Ismail Kadare - The Pyramid

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From the Albanian writer who has been short-listed for the Nobel Prize comes a hypnotic narrative of ancient Egypt, a work that is at once a historical novel and an exploration of the horror of untrammeled state power. It is 2600 BC. The Pharaoh Cheops is inclined to forgo the construction of a pyramid in his honor, but his court sages hasten to persuade him otherwise. The pyramid, they tell him, is not a tomb but a paradox: it keeps the Egyptian people content by oppressing them utterly. The pyramid is the pillar that holds power aloft. If it wavers, everything collapses.And so the greatest pyramid ever begins to rise. It is a monument that crushes dozens of men with the placing of each of its tens of thousands of stones. It is the subject of real and imaginary conspiracies that necessitate ruthless purges and fantastic tortures. It is a monster that will consume all Egypt before it swallows the body of Cheops himself. As told by Ismail Kadare, The Pyramid is a tour de force of Kafkaesque paranoia and Orwellian political prophecy. "A haunting meditation on the matter-of-fact brutality of political despotism." — The New York Times Book Review" Kadare's prose glimmers with the magic realism of Gabriel Garcia Marquez." — Los Angeles Times Book Review" One of the most compelling novelists now writing in any language." — Wall Street Journal

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The robbers had left the mummies where they were, thank God, but only by fortunate chance. For the mummies themselves must have been the target of the most shameless intention of all. The mere thought of it made people shiver. No one could say exactly what the robbers had planned to do with the mummies. Some thought they had meant to burn them, as barbarians do. Others reckoned that they would have taken the mummies to the far-off lands in the north, to put them on show, on kinds of platforms, and then auction them. In the highest circles, however, it was thought that this affair had more serious ramifications than appeared at first sight.

What aroused public curiosity above all was the way in which the group’s machinations had been brought to light.

In actual fact, a veil of uncertainty periodically enshrouded the case. The accused, like most educated people, were hardly very vigorous; indeed, they were rather rather puny men, so it was not easy to imagine them handling great levers and shifting huge chunks of pyramidal masonry.

The secret police, concerned at people muttering such things, leaked sufficient details to clarify part of the mystery, specifically concerning how the discovery had been made.

It had all begun in a very ordinary way. For some time already the police had been in possession of a file on a group of scribes who were putting about new and rather bizarre ideas about the history of the State, not in accordance with official thinking. Although the authorities had alerted the palace, the affair had apparently not been considered important, so everything had stayed in the air. However, an anonymous letter — thank heavens, papyrus now allowed people to write letters, and, even more importantly, to deliver them with ease, for a Sumerian would have needed ten or fifteen clay tablets, not to mention other peoples who were still carving on stone and would have needed a pair of buffalo to haul their letter to its addressee, leaving aside all the other nuisances, such as the din of hammer and chisel that would have kept a whole neighborhood awake for a week! — an anonymous letter, then, had warned the Pha-raoh, Mykerinos, of this new danger.

That was all that had been needed to get down to work. One spy and two undercover agents who infiltrated the group collected all the material that was needed, so that one fine morning, before daybreak, the ineluctable result occurred: arrests were made.

The inquiry was set up straight away, in utter secrecy, What the detectives were really after was to know where the young historians had first got their idea of questioning the official history of the realm. When after a variety of forms of torture the historians finally admitted that their crime had had its first beginning in a conversation with grave robbers, the upshot of which had led them to revise their conception of History from top to bottom, they were suspected of thumbing their noses at the authorities. They were put on the rack one more time, and were also the first to be subjected to a new truth-extraction device that had only just received its approval certificate. But although they found it difficult to articulate properly because of their swollen tongues (caused by scorpion stings), they mainly repeated what they had already declared: the idea of rewriting history had been suggested to them by an inebriated robber in a sordid bar called The Crab, They were tortured again, but were as pigheaded as ever, repeating their original version of the story (in writing, at this stage, since their speech had become incomprehensible — as bad as Sumerian!) and also gave away the name of the thief, a certain Abd el-Gourna, also known as One-eye.

The old reprobate was tracked to his lair, but, despite being half-drunk when clapped into irons, he had the wit to make it clear that in reality he had only ever seen the welts on the neck of the mummy of Didoufri in his dreams.

Nonetheless, toward dawn the next day, he finally confessed, and the investigating team took the man in chains back with them to the profaned pyramid. They moved aside the stone that hid the granite panel that blocked the entrance to the main gallery, they went inside, past the vinegar-soaked masks that still lay on the floor, to the funeral chamber where, with bulging eyes, they looked upon the open sarcophagus — when the head palace messenger rushed in after them with an order from the Pharaoh to desist forthwith from inspecting the mummy.

New veils of mystery enshrouded the case thenceforth. But as often happens when too much trouble is taken to keep something secret, the truth trickled out fairly soon, and more or less everything that had been in the historians’ minds became common knowledge. Their plan had indeed been a gruesome one: they had intended laying their hands on all the mummies in the pyramids, transferring them to some discreet lair in Egypt or abroad, and submitting each of their organs to minute examination. From the evidence that they might thus uncover — throttle marks, knife wounds, traces of poison, etc. — they would throw new light on any number of events, whose explanations might then be linked to other prior or subsequent facts, which could reopen the whole established history of the kingdom. History would thus be rewritten into something radically different, and people said that in searching the prisoners’ papers the detectives had come across phrases that might have been intended as book titles or as slogans, such as “History as Revised and Corrected by the Mummies,” “Mummo-History,” or simply “The New History.”

There was a sickness floating in the air. The historians and the grave robber el-Gourna were long since dead and buried, but the disturbance they had caused lived on. Opinions never previously heard of were now uttered in places you would have least expected. At night, for no obvious reason, people with faces painted white wandered around the town. The number of seers and ranters increased dramatically. They could been seen haranguing onlookers in public places for hours on end. The only thing that could shut them up was the sight of the forces of law and order.

Everything was up for grabs, and the pyramids first of all. Now that they had been profaned, it seemed easier to express a view about them. People even began to question the correctness of their stellar orientation, of their locations, of the angles of their slopes. Even more fundamental queries were raised concerning the mysterious numbers and the coded message that they were supposed to contain. If this message was what it was supposed to be, why did it secrete a kind of vertigo?

“Come to your senses,” replied other people — those others who in all times and circumstances take the side of the State, even when they are its victims. “Can one doubt the pyramid? It is the incarnation of Egypt. Without it, Egypt would not be what it is. Egypt might even not be called Egypt.”

Nonsense, replied the doubters, Egypt existed before the pyramids. And has anything so awful befallen the Babylonians, the Greeks, or the Trojans, without their pyramids?

“Shush! Be quiet! You dare to liken the motherland to the handful of peasants that constitute Greece and Troy? If I were you I would ask for a pardon for words like that.”

A time came when the confusion about the pyramids was so great that people began to wonder whether they really existed. They were alleged to be mere phantoms, collective hallucinations, mirages that would simply vanish into thin air one fine day. Some people went in for an even subtler analysis, saying that the pyramids, though they did indeed exist as such, reflected the wrong image of themselves, for there was always either something missing or something extraneous in what could be known of them.

However illogical these arguments may seem, more and more often (not just at dusk or in the half-light of dawn, but in broad daylight too) the pyramids appeared to be turning themselves into insubstantial objects made of air. That was now such a frequent impression that many people acquired the habit of looking toward the horizon each morning on wakings apparently uncertain whether the things would still be there.

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