V. Naipaul - The Enigma of Arrival

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The story of a writer's singular journey — from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another — this is perhaps Naipaul's most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel.

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I heard the sound behind the trees; saw the smoke and, between the black of the tree trunks, the flames in the field beyond, the heat waves distorting the view like a pane of old-fashioned glass; felt the heat; and then very quickly was engulfed by the noise, rising fast to an amazing crepitation. And I thought of another sound I had heard more than twenty-five years before in the highlands of northeastern South America: the sound of a big waterfall. Water, fire — in great disturbance they made the same sound. And fleetingly to me, walking on the downs in that overpowering noise, it seemed that all matter was one.

On the way back — the fire quickly burnt away, finished, ashes in the field behind the wood — on the way back from my walk, then and afterwards, the thick patch of moss below the dormer window on the thatched roof of the empty house, a green that was shining, unnatural, that green, once part of the beauty of thatch, seemed to stand for more than vegetable matter.

So quiet the thatched house now; so ruined the little garden once neat with its hedge, scores of small roses in the summer.

And so quiet, over the hill on the other side, at the bottom of the valley, where an old, grassed-over field track led to a small abandoned farm building, all black and rust in a little dip in the land, so quiet when I saw them on a Saturday or Sunday afternoon, in the silence of the empty downs: the children from what had been Jack’s cottage, playing amid the rubble (whitening, sprouting a few weeds with yellow flowers) and the tires of the silage pit.

A ND THERE, perhaps, Jack’s vision of the valley as a whole place would continue; a vision without the decadence that was in my eye; a vision of childhood that would expand in the adult mind.

There were others who saw the valley and droveway as a place without decay. Walking one day past the old farm buildings, past the fresh litter below the birch trees, the fire in the chalk pit, turning up towards the new wood, I saw a figure in the distance.

I was used to solitude on the walk. The sight of a person in the distance like this, with the prospect of an encounter ten or fifteen minutes ahead, could spoil all the intervening walk and the walk back as well (because the person encountered would be likely to be walking back himself, usually to a parked car at the far end of the droveway, where it met one of the highways). I preferred therefore, if I saw a person approaching, to give up the walk and turn back.

This time, however, I didn’t. The person I was walking towards turned out to be a middle-aged woman. She was quite small. In the distance, and especially when seen against the sky, she had seemed physically imposing; people stood out in the emptiness. Her greeting just before we crossed was easy, open; we stopped and spoke. She was a working woman from Shrewton. When she lived at Amesbury, she said, she had regularly done the walk we were both now doing. She had come out now to look for the deer. So we had that in common as well. She said she had worked out the circuit of the deer; she knew roughly where they crossed the public road. And it was extraordinary, the survival of the family of deer in a piece of land bounded on three sides by busy highways and on one of those sides in addition by the army firing ranges.

No decay in that woman’s eye. Downs, walks, deer: the wonder of the natural world as available as it had always been.

And no decay in the eye of the old farm manager either. I saw him one day on a horse on the rising stretch of the droveway between the wood on one side and a treeless field or pasture on the other, before the hill with the larks and the barrows on the brow of the hill. In the old days he had seldom come so far on his inspection tours in his Land-Rover. But now he was retired and could roam; and he was on a horse, a further sign of leisure.

It was a big horse, of a beautiful color, white or gray spotted or spattered with red-brown. It was a difficult horse, he said. It was the gift of his daughter, who had married and gone to live in Gloucestershire. And that was what his talk was about: his daughter (so good with horses) and her gift of the horse (no trouble to her, that animal).

His suburban house at the very edge of the antique droveway; his neat garden; his daughter grown up and gone away; and now the empty days. How quickly his time had passed! How quickly a man’s time passed! So quickly, in fact, that it was possible within a normal span to witness, to comprehend, two or three active life cycles in succession.

That wasn’t what I thought about when I met him. When I met him on the horse that he was finding so difficult — he dismounted, with some relief, to talk to me — I thought at first only that it was true what some people said: that people who retired after active or physically energetic lives aged fast. He had aged; he had become bent; his walk was stiff (the walk in which, when I had first seen him and thought him to be an exemplar of the farmer “type,” I had seen a “farmer’s walk”).

The other thought, about the shortness of a man’s active cycle, his doing period, came to me afterwards, when I had left the manor and my cottage, when that section of my life had closed, and I had begun to feel, myself, that energy and action were things no longer absolutely at my command, that everyone had been given his particular measure of energy, and that when it was used up it was used up. These thoughts came to me not many years after I had seen the manager on his difficult horse, and seen the gap between us in age and energy and expectations. But middle age or the decline associated with it comes abruptly to some people; and middle age had come as abruptly to me as old age appeared to me then to have come to the old manager.

I would have liked to hear the old manager say something about the new farm people. I would have then said — more in tribute to him as someone from my past, than because I understood what I saw of the farming around me — how much I preferred his way. But he wasn’t interested. So the solidarity went unexpressed. And it was just as well. Because eventually, mysteriously (at least to me), the new venture failed, after two harsh, dry summers, summers so harsh that the old mock orange shrub outside my cottage died.

During one of those droughts I heard talk — on the bus, and from Bray, the car-hire man — that water wasn’t to be brought to the cattle, but that the cattle were to be transported to where there was water, transported perhaps to Wales! Such was the scale and style and reputation of the new venture. I don’t know whether anything like that happened, or whether it was just excited local exaggeration. Soon, however, it didn’t matter. The venture failed. And even this failure — large as it was, affecting so many people, affecting the eventual appearance of so many acres — seemed to happen quietly.

It was some time before I knew that there had been failure. The machines were there; the cows were there; the men were up and down in their cars; the big trucks came to take away the grain from the metal-walled barn. But then gradually the failure, the withdrawal at the center, began to show.

The prefabricated cow shed next to the barn was opened, front and back, and cleared of its dung and straw; and it remained open and clean (though stained) and empty: the stalls, the concrete floor with its canals, the slatted timber of the walls striping the sunlight, radiating it at many angles, and giving the shed an internal glow. The new milking building or parlor was taken down. So newly put up, its concrete platform — all that remained — still so new and raw-looking on the hillside. It was like Jack’s greenhouse; that, too, had left only a concrete floor.

Again, here, building had been on too big a scale, a scale too big for men. Needs had been exaggerated, had ramified, and had left a ruin. An empty cow shed that might eventually be taken down and sold elsewhere; a milking machine that no doubt had already been sold, leaving only a concrete floor. So small in the openness now, that floor, where the milking machines had hummed and hissed and dials had kept check of this and that; while the dung-stained cows, corralled into their iron-railed passages at particular times, had waited with a curious stillness to give milk to the machines, after being walked up the hill to the cowman’s shouts (the only human remnant of the milking ritual).

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