John Hawkes - The Cannibal

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The Cannibal "No synopsis conveys the quality of this now famous novel about an hallucinated Germany in collapse after World War II. John Hawkes, in his search for a means to transcend outworn modes of fictional realism, has discovered a a highly original technique for objectifying the perennial degradation of mankind within a context of fantasy….
Nowhere has the nightmare of human terror and the deracinated sensibility been more consciously analyzed than in
. Yet one is aware throughout that such analysis proceeds only in terms of a resolutely committed humanism." — Hayden Carruth

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Stella and Ernst found themselves in the midst of healthy guests, the men giants, the women tanned with snow, even the old venerable and strong because they were not too old. A few children chased each other about the lobby and bowed when approached by adults. Their short rasping voices were small and unawares out of doors, and there was a fear that they would fall into the ice floes. “It’s a great mistake,” Stella said, “to think that the youngest children are the most lovely — they’re not.” And yet she thought these children, the sons and daughters of the straight athletes, were beautiful. She watched them romp with hostility, and yet they flowered before her, danced and played. “The younger they are the more they demand, the more helpless they are. They’re capable of more than we think, especially when they can’t talk.” They lit their cigarettes and passed out of earshot of the children. Ernst was bundled to the throat in a jacket of bright fur and smiled and nodded at all she said, the tufts of long hair rubbing against his neck. Now that he was on the heights and all below him was gone, he walked always with spikes on the soles of his feet so he would not slip. Hearts in their hands, he slung the rope on his shoulder but never went down, for they wanted to be alone, high, in this one place. The whiteness flashed up, clearing away the last traces of summer, and Stella, looking over such a profound staged landscape, clung to his arm as if he would fall. But he was nearer God.

Every afternoon the old horse stood wheezing by the porte-cochere, trembling slightly with head lowered from the terrible exertion of the long climb. The sleigh would be empty, a rug dragging on the packed snow. The horse appeared blind, so limply hung the head, so blank the closed lids, and little drops of frost grew in his nostrils and on the bit, clung embedded in the sparse mane. He was cold, black and thin and hung with red trappings that did not fit, that swung against his damp hide with each painful bellow of air. Stella always tried to feed a piece of sugar to the flabby lips and slime-covered steel, but always the dumb groping nose knocked it from her palm. “Ah, the poor beast,” Ernst would say, looking over the sucked-in tail and fragile hocks. “You could count his age on all the ribs.” Then the driver would come out, sinister eyes rolling over his muffler, followed by the departing families with their skis. The black horse stumbled down the hill, and the couple continued their honeymoon, two golden figures in the setting sun.

Behind those flat drooping lids, the horse’s eyes were colorless and strangely out of shape, but they were deep, shy, inhumanly penetrating. The knees shivered both backwards and forwards.

This was the upper world. Some of the guests whisked in the morning down to the lower and with each sharp descent in the process, the pitch of their enjoyment dropped, until it was too low to bear. And quickly as possible, they laboriously began the crawl back upwards to the clear air, waiting to laugh until they had reached the point where they could turn and let their eyes glide down in cool recreation over those falling fields. The upper world was superior. In the lower, tufts of grass poked dangerously through the snow; snarling dogs ran under foot; the snow turned to rain on the lowest fields, and the isolated huts were grey and sodden. The laughter was above, the easiness that was tense with pleasure, the newness poured itself over the winged guests in sudden, unexpected delight, for a few days or weeks. The cooking was excellent. The black horse thrived better in the lower world. He was the same horse the students rode, shivering with the cold, tied alone to suffer the night. And yet he carried them, their switches flicking in the wind.

Here in this beautiful forest of burnt furniture, amidst the pale coolness of the wide-flung windows, in the crackling of parlor fires, in the songs beyond the thick rustic walls and the love inside, it did not matter that Herman said he was sorry to see her go, that the Sportswelt would miss her. The remembrance of the old house and the old parents, her sister, Jutta, was a far-off thing.

The hotel, from its highest porch where Ernie hid himself to watch all those who approached, to its gradually widening foundations where the mountain flowers shriveled and curled against the stone, was the center of a small acre of snow-packed land, was the final peak of a mountain. During the long rail trip they had watched the winter arrive, the smoke from squat chimneys more grey and thick. The snow fell, first in warning flurries, settling more coldly on the weaving branches and huddled animals. Winter was near the hotel.

At the far end of the acre was a small house, the roof curling under a foot of snow, its rear window gazing outward twenty miles and downwards to the depth of a thousand feet. Stella and Ernst, holding hands, silent in wondrous amazement, turning and clapping each other in excitement, walked over this very acre every afternoon and passed the house. A few scrubby trees leaned dangerously over the cliffs. And every afternoon they passed the old man on the doorstep, brittle shavings heaped over his shoes and like yellow flakes blown on the snow. He grinned while he carved, looked up at them, seemed to laugh, and hunching his shoulder, pointed backwards, behind the hut, out into the emptiness. The crosses he carved were both small and large, rough and delicate, some of simple majesty, others speaking minutely of martyrdom. They too fell across his feet, mingled with the sticks of uncarved wood — sometimes a bit of green bark was left to make a loincloth for Christ. Those that were not sold hung inside from a knotted wire, and slowly turned black with the grease and smoke; but the hair was always blacker than the bodies, the eyes always shone whereas the flesh was dull. Tourists paid well for these figures that were usually more human than holy, more pained than miraculous. Up went the shoulder, the knife rested, and he was pointing to the nearness of the cliffs. After the first week, Ernie bought one of the crucifixes, a terrible little demon with bitter pain curling about the mouth no larger than a bead, drawing tight the small outward-turning hands. Then he began to collect them, and every afternoon a new Christ would peer from his pocket through the tufts of fur.

By now his prayers at mealtime were quite audible. The setting sun stained the imperfect windows, made whorls crimson and shot the narrow panes with streaks of yellow until an off-color amber, like cheesecloth, finally smeared them over and gave way to a dismal night. Chairs scuffed in unison as the five long tables filled, and in the first silence, before strange conversations were resumed, before they had recaptured their half-intimate words, while they were still only nodding or whispering, one of the tables would become conscious of an impersonal, pious mumbling. Busily rearranging the silver and china before him, his brow wrinkled, he talked as if to an old friend. The table would be hushed and uneasy until he looked up. The hotel manager, who took this time of the evening meal to appear before his gathered guests and walk up and down between the rows to interrupt a conversation or a draught of wine, was struck dumb with the unnatural monotone, and would cast significant glances at Stella. The lines of beautiful cloths, the habits of silk, the evening dress of others turned inwards upon her, incongruous with the thick china and bare walls and floor, modern and glittering and presumptuous. She touched his hand, but it was stiff and cold, smooth and pious. She thought at first that she could feel something of his Bishop’s creed and was part of this furtive ritual that exerted itself more and more, even when the evenings were rich with color.

The crucifixes began to fill the hotel.

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