Ismail Kadare - The Pyramid

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From the Albanian writer who has been short-listed for the Nobel Prize comes a hypnotic narrative of ancient Egypt, a work that is at once a historical novel and an exploration of the horror of untrammeled state power. It is 2600 BC. The Pharaoh Cheops is inclined to forgo the construction of a pyramid in his honor, but his court sages hasten to persuade him otherwise. The pyramid, they tell him, is not a tomb but a paradox: it keeps the Egyptian people content by oppressing them utterly. The pyramid is the pillar that holds power aloft. If it wavers, everything collapses.And so the greatest pyramid ever begins to rise. It is a monument that crushes dozens of men with the placing of each of its tens of thousands of stones. It is the subject of real and imaginary conspiracies that necessitate ruthless purges and fantastic tortures. It is a monster that will consume all Egypt before it swallows the body of Cheops himself. As told by Ismail Kadare, The Pyramid is a tour de force of Kafkaesque paranoia and Orwellian political prophecy. "A haunting meditation on the matter-of-fact brutality of political despotism." — The New York Times Book Review" Kadare's prose glimmers with the magic realism of Gabriel Garcia Marquez." — Los Angeles Times Book Review" One of the most compelling novelists now writing in any language." — Wall Street Journal

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The things that could be heard said in the Foreign Ministry reached such a pitch that Cheops himself had to rebuke his officials. Instead of grinning at their neighbors, they would be better employed deciphering the meanings of these signs.

From that day on a policeman was on duty outside the Sumerian embassy. Barely did the spy see wisps of smoke rising above the building than he ran to give the alarm: A report! Among the secret policemen there was no doubt that the message had something to do with the pyramid; but when they thought that these devilish signs had nothing to do with sacrosanct Egyptian hieroglyphs, then their exasperation stuck in their gullets. The Canaanite ambassador, on the other hand, deserved to be kissed on the forehead. He was a bit of a plodder, to be sure, like all those desert people, but he did not lower himself to such madness. He hammered on stone, bang-bang, like an idiot, all week long, he could be heard as far away as the Foreign Ministry, but he did not demean himself with garlic, women’s panties, or oven-baked clay.

It was henceforth obvious that news of the pyramid’s construction had spread faster than could easily be imagined, not only throughout the two Egypts but also in neighboring lands. The event was judged to be of universal importance, and the first reports from Egyptian plenipotentiaries revealed that the information had everywhere caused great excitement, Cheops himself read and reread these messages many times over. What had surprised him at first, namely the approval of the pyramid plan by Egypt’s very enemies, now seemed, after the explanations given him by Hemiunu and especially by Djedi the magician, perfectly logical. To be sure, Egypt was disliked, and the weakening of the State would be welcomed; nonetheless, an Egypt without pyramids, an apyramidal kingdom (as Egypt’s enemies called it among themselves) would have struck them, at all events, as even more redoubtable. They feared that a slackening of the State, possibly followed by a rebellion might have repercussions for them, as had occurred seventy years earlier, when, before they could rejoice at the weakening of the Pharaoh, the hurricane that had swept their neighbor away had almost carried them off as well.

The magician was of the view that, instead of subscribing to the arguments of the senile functionaries in the Foreign Ministry, Cheops should cease to disparage the canals of Mesopotamia, Despite being made of water and not at all imposing, he insisted, they were of the same essence as Egyptian stone. Digging them required no less suffering than the building of solid monuments. The exhaustion and stupor that they engendered were of the same order.

Other reports revealed that everywhere in Egypt people were talking only of the pyramid and that each individual and each event was systematically thought of in its relation to the great work. Some women remained indifferent to these rumors, believing they were not concerned, until one fine morning they discovered that their husband, their lover, or all their children of school age bar none had to leave for the Abusir quarries — and then you heard tears, or shouts of joy.

