop it, but there is no warning. It creeps closer and closer, like a cat creeps closer stalking a sparrow, and then when it is right behind you, it doesn't spring like the cat would spring; it just leans forward and whispers in your ear. It touches you gently on the shoulder and whispers to you that you are young, that you have a million things to do and a million things to say, that if you are not careful you will buy it, that you are almost certain to buy it sooner or later, and that when you do you will not be anything any longer; you will just be a charred corpse. It whispers to you about how your corpse will look when it is charred, how black it will be and how it will be twisted and brittle, with the face and the fingers black and the shoes off the feet because the shoes always come off the feet when you die like that. At first it whispers to you only at night, when you are lying awake in bed at night. Then it whispers to you at odd moments during the day, when you are doing your teeth or drinking a beer or when you are walking down the passage; and in the end it becomes so that you hear it all day and all night all the time.

There's Ijmuiden. Just the same as ever, with the little knob sticking out just beside it. There are the Frisians, Texel, Vlieland, Terschelling, Ameland, Juist and Norderney. I know them all. They look like bacteria under a microscope. There's the Zuider Zee, there's Holland, there's the North Sea, there's Belgium, and there's the world; there's the whole bloody world right there, with all the people who aren't going to get killed and all the houses and the towns and the sea with all the fish. The fish aren't going to get killed either. I'm the only one that's going to get killed. I don't want to die. Oh God, I don't want to die. I don't want to die today anyway. And it isn't the pain. Really it isn't the pain. I don't mind having my leg mashed or my arm burnt off; I swear to you that I don't mind that. But I don't want to die. Four years ago I didn't mind. I remember distinctly not minding about it four years ago. I didn't mind about it three years ago either. It was all fine and exciting; it always is when it looks as though you may be going to lose, as it did then. It is always fine to fight when you are going to lose everything anyway, and that was how it was four years ago.

But now we're going to win. It is so different when you are going to win. If I die now I lose fifty years of life, and I don't want to lose that. I'll lose anything except that because that would be all the things I want to do and all the things I want to see; all the things like going on sleeping with Joey. Like going home sometimes. Like walking through a wood. Like pouring out a drink from a bottle. Like looking forward to week ends and like being alive every hour every day every year for fifty years. If I die now I will miss all that, and I will miss everything else. I will miss the things that I don't know about. I think those are really the things I am frightened of missing. I think the reason I do not want to die is because of the things I hope will happen. Yes, that's right. I'm sure that's right. Point a revolver at a tramp, at a wet shivering tramp on the side of the road and say, "I'm going to shoot you," and he will cry, "Don't shoot. Please don't shoot." The tramp clings to life because of the things he hopes will happen. I am clinging to it for the same reason; but I have clung for so long now that I cannot hold on much longer. Soon I will have to let go. It is like hanging over the edge of a cliff, that's what it is like; and I've been hanging on too long now, holding on to the top of the cliff with my fingers, not being able to pull myself back up, with my fingers getting more and more tired, beginning to hurt and to ache, so that I know that sooner or later I will have to let go. I dare not cry out for help; that is one thing that I dare not do; so I go on hanging over the side of this cliff, and as I hang I keep kicking a little with my feet against the side of the cliff, trying desperately to find a foothold, but it is steep and smooth like the side of a ship, and there isn't any foothold. I am kicking now, that's what I am doing. I am kicking against the smooth side of the cliff, and there isn't any foothold. Soon I shall have to let go. The longer I hang on the more certain I am of that, and so each hour, each day, each night, each week, I become more and more frightened. Four years ago I wasn't hanging over the edge like this. I was running about in the field above, and although I knew that there was a cliff somewhere and that I might fall over t, I did not mind. Three years ago it was the same, but now it is different.