Kurt Vonnegut - Hocus Pocus

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From the author of Timequake, this "irresistible" novel (Cleveland Plain Dealer) tells the story of Eugene Debs Hartke-Vietnam veteran, jazz pianist, college professor, and prognosticator of the apocalypse. It's "Vonnegut's best novel in years-funny and prophetic...something special." (The Nation)

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Both notes said this and nothing more: “My work is done.”

In Sam Wakefield’s case, that completed work, if he didn’t want to count the Vietnam War, consisted of 3 new buildings, which probably would have been built anyway, no matter who was Tarkington’s President.

I am not writing this book for people below the age of 18, but I see no harm in telling young people to prepare for failure rather than success, since failure is the main thing that is going to happen to them.

In terms of basketball alone, almost everybody has to lose. A high percentage of the convicts in Athena, and now in this much smaller institution, devoted their childhood and youth to nothing but basketball and still got their brains knocked out in the early rounds of some darn fool tournament.

Let me say further to the chance young reader that I would probably have wrecked my body and been thrown out of the University of Michigan and died on Skid Row somewhere if I had not been subjected to the discipline of West Point. I am talking about my body now, and not my mind, and there is no better way for a young person to learn respect for his or now her bones and nerves and muscles than to accept an appointment to any one of the 3 major service academies.

I entered the Point a young punk with bad posture and a sunken chest, and no history of sports participation, save for a few fights after dances where our band had played. When I graduated and received my commission as a Second Lieutenant in the Regular Army, and tossed my hat in the air, and bought a red Corvette with the back pay the Academy had put aside for me, my spine was as straight as a ramrod, my lungs were as capacious as the bellows of the forge of Vulcan, I was captain of the judo and wrestling teams, and I had not smoked any sort of cigarette or swallowed a drop of alcohol for 4 whole years! Nor was I sexually promiscuous anymore. I never felt better in my life.

I can remember saying to my mother and father at graduation, “Can this be me?”

They were so proud of me, and I was so proud of me. I turned to Jack Patton, who was there with his booby-trapped sister and mother and his normal father, and I asked him, “What do you think of us now, Lieutenant Patton?” He was the goat of our class, meaning he had the lowest grade average. So had General George Patton been, again no relative of Jack’s, who had been such a great leader in World War II.

What Jack replied, of course, unsmilingly, was that he had to laugh like hell.

7

Ihave been reading issues of the Tarkington College alumni magazine, The Musketeer, going all the way back to its first issue, which came out in 1910. It was so named in honor of Musket Mountain, a high hill not a mountain, on the western edge of the campus, at whose foot, next to the stable, so many victims of the escaped convicts are buried now.

Every proposed physical improvement of the college plant triggered a storm of protest. When Tarkington graduates came back here, they wanted it to be exactly as they remembered it. And I thing at least never did change, which was the size of the student body, stabilized at 300 since 1925. Meanwhile, of course, the growth of the prison population on the other side of the lake, invisible behind walls, was as irresistible as Thunder Beaver, as Niagara Falls.

Judging from letters to The Musketeer, I think the change that generated the most passionate resistance was the modernization of the Lutz Carillon soon after World War H,a memorial to Ernest Hubble Hiscock.

He was a Tarkington graduate who at the age of 21 was a nose-gunner on a Navy bomber whose pilot crashed his plane with a full load of bombs onto the flight deck of a Japanese aircraft carrier in the Battle of Midway during World War II.

I would have given anything to die in a war that meaningful.

Me? I was in show business, trying to get a big audience for the Government on TV by killing real people with live ammunition, something the other advertisers were not free to do.

The other advertisers had to fake everything.

Oddly enough, the actors always turned out to be a lot more believable on the little screen than we were. Real people in real trouble don’t come across, somehow.

There is still so much we have to learn about TV!

Hiscock’s parents, who were divorced and remarried but still friends, chipped in to have the bells mechanized, so that one person could play them by means of a keyboard. Before that, many people had to haul away on ropes, and once a bell was set swinging, it stopped swinging in its own sweet time. There was no way of damping it.

In the old days 4 of the bells were famously off-key, but beloved, and were known as “Pickle” and “Lemon” and “Big Cracked John” and “Beelzebub.” The Hiscocks had them sent to Belgium, to the same bell foundry where André Lutz had been an apprentice so long ago. There they were machined and weighted to perfect pitch, their condition when I got to play them.

It can’t have been music the carillon made in the old days. Those who used to make whatever it was described it in their letters to The Musketeer with the same sort of batty love and berserk gratitude I hear from convicts when they tell me what it was like to take heroin laced with amphetamine, and angel dust laced with LSD, and crack alone, and on and on. I think of all those learning-disabled kids in the old days, hauling away on ropes with the bells clanging sweet and sour and as loud as thunder directly overhead, and I am sure they were finding the same undeserved happiness so many of the convicts found in chemicals.

And haven’t I myself said that the happiest parts of my life were when I played the bells? With absolutely no basis in reality, 1 felt like many an addict that I’d won, I’d won, I’d won!

When I was made carillonneur, I taped this sign on the door of the chamber containing the keyboard:

“Thor.” That’s who I felt like when I played, sending thunderbolts down the hillside and through the industrial ruins of Scipio, and out over the lake, and up to the walls of the prison on the other side.

There were echoes when I played—bouncing off the empty factories and the prison walls, and arguing with notes just leaving the bells overhead. When Lake Mohiga was frozen, their argument was so loud that people who had never been in the area before thought the prison had its own set of bells, and that their carillonneur was mocking me.

And I would yell into the mad clashing of bells and echoes, “Laugh, Jack, laugh!”

After the prison break, the College President would shoot convicts down below from the belfry. The acoustics of the valley would cause the escapees to make many wrong guesses as to where the shots were coming from.

8

In my day, the bells no longer swung. They were welded to rigid shafts. Their clappers had been removed. They were struck instead by bolts thrust by electricity from Niagara Falls. Their singing could be stopped in an instant by brakes lined with neoprene.

The room in which a dozen or more learning-disabled bell-pullers used to be zonked out of their skulls by hellishly loud cacophony contained a 3-octave keyboard against 1 wall. The holes for the ropes in the ceiling had been plugged and plastered over.

Nothing works up there anymore. The room with the keyboard and the belfry above were riddled by bullets and also bazooka shells fired by escaped convicts down below after a sniper up among the bells shot and killed 11 of them, and wounded 15 more. The sniper was the President of Tarkington College. Even though he was dead when the convicts got to him, they were so outraged that they crucified him in the loft of the stable where the students used to keep their horses, at the foot of Musket Mountain.

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