She went to the cupboard—she kept the bourbon bottle there; she drank less if each time she had to rise and open the cupboard door. And, as if she were being watched, she poured a drink and swallowed it.
The notion that in this emptiness someone saw her was connected with the other notion that she was being filmed from birth to death. That this was done for everyone. And afterward you could view your life. A hereafter movie.
Hattie wanted to see some of it now, and she sat down on the dogs’-paw cushions of her sofa and, with her knees far apart and a smile of yearning and of fright, she bent her round back, burned a cigarette at the corner of her mouth and saw—the Church of Saint Sulpice in Paris where her organ teacher used to bring her. It looked like country walls of stone, but rising high and leaning outward were towers. She was very young. She knew music. How she could ever have been so clever was beyond her. But she did know it. She could read all those notes. The sky was gray. After this she saw some entertaining things she liked to tell people about. She was a young wife. She was in Aix-les-Bains with her motherin-law, and they played bridge in a mud bath with a British general and his aide. There were artificial waves in the swimming pool. She lost her bathing suit because it was a size too big. How did she get out? Ah, you got out of everything.
She saw her husband, James John Waggoner IV. They were snowbound together in New Hampshire. “Jimmy, Jimmy, how can you fling a wife away?” she asked him. “Have you forgotten love? Did I drink too much—did I bore you?” He had married again and had two children. He had gotten tired of her. And though he was a vain man with nothing to be vain about—no looks, not too much intelligence, nothing but an old Philadelphia family—she had loved him. She too had been a snob about her Philadelphia connections. Give up the name of Waggoner? How could she? For this reason she had never married Wicks. “How dare you,” she had said to Wicks, “come without a shave in a dirty shirt and muck on you, come and ask me to marry! If you want to propose, go and clean up first.” But his dirt was only a pretext.
Trade Waggoner for Wicks? she asked herself again with a swing of her shoulders. She wouldn’t think of it. Wicks was an excellent man. But he was a cowboy. Socially nothing. He couldn’t even read. But she saw this on her film. They were in Athens Canyon, in a cratelike house, and she was reading aloud to him from The Count of Monte Cristo. He wouldn’t let her stop. While walking to stretch her legs, she read, and he followed her about to catch each word. After all, he was very dear to her. Such a man! Now she saw him jump from his horse. They were living on the range, trapping coyotes. It was just the second gray of evening, cloudy, moments after the sun had gone down. There was an animal in the trap, and he went toward it to kill it. He wouldn’t waste a bullet on the creatures but killed them with a kick, with his boot. And then Hattie saw that this coyote was all white—snarling teeth, white scruff. “Wicks, he’s white! White as a polar bear. You’re not going to kill him, are you?” The animal flattened to the ground. He snarled and cried. He couldn’t pull away because of the heavy trap. And Wicks killed him. What else could he have done? The white beast lay dead. The dust of Wicks’s boots hardly showed on its head and jaws. Blood ran from the muzzle.
And now came something on Hattie’s film she tried to shun. It was she herself who had killed her dog, Richie. Just as Rolfe and Pace had warned her, he was vicious, his brain was turned. She, because she was on the side of all dumb creatures, defended him when he bit the trashy woman Jacamares was living with. Perhaps if she had had Richie from a puppy he wouldn’t have turned on her. When she got him he was already a year and a half old and she couldn’t break him of his habits. But she thought that only she understood him. And Rolfe had warned her, “You’ll be sued, do you know that? The dog will take out after somebody smarter than that Jacamares’s woman, and you’ll be in for it.”
Hattie saw herself as she swayed her shoulders and said, “Nonsense.”
But what fear she had felt when the dog went for her on the porch. Suddenly she could see, by his skull, by his eyes that he was evil. She screamed at him, “Richie!” And what had she done to him? He had lain under the gas range all day growling and wouldn’t come out. She tried to urge him out with the broom, and he snatched it in his teeth. She pulled him out, and he left the stick and tore at her. Now, as the spectator of this, her eyes opened, beyond the pregnant curtain and the air-wave of marl dust, summer’s snow, drifting over the water. “Oh, my God! Richie!” Her thigh was snatched by his jaws. His teeth went through her skirt. She felt she would fall. Would she go down? Then the dog would rush at her throat—then black night, bad-odored mouth, the blood pouring from her neck, from torn veins. Her heart shriveled as the teeth went into her thigh, and she couldn’t delay another second but took her kindling hatchet from the nail, strengthened her grip on the smooth wood, and hit the dog. She saw the blow. She saw him die at once. And then in fear and shame she hid the body. And at night she buried him in the yard. Next day she accused Jacamares. On him she laid the blame for the disappearance of her dog.
She stood up; she spoke to herself in silence, as was her habit. God, what shall I do? I have taken life. I have lied. I have borne false witness. I have stalled. And now what shall I do? Nobody will help me.
And suddenly she made up her mind that she should go and do what she had been putting off for weeks, namely, test herself with the car, and she slipped on her shoes and went outside. Lizards ran before her in the thirsty dust. She opened the hot, broad door of the car. She lifted her lame hand onto the wheel. With her right hand she reached far to the left and turned the wheel with all her might. Then she started the motor and tried to drive out of the yard. But she could not release the emergency brake with its rasplike rod. She reached with her good hand, the right, under the steering wheel and pressed her bosom on it and strained. No, she could not shift the gears and steer. She couldn’t even reach down to the hand brake. The sweat broke out on her skin. Her efforts were too much. She was deeply wounded by the pain in her arm. The door of the car fell open again and she turned from the wheel and with her stiff legs hanging from the door she wept. What could she do now? And when she had wept over the ruin of her life she got out of the old car and went back to the house. She took the bourbon from the cupboard and picked up the ink bottle and a pad of paper and sat down to write her will.
“My Will,” she wrote, and sobbed to herself.
Since the death of India she had numberless times asked the question, To Whom? Who will get this when I die? She had unconsciously put people to the test to find out whether they were worthy. It made her more severe than before.
Now she wrote, “I Harriet Simmons Waggoner, being of sound mind and not knowing what may be in store for me at the age of seventy-two (born 1885), living alone at Sego Desert Lake, instruct my lawyer, Harold Claiborne, Paiute County Court Building, to draw my last will and testament upon the following terms.”
She sat perfectly still now to hear from within who would be the lucky one, who would inherit the yellow house. For which she had waited. Yes, waited for India’s death, choking on her bread because she was a rich woman’s servant and whipping girl. But who had done for her, Hattie, what she had done for India? And who, apart from India, had ever held out a hand to her? Kindness, yes. Here and there people had been kind. But the word in her head was not kindness, it was succor. And who had given her that? Succor? Only India. If at least, next best after succor, someone had given her a shake and said, “Stop stalling. Don’t be such a slow, old, procrastinating sit-stiller.” Again, it was only India who had done her good. She had offered her succor. “Het-tie!” said that drunken mask. “Do you know what sloth is? Demn you! poky old demned thing!”
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