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John Hawkes: Second Skin

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John Hawkes Second Skin

Second Skin: краткое содержание, описание и аннотация

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Skipper, an ex-World War II naval Lieutenant and the narrator of Second Skin, interweaves past and present — what he refers to as his "naked history" — in a series of episodes that tell the story of a volatile life marked by pitiful losses, as well as a more elusive, overwhelming, joy. The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

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Third occasion of my adult life when my own pampered stomach tried to cast me out. Third time I threw up the very flux of the man, and for a moment, only a moment in the darkness of a cold ocean, I couldn’t help remembering the blonde prostitute on Second Avenue who held my forehead in the middle of the night and shared my spasms, because now I was stuffed into oilskins and slung up in a tight companionway and retching, vomiting, gasping between contractions, and there was no one to hold my forehead now. But it was the sea that had done this to me, only the wide sea, and in the drowsy and then electrified intervals of my seasickness I knew there would be no relief until they carried me ashore at last.

Red was standing in front of Cassandra now, my head was rolling, for some reason Jomo was at the wheel and the sea, the wide dark sea, was covered with little sharp bright pieces of tin and I saw them flashing, heard them clattering, clashing on all sides of the Peter Poor. The drops on my chin were tickling me and I couldn’t move; I felt as if I had been whacked on the stomach with a rolled-up newspaper soaked in brine.

Then blackness. Clap of pain in the head and blackness. Mishap with the boom? Victim of a falling block? One of the running lights shaken loose or a length of chain? But I knew full well that it was Bub because my eyes returned suddenly to tears and sight returned, settled again into bright images of the yellow oilskin, the hook at the wheel, the stern half-buried and shipping water, and somehow I accounted for them and knew suddenly what had become of Bub, could feel him where he crouched above me on the cabin roof and held upraised the old tire iron which they used as a lever to start the engine with.

But no sooner had I worked it out, that Bub had struck me on the head with the tire iron, than I saw the rock. Red, Cassandra, and then behind them the long low shelf of rock covered with a crust of barnacles and submerged every second or two in the sea, and we were wallowing and drifting and slowly coming abeam of the rock which looked like the overturned black petrified hull of some ocean-going vessel that would never sink.

Had it not been for Crooked Finger Rock I might have done something, might have reached around somehow and caught Bub by the throat and snatched away the tire iron and flung it at Red. Somehow I might have knocked Red down and taken over the Peter Poor and sailed us back to safety before the squall could threaten us from another quarter. But I saw the rock and heard the bell and Captain Red and Cassandra were posed against the rock itself, in my eye were already on the rock together, were all that remained of the Peter Poor and the rest of us. So I could only measure the rock and measure Red and wait for the end, wait for the worst.

I didn’t want to drown with Bub, I didn’t want Cassandra to survive with Red, and so I watched the hard black surface of the rock and swarthy bright yellow skin of the man, could only stare at the approach of the rock and at what the old man was doing. Jomo had let go the wheel and was watching too.

Because Cassandra was sitting on the edge of the thwart with her head thrown back and her hands spread wide inside the puffy tight yellow sleeves, and because the rust-colored skirt was billowing and I could see the knees and the whiteness above the knees which until now had never been exposed to sun, spray, or the head-on stance of a Captain Red, and because Red had thrown open the stiff crumpling mass of his yellow skins and was smiling and taking his hands away.

“There ’tis,” he said.

And that’s when I should have had the tire iron to throw, because there it was and I saw it all while Cassandra, poor Cassandra, saw only Red.

Because she looked at Red, stared at him, and then pulled the string yet gave no sign that she knew the black sou’wester was gone or that she cared — but I did, I watched it sail up, roll over, shudder, actually land for a moment on the rock, slide across the rock, drop from sight — and then she pulled at the knot of the pale blue kerchief and held the idle tip of it between two fingers for a moment and then let it go. Drop of blue already a quarter mile astern and the hair a little patch of gold in the wind, the sun, the spray, and the white face exposed to view.

“No, no,” I said thickly, because she had reached out her hand — bobbing, swaying, undisturbed — and had drawn it back and was extending it again and Red was waiting for her.

“Cassandra,” I mumbled, “Cassandra,” but the buoy began to toll and Bub hit me again with the tire iron. So I went down and took her with me, pulled her down into my own small comer of the dark locker that lies under the sea, dragged her to rest in the ruptured center of my own broken head of a dream. Waxed sandwich wrappings, empty brown paper bag, black sou’wester, kerchief — all these whistled above her, and then I was a fat sea dolphin suspended in the painful silence of my green underseas cavern where there was nothing to see except Cassandra’s small slick wide-eyed white face lit up with the light of Red’s enormous candle against the black bottom, the black tideless root, of Crooked Finger Rock.

The squall came down, I know, because once I opened my eyes and found that I was lying flat on my back in my oilskins on the floor of the cabin, was wedged into the narrow space between the bunks and was staring up at the open companion-way which was dark and filled with rain. The rain beat down into the cabin, fell full on my face, and I could hear it spattering on the pots and pans, driving into the piles of blankets thrown into the bunks. The black brassiere was circling above my head and lashing its tail.

We were offshore, three or four miles offshore in a driving squall. We pitched, reeled, rolled in darkness, one of the rubber hip boots fell out of the starboard bunk and down onto my stomach and lay there wet and flapping and undulating on my stomach. At least something, I thought, had saved us from a broadside collision against Crooked Finger Rock.

And later, much later, I awoke and found that they had hoisted me into the port bunk, dumped me into the bunk on top of the uncomfortable wet mass of blankets. I felt the toe of the other rubber boot in the small of my back, the tight sou’wester was still strapped to my head. And awake I saw the low and fading sun on the lip of the wet companionway, felt the tiny hand on my arm and managed to raise my eyes.

“Skipper? Feeling a little better, Skipper? We’re coming into port now, aren’t you glad?”

Wet, bright. Uncovered. The small white face that had been cupped in the determined hand of unruly nature. Little beads of sea violence in the eyelashes. Wet bright nose. Wet lips. Bareheaded, smooth, drenched, yellow skins open at the little throat, hair still smacking wet with the open sea and sticking tight and revealing the curve of her little sweet pointed skull. And smiling, Cassandra was smiling down at me. But she was not alone.

“Red — Captain Red — has been teaching me how to sail. Skipper.”

And moaning and licking my sour lips: “Yes, yes. I’m sure he has, Cassandra. That’s fine.”

The Old Man of the Sea, timeless hero of the Atlantic fishing fleet, was standing beside her with his pipe sizzling comfortably and the blood running back into the old channels, and I knew that I could not bear to look at him and knew, suddenly, why everything felt so different to me where I lay on the tumbled uncharitable blankets in the wet alien bunk. The sea. The sea was flat, smooth, calm, the wind had died, the engine was chugging so slowly, steadily, that I began to count the strokes.

“Ahoy, Peter Poor!” came the far-off sound of Miranda’s voice, and I knew that Cassandra was right and that we were heading into port, heading in toward our berth at the rotten jetty. Peace at last.

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