Kathleen Tessaro - The Perfume Collector

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The Perfume Collector: краткое содержание, описание и аннотация

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A remarkable novel about secrets, desire, memory, passion, and possibility.
Newlywed Grace Monroe doesn’t fit anyone’s expectations of a successful 1950s London socialite, least of all her own. When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.
Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.
The Perfume Collector

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‘Yes. What does he think?’

Looking down, she brushed a few crumbs carefully off the tablecloth, ‘I don’t know. The truth is, I haven’t had the opportunity to discuss it with him.’

‘I see.’ He looked as if he didn’t entirely believe this. ‘Well, he’s bound to have some ideas of his own.’

‘Yes, that’s for certain.’

There was a polite silence.

‘There are some magnificent coastlines in the South of France,’ Monsieur Tissot said after a while.

‘Yes,’ Grace agreed, grateful he wasn’t pursuing the subject of her husband. ‘I’ve never been but that’s what I’ve been told.’

The chicken was served in a thick red clay pot with a lid, simmered with vegetables and small new potatoes. Warm and succulent, the meat fell from the bone. It was a simple dish yet filled with subtle layers of flavour. It struck her as lavish and exotic. When Monsieur Tissot explained that it was essentially peasant fare, she was amazed.

‘Chicken in a pot,’ he explained, with a little shrug. ‘You said you wanted something plain.’

‘It’s delicious.’

Customers came and went, some for supper, some just for coffee. The small café was the centre of its own little universe, swirling with its own local population. Everyone seemed to know each other, and to have passionate views they never even considered keeping to themselves. They spoke freely, tossing unsolicited advice and opinions across tables. A family came in, several married couples, a pair of quite nicely dressed elderly women, a pile of young men on their way to a club, a single old man reading the paper, a couple of middle-aged women… They watched and ate and, to Grace’s delight, Monsieur Tissot would occasionally interpret for her.

He nodded in the direction of the two women, now sitting tête-à-tête. ‘They’ve been to the cinema,’ his voice was low. ‘This one says she didn’t like the mother. And the leading man was too fat but had a nice face.’

‘What film was it?’

‘Humm,’ he strained to hear. ‘ Marty ? Apparently they both cried at the end. And now they’re having a drink to make themselves feel better.’

‘Oh, yes! I want to see that. I’ve heard it’s quite good.’

‘And over there.’ He pointed to an elderly couple involved in a heated discussion – he was shaking his head and she was folding her napkin, planting it firmly on the table, preparing to walk out. ‘He says he thinks the veal is fine. She knows it’s got too many capers and not enough lemon.’

Grace couldn’t believe it. ‘They’re fighting like that about food?’

He nodded.

‘That would never happen in England.’

‘I know,’ he smiled.

Afterwards, since the rain had stopped, he walked her the short distance back to the hotel.

She stopped outside. ‘Monsieur Tissot, am I correct in assuming from what you’ve said that you have access to Madame d’Orsey’s apartment?’

‘Yes, of course.’

‘And that it’s not been sold yet?’

‘No.’

‘I see.’ Grace folded her arms across her chest. ‘Then I would like to see it, please.’

He hesitated. ‘My instructions were to ensure you were in receipt of the proceeds from the sale. I don’t believe it was ever Madame d’Orsey’s intention that you should visit the property.’

‘Perhaps,’ Grace countered, ‘but without my signature on the power of attorney, there will be no sale. Am I right?’

‘Yeees…’ he said slowly. ‘That’s true.’

‘And this is a situation which requires a delicate legal approach.’

His eyes narrowed ‘You’re quite tenacious, aren’t you?’

‘And I believe you’re stalling.’

Rocking back on his heels, Monsieur Tissot pushed his hands deep into his pockets. She was more resourceful than he’d given her credit for. And she was also intelligent and amusing in a very particular English way. He could easily show her the apartment and still complete this business quickly. ‘Very well, Madame Munroe. What time tomorrow would you like me to collect you?’

New York, 1927

Almost every night there was some sort of party at the Hotel. Many started in the bar then worked their way up into the rooms. But often there were simply outbreaks of dancing and drunkenness which flared up, taking over whole floors without warning like a kind of impromptu orgy. Doors would be propped open, and guests who formerly hadn’t even been on nodding terms gathered in hallways, collecting in doorways, laughing and shouting, music and smoke filling the air. Illegal liquor appeared, bottles were passed; more ice and glasses were in constant demand. Within the hour, cars pulled up outside, from the opposite end of town or the suburbs, laden with fresh recruits; girls piled on each other’s laps, shrieking with delight and young men wearing evening jackets, as if they’d been permanently on call for just such an occasion. Racing past the doorman, they followed the noise like bloodhounds tracking a scent, fearful of missing ‘the best bits’.

The chorus girls were famous for these ongoing revelries; interrupted only briefly by bouts of sobriety and the occasional comatose slumber. The entire cast of the Follies seemed to be condemned to the Sisyphean fate of forever reeling from room to room, floor to floor, searching for the next cocktail, the next dance partner, the next eruption of intensity. The following morning, or more often late in the afternoon, survivors could be found wandering bleary-eyed round the corridors and lobby; girls without shoes and missing their handbags, men clutching car keys, with only the vaguest memory of where they might have parked, politely enquiring as to where they were before heading off again.

Cleaning up after these affairs was far less glamorous. It wasn’t unusual to discover that someone had relieved themselves on the balcony, in a potted palm or an ice bucket; stray stockings and missing undergarments were wound about bedposts, jammed into dumb waiters and stuffed between sofa cushions; pools of vomit attracted flies and cockroaches and, along with blood and lipstick, required intense bouts of scrubbing to remove from the carpet. Almost once a week a body would turn up somewhere, sometimes quite dead looking, but usually in a state of extreme intoxication; a person no one knew or remembered, who was eventually carted off by the police to the local hospital.

At the same time, movie and Broadway stars were apt to manifest like sudden, dazzling apparitions. Douglas Fairbanks, Will Rogers, John Gilbert and W. C. Fields frequently charmed young women in the bar, while Ruth Etting, Marion Davies, and Fanny Brice could be glimpsed, wrapped in furs, gliding through the lobby before disappearing into chauffeur-driven cars.

The air itself crackled with undercurrents of possibility. Fame, intoxication, sudden sexual encounters – both welcome and unwelcome – simply materialized, as unstoppable and unpredictable as the weather.

And in the summer time, it only got worse.

‘Mr Waxman has tried to commit suicide again,’ Sis sighed, when they were folding linens one stifling Tuesday morning.

‘What do you mean, again?’

‘He does it every once in a while. Gets too drunk, starts hollering and then goes out on the ledge and stands around a while. He’s gonna have to leave. They already asked him to leave once but they’re gonna have to get the police to do it this time.’

‘Why does he do it?’

‘Question is, why doesn’t he do it? I mean, if you’re gonna jump, jump! It’s all this in-and-out business that’s so upsetting. He’s meant to be writing some movie or something and every once in a while he just has to get out there and make a fuss. “There’s nothing to live for! This is it! There is no God! Nothing can save you!” Last year everyone panicked. This year they just let him go on and after a while he climbed back in and ran himself a bath.’

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