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John Hawkes: Second Skin

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John Hawkes Second Skin

Second Skin: краткое содержание, описание и аннотация

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Skipper, an ex-World War II naval Lieutenant and the narrator of Second Skin, interweaves past and present — what he refers to as his "naked history" — in a series of episodes that tell the story of a volatile life marked by pitiful losses, as well as a more elusive, overwhelming, joy. The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

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So I plunged both hands down and collared Bub, held him, dragged the streaming and spitting and frothy face up dose to mine. He had a nosebleed and a little finger-thick abrasion on his upper lip and terror on the narrow sea-white boyish face beneath the dripping duck bill of the baseball cap.

“Where is she,” I said. “Where’s Cassandra?”

And choked and high-pitched and faint but still querulous, still mean: “Him and her is at the lighthouse. Been up there to the lighthouse since sundown. You old fool…"

So for the first and only time in all my lifelong experience with treachery, deception and Death in his nakedness or in his several disguises, I gave way at last to my impulse and put Tremlow’s teaching to the test, allowed myself the small brutal pleasure of drawing blood and forcing flesh on flesh, inflicting pain. Yes, I stood in the choppy and freezing darkness of that black water and contemplated the precise spot where I would punch the child. Because I had gone too far. And Bub had gone too far. The long duck bill of the cap, the cruel tone of his island voice and the saliva awash on his thin white face and even the faint suggestion of tender sideburns creeping down the skin in front of each malformed ear, by all this I was moved, not justified but merely moved, to hit Bub then and there in the face with all my strength.

“Hold still,” I muttered, and took a better grip with my left hand, “hold still if you know what’s good for you,” I said and, keeping my eyes on the little bloody beak in the center of his white face I pulled back my arm and made a fist and drove it as hard as I could into Bub’s nose. I held him close for a moment and then pushed him away, let him go, left him rolling over in the cold black water where he could fend for himself.

I left him, rinsed my fist, staggered up into the moonlight and shouted, “No, no, Miranda, wait!” Once more I broke into my sloshing dogtrot on Dog’s Head beach, because Miranda was in the hot rod and shifting, throwing the blue and white and orange demon into gear, and waving, driving away. So I was alone once more and desperate and running as fast as I could toward the lighthouse. What heavy steps I took in the sand, how deep those footprints that trailed behind me as I took my slow-motion way down that desolate beach toward the lighthouse.

Slow-motion, yes, and a slogging and painful trot, but after a while I could see that the abandoned white tower of Dog’s Head lighthouse was coming down the beach to meet me, was moving, black cliff and all, in my direction. And crab grass, pools of slime, the rusted flukes of a lost anchor, and then the rotted wooden stairs up the side of the cliff and a bright empty Orange Crush bottle gleaming on the tenth step and then the railing gave way under my hand on the head of the cliff and the wind caught hold of me and the lighthouse went up and up above my craning head. The lighthouse. The enormous overgrown moonlit base of it. The tower that had fought the storms, the odor of high waves in the empty doorway, the terrible height of the unlighted eye — I wanted nothing more than to turn my back on it and flee.

But I cupped my hands and raised my mouth aloft and shouted: “Cassandra.? In the name of God, Cassandra, are you there?”

No answer, of course. Still no word for her father. Only the brittle feet of the luminous crabs, the cough and lap and barest moan of the slick black tide rising now at the bottom of the cliff and working loose the periwinkles, wearing away the stone, only the darkness inside the tower and, outside, the moonlight and the heavy unfaithful wind that was beating me across the shoulders, making my trousers luff. But of course she was there, of course she was. And had she climbed the circular iron staircase knowing she would never set foot on it again? Or, as in the case of my poor father, was I myself the unwitting tinder that started the blaze? Could she really have intended to spend the last six or eight hours of her life with Jomo in Dog’s Head light? My own Cassandra? My proud and fastidious Cassandra? I thought she had. Even as I approached the black doorless opening in the base of the tower I was quite certain that she had planned it all, had intended it all, knowing that I would come and call to her and force myself to climb that tower, climb every one of those iron steps on my hands and knees, and for nothing, all for nothing. Even as I thrust one foot into the darkness of Dog’s Head light I knew that I could not possibly be in time.

“Cassandra? Don’t play games with me, Cassandra. Please….”

Proud and fastidious, yes, but also like a bird, a very small gray bird that could make no sound. And now she was crouching somewhere in Dog’s Head light — at the top, it would be at the top if I knew Cassandra — or lying in Jomo’s thin brown abrasive arms in the Dog’s Head light. What a bad end for time. What a bad end for the BVM.

“Cassandra? In the name of God, answer me now … Please….”

Iron steps. All those iron steps and on my hands and knees. Bareheaded, sopping wet, afraid of finding her but afraid too of losing her, I started up then and with each step I found it increasingly difficult to pull my fingers loose from the iron steps and to haul the dead weight of my nerveless feet behind me. Up it went, that tower, straight to the top, and the center was empty, the circular iron steps were narrow, there was no rail. Cracks in the wall, certain vibrations in the rusted iron, it was like climbing up the interior of some monstrous and abandoned boiler, and it was not for me, this misery of the slow ascent, this caterpillar action up the winding iron stairway to the unknown.

But taking deep dark breaths and bracing myself now and again and glancing up and at the moonlight fluttering in the smashed head of the light, I persevered until suddenly, and as if in answer to my clenched jaw and all the sweeping sensations in my poor spine, the whole thing began to shake and sway and ring, and I clenched my fists, tucked in my fingers, bruised my head, hung on.

A long soft cry of the wind — or was it the wind? — and footsteps. Heavy mindless footsteps crashing down, spiraling down from above, heavy shoes trembling and clattering and banging down the iron stairway, and behind the terrible swaying rhythm in the iron and the racket of the shoes I could hear the click, click, click of the flashing mechanical hand as he swung it against the wall with each step he took.

He passed me. He had already passed me — Jomo without his cap, poor Jomo who must have thought Salerno was nothing compared to what he had gotten himself into now — when I heard the breathing beside my ear and then the toneless bell-strokes of catastrophe fading away below in the darkness.

The iron gut of the tower remained intact, and I crawled to the top and crawled back down again without mishap, without a fall. But the damage was done. I knew it was done before I reached the top, and I began to hurry and began to whisper: “Cassandra? He’s gone now, Cassandra, it’s all right now… you’ll see. …” I heard nothing but the echoing black sky and tiny skin-crawling sounds above me and the small splash, the eternal picking fingers of wave on rock below. “Cassandra?” I whispered, tried to pull myself up the last few shaky steps, tried to fight down dizziness, tried to see, “you’re not crying, are you, Cassandra? Please don’t….”

But the damage was done and I was only an old bird in an empty nest. I rolled up onto the iron floor in the smashed head of the lighthouse and crawled into the lee of the low wall and pulled myself into a half-sitting position and waited for the moment when Dog’s Head light must tremble and topple forward into the black scum of the rising tide far below.

“Gone, Cassandra? Gone so soon?” I whispered. “Gone with Gertrude, Cassandra? Gone to Papa? But you shouldn’t have, Cassandra. You should have thought of me….”

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