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Javier Cercas: Soldiers of Salamis

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Javier Cercas Soldiers of Salamis

Soldiers of Salamis: краткое содержание, описание и аннотация

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In the final moments of the Spanish Civil War, fifty prominent Nationalist prisoners are executed by firing squad. Among them is the writer and fascist Rafael Sanchez Mazas. As the guns fire, he escapes into the forest, and can hear a search party and their dogs hunting him down. The branches move and he finds himself looking into the eyes of a militiaman, and faces death for the second time that day. But the unknown soldier simply turns and walks away. Sanchez Mazas becomes a national hero and the soldier disappears into history. As Cercas sifts the evidence to establish what happened, he realises that the true hero may not be Sanchez Mazas at all, but the soldier who chose not to shoot him. Who was he? Why did he spare him? And might he still be alive? 'If you're seeking an example of commanding modern fiction that revisits the landmarks of modern history at the same time as it reveals their long aftermath in ordinary lives, you need look no further than Soldiers of Salamis. It is a novel that, with immense subtlety, humanity and wit, finds small mercies within the big picture of conflict and tragedy. . it does have an epic theme, and an epic sweep, but it achieves a touching and often comic intimacy as well. . Anne McLean's translation captures all the gravity and grace of a novel that crams a broad, rich canvas into a modest frame. Soldiers of Salamis is a study of memory and forgetting, of courage and delusion, as much as a straightforward narrative of wartime victors and victims. It is consistently moving, surprisingly funny, and utterly accessible. And it rewrites the headlines of history on behalf of all of us who will be remembered — if at all — only in the smallest of small print' Boyd Tonkin, Independent 'It is understanding, intelligent, compassionate. It makes Hemingway'sFor Whom the Bell Tolls look like play-acting. . If you were required to read only one book about Spain and its civil war, this should be that book. It requires more than a single reading to value it truly, but that first single reading is marvellous. . this is a novel that will last, one of the few great books to have been made out of the madness of the mid-twentieth century. . written coolly, with wit and humour' Allan Massie, Scotsman 'Splendid. . Soldiers of Salamis redeems the epic genre much neglected in our time' Spectator 'Soldiers of Salamis offers a gentle and often moving reassertion that individual lives and actions matter most, however overwhelming the historical circumstances may seem' Guardian 'Words such as "haunting", "original", "profoundly humane" are used too lightly. But in regard to Javier Cercas' novel, yet more than fiction, they truly apply. This is a masterly parable of political violence, of suffering, but also, and decisively, of the strange logic of compassion and healing. To use another often exploited term: Soldiers of Salamis, humour and all, should become a classic' George Steiner 'With irresistible directness and delicacy, Javier Cercas engages in a quick-witted, tender quest for truth and the possibility of reconciliation in history, in our everyday lives — which happens to be the theme of most great European fiction. He has a fascinating tale to tell, which happens (mostly) to be true. He has written a marvellous novel' Susan Sontag 'His thematic conclusions are powerful and humane. . its moral core is smart and compelling' Publishers Weekly 'It lays bare the virtual impossibility of historical certainty, the whimsicality of fate, the unpredictability and unreliability of memory and the elusiveness of truth. . Cercas perfectly captures the uncanny ways in which a story evolves' Houston Chronicle 'This book is magnificent… one of the best I've read in a long time' Mario Vargas Llosa, El País

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'Why not?'

'Because it sounds like fiction.'

'All wars are full of stories that sound like fiction.'

'Yeah, but doesn't it still seem incredible that a man who's not particularly young, forty-five years old by then, and extremely short-sighted. .?'

'Well, of course. And who would have been in a pitiful state besides.'

'Exactly. Doesn't it seem incredible that a guy like that could manage to escape from such a situation?'

'But why incredible?' The arrival of the wine, cake and coffees didn't interrupt his reasoning. 'Surprising, yes. But not incredible. But you explained all that so well in your article! Remember it was a firing squad en masse. Remember the soldier who had to turn him in and didn't. And remember we're talking about Collell. Have you ever been there?'

I told him I hadn't, and Aguirre began to describe an enormous mass of stone besieged by thick pine forests on limy soil, a vast, mountainous, rough territory, scattered with isolated farms and tiny villages (Torn, Sant Miquel de Campmajor, Fares, Sant Ferriol, Mieres); during the war years numerous escape networks operated in these villages that, in exchange for money (sometimes out of friendship or even political affinities), helped potential victims of revolutionary repression to cross the border, as well as young men of military age who wanted to evade the compulsory conscription ordered by the Republic. According to Aguirre, the area was seething with runaways as well, people who couldn't afford the expenses of escape or didn't manage to make contact with the networks, and stayed under cover in the woods for months or even years.

'So it was the ideal place to hide,' he argued. 'By that point in the war the locals were used to dealing with fugitives, helping them out. Did Ferlosio tell you about the "forest friends"?'

My article finished at the moment the militiaman didn't give Sánchez Mazas away, not a word about the 'forest friends'. I choked on my coffee.

