Manil Suri - The City of Devi

“This is for all the potato sandwiches at McDonald’s,” Uma said as she handed me two tickets for a Saturday matinee at the Metro. “I know neither of you much follows movies, but with Karun’s thing for mythology, it should be interesting.”

Bollywood had dramatically changed since I last looked, because Superdevi had slick production values and expensive special effects, unlike the tacky 1970s potboilers my mother liked to watch on DVDs. But the plot seemed just as hokey, as preposterous and formulaic, and I wondered what all the fuss was about. I had difficulty keeping Superdevi’s more minor incarnations separate (Cyber Devi, X-ray Devi, and Antibiotic Devi, in particular), though with most of the story revolving around schemes to destroy Mumbai, she appeared for a good part as Mumbadevi.

To my surprise, Karun enjoyed the movie much more than I did—he seemed unperturbed by the frequent suspension of logic, the willful violation of every law of physics. “I wish Baji could have seen it. He always talked about Devi coming to life.” Karun’s one reservation related to the Vishnu and Shiva characters who popped up in the climax to form a terrorist-exterminating threesome with Superdevi. “They should have developed those roles more, seized the opportunity to delve deeper into the concept of the Trimurti.”

As expected, sitting together in the theater brought back all of Karun’s shyness. After the first half hour, though, he started to relax, as if the darkness had begun to dissolve through his inhibitions. We even held hands on the armrest between us following the intermission—in fact, I got the distinct sense that he relished the element of covertness. After that, we began going to the movies regularly—his favorite theater was the Regal, which, curiously, he said he’d frequented quite often in college. When I asked him to tell me something about the films, he oddly couldn’t recall much of what he’d seen.

THE KHAKIS ARE on the warpath. Their commotion plucks me from my cinema reverie and deposits me back in the hospital basement. “Look at him,” their leader shouts, pointing at the man they hoisted into the air minutes ago. “Look at the condition he’s in.” The man tries to sink in deeper behind the bandages plastering his face. Someone has finally removed the noose around his neck—it lies coiled on the ground, waiting for another victim.

“A complete outrage. These cowardly Muslims who’ve almost succeeded in getting one of our own Hindu brothers killed.” He does not elaborate on how, exactly, the Muslims are to blame. “I’ve told my men to root out every last Muslim in this room so there’s never a repetition of something like this. The HRM will find them and make this shelter safe for you again.”

I should have guessed from the saffron threads: the Khakis are part of the right-wing HRM, the Hindu Rashtriya Manch organization, responsible for so much of the nation’s bloodshed. They fan out through the crowded basement, peering at licenses and ID cards—when unavailable, they demand to see an intact foreskin. “My driver carries all the papers,” the man in the tan safari suit sniffs. “When the all-clear sounds, you’re free to ask him.” He sputters in outrage as a Khaki roughly grabs his belt, then staggers to the floor bleeding after receiving a corrective punch in the face.

“No, please, stop,” the woman with the gold paisley sari shrieks, throwing herself over his body, as if she’s been watching Bollywood movies all her life precisely in rehearsal of this move. “He’s my husband, he’s Hindu—we’re both Hindu—look, here’s my mangalsutra.” A Khaki bends over to take a closer look, then rips it from her neck and holds it laughing above his head.

A figure heads towards me and I stiffen upon recognizing my would-be Romeo. Is he going to try again to strike up a conversation? Then I realize he’s actually threading his way away from the line of advancing Khakis. Our gazes meet, and something flickers in his eyes—I guess at once he must be Muslim. He’s almost past me, headed towards the dark recesses with the bottles and flasks, when the woman with designs on my pomegranate spots him. “Look, that sisterfucker’s trying to get away. Quick, catch him!”

Within seconds, two Khakis are upon him. “Let me go,” he cries as they pin his hands behind his back. The muscles strain in his arms and neck. “I’m Hindu, I tell you. My name is Gaurav.”

“Why were you trying to escape?”

“I wasn’t—I just thought it was darker back there—I had to urinate.”

One of the Khakis fishes around in Gaurav’s pockets. He finds a sheet of paper which he unfolds and stares at myopically. It’s clear he can’t read. “It’s just an old receipt,” Gaurav says.

“Where’s your ID?”

“At home. I left my wallet there to keep it safe.”

The Khaki smiles. “Actually, you’re always carrying your ID—you’re attached to it. My colleague will take you to the back and check while you use it to urinate.”

They are guffawing and twisting his arms behind to lead him back when I find myself instinctively stepping forward. Perhaps the bashed-in face of their previous victim spurs me—I cannot stand by again, cannot stomach another body getting broken and hanged. A smidgen of guilt at having treated my Romeo shabbily is also mixed in—for all I know, his designs may have been completely honorable. “I know this man. You can let him go. His name is Gaurav Pradhan.”

I’m not sure from where I get the surname. The Khakis are as startled at my intervention as I am. “How do you know him?”

“He lives in my building. He’s Hindu. I’ve run into him at Mahalaxmi temple, many times.”

As they wonder whether to untwist Gaurav’s arms, my nemesis, the pomegranate harridan, pipes up. “She’s lying. She has to be Muslim herself—that’s why she’s trying to save him. He must be her boyfriend .” She uses the English word.

“Don’t listen to her. You can see I’m a married Hindu woman—look at the bindi I’m wearing.”

“Anyone can take some color and draw a dot on their forehead. If you’re married, then where’s your mangalsutra to go along with your bindi, Muslim bitch?” She spits in my direction.

The Khakis confer with each other. The woman summons up more betel juice to aim at me. “I saw them talking to each other not five minutes ago—the sisterfucker and his Muslim whore.” She squirts, remnants dribble down her chin.

One of the Khakis turns to me. “Why don’t you come with us to the back? We can sort it all out there.” The gleaming new interest in his eyes unsettles me. He pretends to help me by the arm through the maze of people, but his grip is so tight I can feel his fingers dig into my flesh.

As I try to figure out how to extricate myself from the danger I’ve foolishly put myself in, the anti-aircraft guns start up. The sound of an explosion comes from outside, followed by another. The room seems to list to one side, as if the building is tipping over, as people run towards the slatted windows to peer through. A piercing whistle-like screech draws even more gawkers, and just as everyone crowds against the wall facing the street, it explodes.

A thrill passes through my body, a wild and terrified elation: I have been bombed. Then I hear the screams, see the arms and feet sticking through the rubble. The Khakis abandon their hunting game and rush to help the victims. I join in as well, in an effort to rescue two half-buried women—the white of their dresses identifies them as nurses.

I’m helping a doctor clear more fragments of wall when I feel a mouse-like movement in my salwaar. I look down to see grubby brown fingers easing out my pomegranate. It’s the boy with the Bimal Batak T-shirt. I try to seize his wrist, but he wriggles free. He scampers over the rubble towards the hole in the side of the building and I scrabble up after him. Squeezing through the opening, I follow him into the bright sunshine.