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Alice Munro: Dear Life

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Alice Munro Dear Life

Dear Life: краткое содержание, описание и аннотация

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In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.

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But how could you spot that for sure in anybody?

Greg turned from them and scanned the windows of the train. She waved from the dome car and he caught sight of her and waved back.

“There’s Greg,” she said to Katy. “See down there. He’s waving. Can you wave back?”

But Katy found it too difficult to look for him. Or else she did not try. She turned away with a proper and slightly offended air, and Greg, after one last antic wave, turned too. Greta wondered if the child could be punishing him for desertion, refusing to miss or even acknowledge him.

All right, if this is the way it’s going to be, forget it.

“Greg waved to you,” Greta said, as the train pulled away.

“I know.”

* * *

While Katy slept beside her in the bunk that night Greta wrote a letter to Peter. A long letter that she intended to be funny, about all the different sorts of people to be found on the train. The preference most of them had for seeing through their camera, rather than looking at the real thing, and so on. Katy’s generally agreeable behavior. Nothing about the loss, of course, or the scare. She posted the letter when the prairies were far behind and the black spruce went on forever, and they were stopped for some reason in the little lost town of Hornepayne.

All of her waking time for these hundreds of miles had been devoted to Katy. She knew that such devotion on her part had never shown itself before. It was true that she had cared for the child, dressed her, fed her, talked to her, during those hours when they were together and Peter was at work. But Greta had other things to do around the house then, and her attention had been spasmodic, her tenderness often tactical.

And not just because of the housework. Other thoughts had crowded the child out. Even before the useless, exhausting, idiotic preoccupation with the man in Toronto, there was the other work, the work of poetry that it seemed she had been doing in her head for most of her life. That struck her now as another traitorous business—to Katy, to Peter, to life. And now, because of the picture in her head of Katy alone, Katy sitting there amid the metal clatter between the cars—that was something else she, Katy’s mother, was going to have to give up.

A sin. She had given her attention elsewhere. Determined, foraging attention to something other than the child. A sin.

They arrived in Toronto in the middle of the morning. The day was dark. There was summer thunder and lightning. Katy had never seen such commotion on the west coast, but Greta told her there was nothing to be afraid of and it seemed she wasn’t. Or of the still greater, electrically lit darkness they encountered in the tunnel where the train stopped.

She said, “Night.”

Greta said, No, no, they just had to walk to the end of the tunnel, now that they were off the train. Then up some steps, or maybe there would be an escalator, and then they would be in a big building and then outside, where they would get a taxi. A taxi was a car, that was all, and it would take them to their house. Their new house, where they would live for a while. They would live there for a while and then they would go back to Daddy.

They walked up a ramp, and there was an escalator. Katy halted, so Greta did too, till people got by them. Then Greta picked Katy up and set her on her hip, and managed the suitcase with the other arm, stooping and bumping it on the moving steps. At the top she put the child down and they were able to hold hands again, in the bright lofty light of Union Station.

There the people who had been walking in front of them began to peel off, to be claimed by those who were waiting, and who called out their names, or who simply walked up and took hold of their suitcases.

As someone now took hold of theirs. Took hold of it, took hold of Greta, and kissed her for the first time, in a determined and celebratory way.

Harris.

First a shock, then a tumbling in Greta’s insides, an immense settling.

She was trying to hang on to Katy but at this moment the child pulled away and got her hand free.

She didn’t try to escape. She just stood waiting for whatever had to come next.

AMUNDSEN

ON the bench outside the station I sat and waited. The station had been open when the train arrived but now it was locked. Another woman sat at the end of the bench, holding between her knees a string bag full of parcels wrapped in oiled paper. Meat—raw meat. You could smell it.

Across the tracks was the electric train, empty, waiting.

No other passengers showed up and after a while the stationmaster stuck his head out and called, “San.” At first I thought he was calling a man’s name, Sam. And another man wearing some kind of official outfit did come around the end of the building. He crossed the tracks and boarded the electric car. The woman with the parcels stood up and followed him, so I did the same. There was a burst of shouting from across the street and the doors of a dark-shingled flat-roofed building opened, letting loose several men who were jamming caps on their heads and banging lunch buckets against their thighs. By the noise they were making you would think the car was going to run away from them at any minute. But when they settled on board nothing happened. The car sat while they counted each other and said who was missing and told the driver he couldn’t go yet. Then somebody remembered that it was the missing man’s day off. The car started, though you couldn’t tell if the driver had been listening to any of this, or cared.

All the men got off at a sawmill in the bush—it would not have been more than a ten-minute walk—and shortly after that the lake came into view, covered with snow. A long white wooden building in front of it. The woman readjusted her meat packages and stood up and I followed. The driver again called “San,” and the doors opened. A couple of women were waiting to get on. They greeted the woman with the meat and she said it was a raw day.

All avoided looking at me as I climbed down behind the meat woman.

There was no one to wait for at this end, apparently. The doors banged together and the train started back.

Then there was silence, the air like ice. Brittle-looking birch trees with black marks on their white bark, and some kind of small untidy evergreens rolled up like sleepy bears. The frozen lake not level but mounded along the shore, as if the waves had turned to ice in the act of falling. And the building beyond with its deliberate rows of windows, and its glassed-in porches at either end. Everything austere and northerly, black-and-white under the high dome of clouds.

But the birch bark not white after all as you got closer. Grayish yellow, grayish blue, gray.

So still, so immense an enchantment.

“Where you heading?” the meat woman called to me. “Visiting hours over at three.”

“I’m not a visitor,” I said. “I’m the teacher.”

“Well they won’t let you in the front door anyway,” said the woman with some satisfaction. “You better head along with me. Didn’t you bring a suitcase?”

“The stationmaster said he’d bring it later.”

“The way you were just standing there looked like you were lost.”

I said that I had stopped because it was so beautiful.

“Some might think so. Less they were too sick or too busy.”

Nothing more was said until we entered the kitchen at one end of the building. Already I was in need of its warmth. I did not get a chance to look around me because attention was drawn to my boots.

“You better get those off before they track the floor.”

I wrestled off the boots—there was no chair to sit down on—and set them on the mat where the woman had put hers.

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