It was becoming ever clearer that the claim that it would take a good ten years to build the roads needed for the construction of the pyramid had a double meaning. In fact, the construction of the access routes, above and beyond the actual work, also involved preparing people for the great work, eliminating all their uncertainties, and, above all, bringing them to renounce their previous way of life. And it would be just as hard to arouse enthusiasm and to overcome lassitude, slander, and sabotage.

All were now quite convinced that despite the absence of any trace of the dust that normally accompanies building work, the pyramid had germinated and already grown strong roots. As elusive as a chimera, its premature ghost stalked the land and weighed on the spirit as oppressively as any block of masonry. The pyramid had sent its ghost as a sign, as did all great events, and there were many who impatiently awaited the start of the works in order to escape from this nightmarish apparition.

The leading group of architects now knew that thousands of people who had never drawn the merest sketch were thinking of the pyramid in the same feverish state as they were. After supper, at friends’ houses, they no longer felt quite so proud, nor were they as much the center of everyone’s attention as they had been, “What’s the pressure of masonry you keep on about?” a young painter asked one day of one of the architects, at a little birthday reception, “If you knew what pressure I feel in my stomach. . A thousand times harder to bear than the one you alluded to. .” “But it’s the same one!” someone else interjected, “Don’t you understand? It’s the same weight!”

As if to trace out the pyramid’s invisible plumb lines, inspectors had set off for the four corners of Egypt, Quarries had to be selected before routes could be laid down for the stone to reach the construction site. Fast horse-drawn coaches left Memphis before dawn. Some traveled toward the old seams of Saqqara and Abusir, others to the Sinai desert, where basalt and malachite were to be found. But most of them hastened toward the south, where the most famous quarries were situated. They stopped at Illak and El Bersheh, carried on along the royal road toward Harnoub and Karnak, branched east in the direction of Thebes and Hermonthis, wheeled back toward the west to get to Luxor, then went on down like the wind, skirting Aswan, and, white with dust, rushed headlong, as if’ they were seeking the world’s end, far, far away, to Gebel Barkal, and farther still, toward the banks of the fifth cataract, to the hamlet that was reputed to be the gateway of hell.

Cheops’s orders were categorical: nothing was to be spared for his pyramid, and the stones and basalt were to be brought, if necessary, from the farthest regions.

Day by day the quarry map acquired a great variety of new symbols. All quarries were marked on it: old ones sung by poets in hymns comparing them to mothers, but now barren; disused ones that could be reopened; undug ones that still aroused the inspectors’ imagination. In conversation, and sometimes in their notes and on their maps, they designated these different sites with words and expressions of a feminine kind. As their tours of duty lengthened, so their longing for the body of a woman and the intensity of their desires increased. It was sometimes even reflected in their reports: a quarry would be described as fertile, chubby, well-rounded — or, on the contrary, as sterile, or as having aborted twice already. To such an extent that, had they not first been corrected by the eunuch Toutou, Cheops might have concluded that the reports came to him not from a squad of inspectors but direct from the fleshpots of Luxor.

Cheops kept a close eye on the progress of the operation. Once a week he would visit the room in the palace that had been set aside for the main architects. On the walls there were dozens of papyri bearing all sorts of signs, arrows, and calculations that Hemiunu explained to him in a whisper. The Pharaoh did not breathe a word; everyone had the impression that he was in a hurry for one thing only: to leave.

On one occasion, however, on the day when the model was first exhibited, he did stay a little longer. His eyes filled with a cold gleam. This smooth object of soft limestone presented its white silhouette, while the pyramid itself was still scattered and disseminated throughout Egypt. It was yet but a breath, a ghost, a black haze that would expand to infinite size like the death-rattle of a djinn. Would they manage to contain it, or would it, like a vapor, escape their grasp?

Cheops had a headache. He was worried. Something kept on slipping his mind, returning, then evaporating once more. He could not grasp the exact relationship of that stubby piece of chalk to the pyramid that only existed in anyone’s mind in the state of a vapor, and especially with the third pyramid, the real one, the one that remained to be built. Sometimes the first seemed to him to be sliding between the other two, sometimes it seemed to be darting around in front and behind them like a dybbuk.

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