Мэтью Квик: Forgive me, Leonard Peacock

Maybe you think I’m an asshole, making smoking more affordable for an old man with shot lungs? I’m not a big fan of smoking, for the record, even though I’m about to commit suicide. Irony? But Walt pretty much has old-time movies, cigarettes, scotch, and me. Cigarettes are 25 percent of his life. So I don’t judge him for smoking. Why should he want to extend his life longer? He started before they even knew it was bad for you, so maybe his addiction isn’t really his fault anyway. Maybe if I were born eighty-some years ago, I’d be addicted to cigarettes too.

Seventy-inch flat-screen TV; Oriental rugs; garage-kept brand-new Mercedes-Benz, which he never even drives; professionally landscaped yard; in-ground sprinkler system; original Norman Rockwell painting in the hallway—you get the picture.

If you took away all his wrinkles and rogue white hair, he’d look like a seasoned George Clooney.

He’s talking about my Bogart hat, which is too big and even covers my eyebrows. It’s kind of ridiculous.

Maybe you’re wondering why a teenager in 2011 likes watching Bogart films with an old man? Good question. At first, it was just something to do, somewhere to be where I felt wanted, because Walt’s pretty lonely. But I really grew to get, understand, and love Bogart Hollywood land. Walt says the movies were for men who came home from World War II disoriented, trying to make sense of the new postwar world, trying to relearn how to be men in a new domesticated life with women. There were no women around during the fighting overseas, just men supporting men, which is the reason for the Lauren Bacall-type femme fatales. During the war, men forgot how to interact with and trust women. And I like the fact that Walt takes me to a place none of my classmates even know exists. I admire Bogart because he does what’s right regardless of consequences—even when the consequences are stacked high against him—unlike just about everyone else in my life.

Turtleneck sweater. Missing-tooth smile. Bowl cut. Cute kid.

Who is, ironically, dying.

Like Linda, who claims to LOVE LOVE LOVE designing clothing but never misses a chance to complain about and stress over her work. How can she love something that makes her so unhappy—that keeps her away from her only son? Maybe being stressed about work and complaining all the time are a welcome respite from being Leonard Peacock’s mom? I don’t know. But thinking about that makes me sad. Especially since she became a fashion designer right after I tried to tell her about the bad stuff that happened with Asher. It was like my failed confession drove her away from me—made me repugnant.

Who probably screws hundreds of other women behind your back, because he’s a powerful player in the fashion business, so he definitely can. And people who value fashion first and foremost are not usually humanitarians or Nobel Peace Prize candidates, after all.

Herr Silverman said that the Jewish women in the Nazi death camps were often forced to have sex with Nazi officers (maybe like the one who owned my P-38?) just to stay alive and get privileges for themselves and family members. And hearing that made me wonder if Linda has to perform sex acts for Jean-Luc to keep her fashion career alive. (Herr Silverman also said that some sex slaves were teenage kids just like us.)

Interesting that businesses in the city have security guards but my high school doesn’t. Maybe it will after today. But why protect adults and not children?

All adults.

Answering machine in 2011? What? Sad but true. Linda doesn’t like to give out her cell number to “non-industry people,” like the office workers at my high school, because she thinks she’s Donatella Versace.

How does a teenage boy know the word camisoles? Three words: Fashion designer mother .

There were a few kids who looked just as sickened as I was by the übermorons’ behavior but they didn’t let Asher see their disgust. No one wanted to be the next target, and that’s just how übermorons like it—the secret to their power.

Untethered from my awful future.

I try to imagine being married to Mrs. Shanahan, eating root beer lollipops for every meal. Having a guidance counselor for a wife—she’d probably take good emotional care of me, or maybe she’d be so tired of taking care of people all day that when she came home from work she’d just be a selfish bitch. I can’t decide which I believe. Probably the latter, I think.

Herr Silverman is forever experimenting with facial hair. Last week he had an ill-advised Abraham Lincoln beard going. Students make comments about his various facial-hair stylings, but he never gets mad. He returns their digs with this smile that is more like a wink. It’s like he’s immune to the comments of other people, which I think is admirable.

That’s basically the mantra of Herr Silverman’s teaching—think for yourself and do what’s right for you, but let others do the same.

This is probably the standard answer that would score you the top mark on the essay portion of the SAT.

You may think that lynching is a means to an end if I wish to die, and I do, but being ripped apart limb by limb by übermoronic classmates is hardly a picturesque way to go. Death by übermorons is überunappealing.

You should read about all of those killers. They all have a lot in common. I bet they felt lonely in many ways, helpless, FORGOTTEN, ignored, alienated, irrelevant, cynical, and sad. Read about them. You really should. You can learn a lot. More than I can explain here.

Most teachers refuse to close the door when they are alone with a student, saying it’s against the law or something, which is pretty stupid. It’s like everyone thinks teenagers are about to get raped every second of the day and that an open door can protect you. (It can’t. How could it?) But Herr Silverman closes the door, which makes me trust him. He doesn’t play by their rules; he plays by the right rules.

Of course I’ve already written these letters, but just haven’t shown Herr Silverman because the words are too intense and personal and insane—and maybe not what he wanted me to write. And yet, I feel like the letters are really important. I’m just not sure why and so I don’t want to risk ruining the words. If Herr Silverman said the letters were wrong, I don’t think I could handle it. Especially because he keeps saying the letters can save me, which means he believes I definitely need saving.

Asher and I had that in common—oblivious mothers.

I was already weird back then, and people were starting to notice more and more. Asher had lots of friends, but I really only had Asher.

Why is it that we love surprising people? Is it because we like to know something they don’t? Does it give us a sense of power over others? Was I happy because I was controlling Asher? Or was I simply just trying to do something nice?