Ray Bradbury - Summer Morning, Summer Night

“Oh, yes, the pretty teacher. She died not long after you left.”

Had she ever married? No, come to think of it, she never had.

He walked out to the cemetery in the afternoon and found her stone, which said, “Ann Taylor, born 1910, died 1936.” And he thought, Twenty-six years old. Why, I’m four years older than you are now, Miss Taylor.

Later in the day the people in the town saw Bob Markham’s wife strolling to meet him and they all turned to watch her pass, for her face shifted with bright shadows as she walked. She was the fine peaches of summer in the snow of winter, and she was cool milk for cereal on a hot early summer morning. And this was one of those rare few days in time when the climate was balanced like a maple leaf between winds that blow just right, one of those days that should have been named, everyone agreed, after Bob Markham’s wife.

HE HAD BEEN waiting a long, long time in the summer night, as the darkness pressed warmer to the earth and the stars turned slowly over the sky. He sat in total darkness, his hands lying easily on the arms of the Morris chair. He heard the town clock strike 9 and 10 and 11, and then at last 12. The breeze from an open back window flowed through the midnight house in an unlit stream, that touched him like a dark rock where he sat silently watching the front door—silently watching.

At midnight, in the month of June....

The cool night poem by Mr. Edgar Allan Poe slid over his mind like the waters of a shadowed creek.

He moved down the black shapeless halls of the house, stepped out of the back window, feeling the town locked away in bed, in dream, in night. He saw the shining snake of garden hose coiled resiliently in the grass. He turned on the water. Standing alone, watering the flower bed, he imagined himself a conductor leading an orchestra that only night-strolling dogs might hear, passing on their way to nowhere with strange white smiles. Very carefully he planted both feet and his tall weight into the mud beneath the window, making deep, well-outlined prints. He stepped inside again and walked, leaving mud, down the absolutely unseen hall, his hands seeing for him.

Through the front-porch window he made out the faint outline of a lemonade glass, one-third full, sitting on the porch rail where she had left it. He trembled quietly.

Now, he could feel her coming home. He could feel her moving across town, far away, in the summer night. He shut his eyes and put his mind out to find her; and felt her moving along in the dark; he knew just where she stepped down from a curb and crossed a street, and up on a curb and tack-tacking, tack-tacking along under the June elms and the last of the lilacs, with a friend. Walking the empty desert of night, he was she. He felt a purse in his hands. He felt long hair prickle his neck, and his mouth turn greasy with lipstick. Sitting still, he was walking, walking, walking on home after midnight.

“Good night!”

He heard but did not hear the voices, and she was coming nearer, and now she was only a mile away and now only a matter of a thousand yards, and now she was sinking, like a beautiful white lantern on an invisible wire, down into the cricket and frog and water-sounding ravine. And he knew the texture of the wooden ravine stairs as if, a boy, he was rushing down them, feeling the rough grain and the dust and the leftover heat of the day...

He put his hands out on the air, open. The thumbs of his hands touched, and then the fingers, so that his hands made a circle, enclosing emptiness, there before him. Then, very slowly he squeezed his hands tighter and tighter together, his mouth open, his eyes shut.

He stopped squeezing and put his hands, trembling, back on the arms of the chair. He kept his eyes shut.

Long ago, he had climbed, one night, to the top of the courthouse tower fire-escape, and looked out at the silver town, at the town of the moon, and the town of summer. And he had seen all the dark houses with two things in them, people and sleep, the two elements joined in bed and all their tiredness and terror breathed upon the still air, siphoned back quietly, and breathed out again, until that element was purified, the problems and hatreds and horrors of the previous day exorcised long before morning and done away with forever.

He had been enchanted with the hour, and the town, and he had felt very powerful, like the magic man with the marionettes who strung destinies across a stage on spider-threads. On the very top of the courthouse tower he could see the least flicker of leaf turning in the moonlight five miles away; the last light, like a pink pumpkin eye, wink out. The town did not escape his eye—it could do nothing without his knowing its every tremble and gesture.

And so it was tonight. He felt himself a tower with the clock in it pounding slow and announcing hours in a great bronze tone, and gazing upon a town where a woman, hurried or slowed by fitful gusts and breezes of now terror and now self-confidence, took the chalk-white midnight sidewalks home, fording solid avenues of tar and stone, drifting among fresh cut lawns, and now running, running down the steps, through the ravine, up, up the hill, up the hill!

He heard her footsteps before he really heard them. He heard her gasping before there was a gasping. He fixed his gaze to the lemonade glass outside, on the banister. Then the real sound, the real running, the gasping, echoed wildly outside. He sat up. The footsteps raced across the street, the sidewalk, in a panic. There was a babble, a clumsy stumble up the porch steps, a key racketing the door, a voice yelling in a whisper, praying to itself, “Oh, God, dear God!” Whisper! Whisper! And the woman crashing in the door, slamming it, bolting it, talking, whispering, talking to herself in the dark room.

He felt, rather than saw, her hands move toward the light switch.

He cleared his throat.

SHE STOOD against the door in the dark. If moonlight could have struck in upon her, she would have shimmered like a small pool of water on a windy night. He felt the fine sapphire jewels come out upon her face, and her face all glittering with brine.

“Lavinia,” he whispered.

Her arms were raised across the door like a crucifix. He heard her mouth open and her lungs push a warmness upon the air. She was a beautiful dim white moth; with the sharp needle point of terror he had her pinned against the wooden door. He could walk all around the specimen if he wished, and look at her, look at her.

“Lavinia,” he whispered.

He heard her heart beating. She did not move.

“It’s me,” he whispered.

“Who?” she said, so faint it was a small pulse-beat in her throat.

“I won’t tell you,” he whispered. He stood perfectly straight in the center of the room. God, but he felt tall! Tall and dark and very beautiful to himself, and the way his hands were out before him was as if he might play a piano at any moment, a lovely melody, a waltzing tune. The hands were wet, they felt as if he had dipped them into a bed of mint and cool menthol.

“If I told you who I am, you might not be afraid,” he whispered. “I want you to be afraid. Are you afraid?”

She said nothing. She breathed out and in, out and in, a small bellows which, pumped steadily, blew upon her fear and kept it going, kept it alight.

“Why did you go to the show tonight?” he whispered. “ Why did you go to the show?”

No answer.

He took a step forward, heard her breath take itself, like a sword hissing in its sheath.

“Why did you come back through the ravine alone?” he whispered. “You did come back alone, didn’t you? Did you think you’d meet me in the middle of the bridge? Why did you go to the show tonight? Why did you come back through the ravine, alone?”