'Do you know about them?' I inquired.

'I know the son of one of them.'

'You're kidding.'

'I'm not kidding. He's called Jaume Figueras, he lives right near here. In Cornellá de Terri.'

'Ferlosio told me the lads who helped Sánchez Mazas were from Cornellá de Terri.'

Aguirre shrugged his shoulders as he picked up the last crumbs of chocolate cake with his fingers.

'You know more than I do then,' he admitted. 'Figueras just told me the gist of the story; but then I wasn't all that interested. I could give you his phone number and you can ask him yourself.'

Aguirre finished his coffee and we paid. We said goodbye on the Rambla, in front of Les Peixeteries Velles Bridge.

Aguirre said he'd call me the following day to give me Figueras' phone number and, as we shook hands, I noticed two smudges of chocolate darkening the corners of his mouth.

'What are you thinking of doing with this?' he asked.

I was verging on telling him to wipe his lips.

'With what?' I said, instead.

'With the Sánchez Mazas story.'

I wasn't thinking of doing anything with it — I was simply curious about it so I told him the truth.

'Nothing?' Aguirre looked at me with his small, nervous, intelligent eyes. 'I thought you were thinking of writing a novel.'

'I don't write novels anymore,' I said. 'Besides, it's not a novel, it's a true story.'

'So was the article,' said Aguirre. 'Did I tell you how much I liked it? I liked it because it was like a compressed tale, except with real characters and situations. . Like a true tale.'

The next day Aguirre called me and gave me Jaume Figueras' phone number. It was a mobile number. Figueras didn't answer, but his voice did, asking me to record a message, so I did: I said my name, my profession, that I knew Aguirre, that I was interested in talking to him about his father, Sánchez Mazas, and the 'forest friends'; I also left my phone number and asked him to call me.

For the next few days I anxiously awaited a call from Figueras, which didn't come. I called him again, I left another message, and went back to waiting. In the meantime I read I was Murdered by the Reds, Pascual Aguilar's book. It was a truculent reminder of the horrors experienced behind Republican lines, just another of the many that appeared in Spain when the war ended, except this one had been published in September 1981. The date, I fear, is not coincidental, for it can be read as both a sort of justification of those involved in the comic-opera coup on 23 February of that year (Pascual quotes several times a revealing phrase that José Antonio Primo de Rivera used to repeat as if it were his own: 'At the eleventh hour it has always been a squad of soldiers that has saved civilization'), and as a warning of the catastrophes to come with the imminent rise of the Socialist Party to power and the symbolic finale of the Transition; surprisingly, the book is very good. Pascual, who'd not had a single one of his 'old shirt' Falangist convictions eroded either by time or the changes that had occurred in Spain, nimbly recounts his adventures during the war, from the moment the military uprising catches him on vacation in a village in Teruel, which falls in the Republican zone, up to a few days after facing the firing squad in Collell — to which he dedicates many pages and fierce attention to detail, including the preceding and following days — when he's liberated by Franco's army, after having spent the war leading the life of a combination of the Scarlet Pimpernel and Henri de Lagardére, first as an active member and later as leader of a Barcelona fifth-column group, and having spent time locked up in the Vallmajor checa. Pascual's book was self-published; it contains several references to Sánchez Mazas, with whom Pascual spent the hours leading up to the execution. Following Aguirre's suggestion, I likewise read Trapiello, and in one of his books discovered that he too told the story of Sánchez Mazas facing the firing squad, and in almost the exact same way I'd heard Ferlosio tell it, except for the fact that, like me in my article or my true tale, he didn't mention the 'forest friends' either. The exact similarity between Trapiello's tale and mine surprised me. I thought Trapiello must have heard it from Ferlosio (or one of Sánchez Mazas' other children, or his wife) and imagined that, having been told so often by Sánchez Mazas in his house, it must have acquired for the family an almost formulaic character, like those perfect comic stories where you can't leave out a single word without spoiling the joke.

I got hold of Trapiello's phone number and called him in Madrid. As soon as I revealed the reason for my call he was very friendly and, although he said it had been years since he'd dealt with Sánchez Mazas, he seemed thrilled that someone was taking an interest in him; I suspected that he didn't consider Sánchez Mazas a good writer, but a great writer. Our conversation lasted over an hour. Trapiello assured me he knew no more about the Collell incident than what he'd written in his book and confirmed that, especially just after the war, many people recounted it.

'It used to turn up quite often in the Barcelona newspapers just after Catalonia was occupied by Franco's troops, and in those of the rest of the country, because it was one of the last outbursts of violence in the Catalan rearguard and they had to take full advantage of it for propaganda,' Trapiello explained. apos;If I'm not mistaken, Ridruejo mentions the incident in his memoirs, and so does Laín. And I must have a Montes article somewhere that also talks about it. . I imagine that for a time Sánchez Mazas went around telling everyone he came across. Obviously it's a brutal story, but, well, I don't know. . I suppose he was such a coward (and everyone knew he was such a coward) that he must have thought this tremendous episode redeemed his cowardice in some way.'

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