Jennifer DuBois - Cartwheel

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Cartwheel: краткое содержание, описание и аннотация

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Written with the riveting storytelling of authors like Emma Donoghue, Adam Johnson, Ann Patchett, and Curtis Sittenfeld,
is a suspenseful and haunting novel of an American foreign exchange student arrested for murder, and a father trying to hold his family together. Cartwheel When Lily Hayes arrives in Buenos Aires for her semester abroad, she is enchanted by everything she encounters: the colorful buildings, the street food, the handsome, elusive man next door. Her studious roommate Katy is a bit of a bore, but Lily didn’t come to Argentina to hang out with other Americans.
Five weeks later, Katy is found brutally murdered in their shared home, and Lily is the prime suspect. But who is Lily Hayes? It depends on who’s asking. As the case takes shape—revealing deceptions, secrets, and suspicious DNA—Lily appears alternately sinister and guileless through the eyes of those around her: the media, her family, the man who loves her and the man who seeks her conviction. With mordant wit and keen emotional insight,
offers a prismatic investigation of the ways we decide what to see—and to believe—in one another and ourselves.
In
, duBois delivers a novel of propulsive psychological suspense and rare moral nuance. No two readers will agree who Lily is and what happened to her roommate.
will keep you guessing until the final page, and its questions about how well we really know ourselves will linger well beyond.
Starred Review
A
Pick for Biggest Books of the Fall • A Pick for
’ Most Anticipated Books of 2013
From
“A tabloid tragedy elevated to high art.”

“[A] compelling, carefully crafted, and, most importantly, satisfying novel.”

Lily Hayes, 21, is a study-abroad student in Buenos Aires. Her life seems fairly unexceptional until her roommate, Katy, is brutally murdered, and Lily, charged with the crime, is remanded to prison pending her trial. But is she guilty, and who is Lily, really? To find answers to these questions, the novel is told from multiple points of view—not only that of Lily but also that of her family; of sardonic Sebastien, the boy with whom she has been having an affair; and of the prosecutor in the case. In the process, it raises even more questions. What possible motive could Lily have had? Why, left momentarily alone after her first interrogation, did she turn a cartwheel? And has she, as her sister asserts, always been weird? In her skillful examination of these matters, the author does an excellent job of creating and maintaining a pervasive feeling of foreboding and suspense.
Sometimes bleak, duBois’ ambitious second novel is an acute psychological study of character that rises to the level of the philosophical, specifically the existential. In this it may not be for every reader, but fans of character-driven literary fiction will welcome its challenges. Though inspired by the Amanda Knox case,
is very much its own individual work of the author’s creative imagination. —Michael Cart

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“Oh,” said Sebastien, fixing his eyes on Carlos’s shoulder. He could not guess what was expected of him here. Please, Carlos, don’t think of it for a moment! What’s a suspicion of murder between neighbors? I certainly hope Beatriz hasn’t been fretting over it . “All right,” he said.

“You know, it’s a difficult time right now,” said Carlos regretfully. “She’s scared. You can imagine.”

“It’s an unspeakably dreadful thing, what’s happened,” said Sebastien. It came out with more intensity than he’d meant it to.

Carlos squinted, even though the light was behind him. “Yes,” he said. “Katy was a very sweet girl.”

“It must be an absolutely terrible time for you,” said Sebastien. He meant it. He did not mean anything, ever, but he meant this.

Carlos inclined his head and looked at Sebastien directly for the first time. “For you, too, I’d imagine.”

“Worse for you, I’m sure,” said Sebastien. “It was your house. And, really, I didn’t know Katy that well.”

Sebastien had meant this as a kindness—an acknowledgment of the magnitude of the Carrizos’ pain, a deferral to their closeness to the situation—but it seemed to hit Carlos wrong somehow, and his expression changed, and there was a creeping feeling along Sebastien’s neck.

“You knew Lily well, though,” said Carlos.

Sebastien recognized Carlos’s new expression as one of suspicion. And—perhaps because this time he was, on some level, expecting it—Sebastien found himself looking at Carlos with frank suspicion right back. “You know she didn’t do it, right?” he said.

Carlos retreated by a step. “Beatriz is just shaken up.”

“But you do know that, right? You really know that?”

At this, Carlos shook his head slightly. “I’ve recently realized I’m too old to think I really know anything.”

That night, Sebastien sat up donating anonymously to Lily’s parents’ travel fund.

He’d found the site immediately after its conception. It had clearly been erected by one of Andrew or Maureen’s baby boomer friends—its pleas for money or frequent-flier miles were written in outlandish, early Internet fonts, floating above family pictures of the Hayes family at wholesome New England destinations. On top of Mount Washington, Maureen, Lily, and Anna bend against the wind, matching red hoodies pulled tight around their faces; Lily pretends to hold on to a railing for dear life. After each donation, Sebastien felt a brief sense of calm; he was glad to finally have found some way to spend money that didn’t make him feel wretched. He would make a great philanthropist yet, he thought, after completing his fifth donation. He laughed and got up to fix himself a drink.

When he sat back down, he Googled the word “suicide.” A toll-free hotline number popped up above the search results, and Sebastien felt the hairs on his arms stand up, just as they always did. Sebastien had discovered this search engine curiosity right after his return to Buenos Aires. NEED HELP? the message above the number said, a question that Sebastien found oddly, overwhelmingly touching, though he did not know what entity could be said to be asking it. The computer? The aggregated information of the Internet? The kind person in Mountain View, California, who had thought of this idea in the first place? The anti-suicide lobbying group that had demanded it? Sebastien did not know, but still the message had made him cry the first time he saw it—for the impersonality of the algorithm that was behind it, and for the pure indifferent public-spiritedness that was behind that . He took a sip of absinthe. It almost did not matter, he realized, what the intelligence generating the message was—whether it was conscious or unconscious, singular or plural, animate or inanimate. The message was simply concern cast out into the universe—toward him or anyone or no one. No matter what it was, it had helped him once, and no matter what it was, it could not know that it had.

Sebastien palmed his cheek, then clicked back over to Lily’s travel fund website. He zoomed in on the picture of Lily on Mount Washington. He touched her hood, putting his finger directly on the computer screen. Lily’s face was scrunched and red, her eyes wet with tears from wind or laughter. Sebastien clicked on the Donate button. He was about to click again when he heard a knock on the door.

He startled and looked at the clock. Somehow, it was already eleven a.m. The knock came again, and Sebastien scurried to the bathroom to swallow some toothpaste and run a comb through his hair. There was a third knock, and Sebastien ran to the door—tripping over the leg of a piano bench and swearing loudly—and opened it.

On his stoop was a girl—young and reddish haired and wiry, like a vehicle built for efficiency.

“Hi,” she said. “I’m Anna.”

Sebastien was stupefied. He tried to summon Lily’s description of her sister but could produce nothing specific; Anna had floated around the edges of Lily’s anecdotes, a pixelated smudge of sidekick, consigned to the modal past tense— Anna and I always used to do this, Anna and I would always go there —and listening to the stories it would have been easy to think, to the extent one thought about it at all, that Anna was still six years old somewhere, pigtailed, mischievous (though not quite as mischievous as Lily), eternally trailing after the shadow of her older sister. Sebastien had detected no animosity in these narratives, only the profoundly tangential nature of Anna’s role in Lily’s world today. What could you say about someone like Anna? You were children together, that’s all. But now here was an adult Anna, standing on Sebastien’s porch and, presumably, in the very center of her own life.

“Don’t tell me I look like her,” she said. “I already know.”

She did not, in fact, look all that much like Lily, in Sebastien’s estimation. Their features were similar, but Anna seemed mad about it, somehow—as though her face was just a mask of Lily’s face that had been foisted upon her against her will and that the cruel townspeople were now forcing her to parade around the square in.

“That’s an interesting knocker you have,” she said.

“I got it at a rummage sale,” said Sebastien, unfreezing. Why weren’t her parents watching her? he caught himself thinking, then could not believe he was thinking it.

Anna frowned and leaned closer to it. “It’s a griffin, right?”

“I’m sure I never asked it such a personal question,” said Sebastien. It came out snappish. He didn’t want to seem surprised that Anna had known, but he was, a little, and he saw that she could tell.

“Lily always did have weird taste in boys,” Anna murmured, as if confiding in the griffin. She stood back up. “I’m a classics major.”

“Oh,” said Sebastien. “Lily didn’t tell me that.”

“Oh, yeah? What major did she say I was?”

Lily hadn’t mentioned it, of course—though Sebastien would have imagined (had he been forced to imagine) that Anna might have been studying business, or finance, or some other soulless discipline of the sort pursued by compulsive exercisers. “Lily didn’t talk about you very much, I’m afraid,” he said.

“Well, yeah. I mean, I’m not Lily, am I?” Anna gazed sourly past Sebastien’s shoulder and into the house. “Could I come in, do you think?”

Sebastien gestured an elaborate by all means . Anna walked inside, squinting against the room’s patchy light and nodding faintly, as though confirming to her own silent satisfaction that everything was exactly as she’d thought it would be. Sebastien was irritated. You try having lights under the circumstances , he wanted to say. You try having furniture . At least there was a sheet over the television; Sebastien still could not bear the thought of anyone—even a stranger, and even now—knowing that he owned one.

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