Chang-Rae Lee - Aloft

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Aloft: краткое содержание, описание и аннотация

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At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.
Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.
Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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I actually remembered her, or thought I did, as she was one of those fourteen-year-old girls who are physically developed beyond anybody's capacity to handle too well (much less craven adolescents). She had a grown woman's hips and thighs and she had a bigger, fuller chest than any senior girl in the high school.

She was certainly okay-looking but it probably wouldn't have mattered if she looked like Ernest Borgnine she was so built, and like too many girls in her position she probably ended up giving away a bit too much for popularity's or some other sake to those very boys in the school keen on taking as much as they could.

Bobby wasn't one of those, certainly, and I remember they were in a school production together, something called A Med-ley of Shakespeare, featuring bits from three or four of his plays, and maybe their romance lasted a couple weeks at most afterward, I'm sure ending with the requisite study hall dramatics and tears. That night after the funeral Patricia was in a funny kind of mood, which is odd for me to say given that I didn't know her at all. She was sort of laughing to herself and gently poking at my ribs and arms like my sexy cousin Wendy Battaglia used to do at those big Sunday family dinners that nobody ever throws anymore, and when we got to her car, which was parked right in front of our house, she announced she was too drunk to drive and could we maybe sit inside for a little while? I figured that made good sense and by that point I was feeling pretty valorous with all the back slaps and glad hands accrued to me during the evening. I figured my folks would be sound asleep, which they were, as I could hear Ma's high snoring titters, wee-ha, wee-ha.

So I went into the kitchen and put on a pot of coffee for her, but when I turned Patricia Murphy was right there, practically pressing up against me, her chest maybe not any bigger or fuller ten years later but still plenty magnanimous, with a kind of space-age uprightness and pomp that makes you think this is why you live in this confused post-Newtonian world. She asked if I could show her Bobby's room. I didn't think anything of her request, really, or her proximity, and we went up the tight stairs to the second door on the left with the old Polo Grounds poster tacked on it.

Bobby Battle's bedroom, pre-fungus, was as advertised, the picture of American Golden Boy-hood, festooned with pennants and posters of starlets and books on log cabin construction and model rocketry. I thought she'd maybe poke her head in the closet or sit on the bed or try his still supple third baseinan's glove on for size, but she stood apart from me at an awkward distance and then said in a coquettish thespian whisper, "You are merry, my lord." I replied, confused, "Who me?" and before I knew it she fell upon me, down to her knees, swiftly unlatching my belt. And as she took me barely chubby in her dryish small mouth I finally for once that evening thought of my brother, lost somewhere back in Vietnam, his soul wandering the death fields, who would go on forever and ever, like any true titan, through all of our flawed enactments, whether he would wish to or not. And that's when I first really felt what must have been a pang of brotherly lacking, which for me wasn't so much an emptiness as this mysterious prosthetic groan, from down deep. And I was thinking of Daisy, too, of course, and how I'd ever begin to explain myself if she found out, and was just in fact planning a delicate extrication when Pop walked in and caught me and Patricia Murphy, duly arrayed. He could have been angry, certainly, or at least repelled, but he simply looked at her, and then at me, and said like it was quarter to four in the afternoon on a job already running a day behind, "Let's pick it up here, Jerome."

Pop has never mentioned that night, not even in these recent months when it's just that kind of best-forgotten off-color item exclusively crowding his memory, and which he'll tell you all about, over and over again: the time he was playing golf on the Costa del Sol and caught the future King of Spain hocking a loogey in the water cooler on the fourteenth tee, or when he got the clap from a hooker in Kansas City and was afraid to touch Ma for three months, or the time he was out on a big job in North Hills and saw the lady of the house naked in the kitchen, brushing her nipples with salad oil, for no reason he could fathom. He'll tell you his awkward stories of all of us, of his cousins and employees and people on television and especially the politicians he reads about in the stacks of ultraright and left-wing newsletters he subscribes to, the power plays and conspiracies to cover up what he believes runs through everything and everyone, which is corruption, total utter corruption, of heart and mind and of the soul. Only Bobby, no surprise, is not subject, which is fine by me, and maybe even appreciated, because if Pop were exposing him, too, I'd wonder what light or verity was left to him.

For Pop, unlike Bobby, isn't so unconcerned about dying. Sure he talks about having me dive-bomb Donnie into this place, or bribing the nurse's aide to sneak him a couple bottles of Sominex, or dropping the next-door-suite lady friend's curling iron into his bathwater, but in fact he's as death-averse as any striving red-blooded man of his generation (or mine, for that matter), and would always prefer to cling to life forever, even if it meant constant physical misery and a near-vegetative mental state, not to mention the utter depletion of the Battle family reserves. The thing to remember about Pop is that despite the de-nuded superego and messy accidents there is nothing really too wrong with him; his blood pumps at more pacific pressures than mine and his bad cholesterol is lower and he still eats (and normally shits, he assures me) like a draft horse, and as long as he has someone helping him up and down steps and out of loungers and beds so he doesn't fall and break a hip, he might well preside at my funeral, part of me suspecting how it would give him a peculiarly twisted tingle of accomplishment, this last, last patriarchal mumble over his sole surviving issue, finally succumbed.

A soft triple tone goes off in a minor key, like you'll hear over the public address in many Asian airports, which immediately wakes Pop out of his slumber; it's the call for chow in the dining room for those who aren't otherwise being served a tray in bed. Pop points to his robe and I help him with it as he tucks his pontoon-like feet into his slippers. He's unshaven as usual and his oily silvery hair smells like warm beeswax, and though we're the same height he's seeming ever-shorter to me now, the hunch in his shoulders growing more and more vulturesque with each visit.

"How do I look?" Pop says to me, the one thing he'll always ask in earnest.

"Like a man with a plan."

"I'm seeing a woman, you know."

"You mentioned that last time. Who is she again?"

"A looker named Bea. But don't ask me anything else, because I don't know the first thing about her. It's just a lot of hot sex."

"That's great, Pop."

"Don't be such a wiseass, Jerome. At least your old man is getting his share in here. It's the only thing that makes this place bearable. That reminds me. Next time you come bring a bottle of that Astro Glide, and not a dinky-sized one, either. Get the one with the pump."

"Got it."

"That stuff is a miracle. They ought to make it taste better, you know."

"I said I got it, Pop."

"You'll see, when it's your turn. You'll want your whole life lubed up."

"I'm sure I will," I say, thinking how maybe I don't want to wait. "Listen, don't you want to throw on a shirt for dinner?"

"Bea's no uppity broad."

"All right. How about some real pants?"

"Forget it. Let's go, I'm starved."

Down the hallway we go, Pop holding tight on to my arm, and it shocks me to see how unsteady he is. Maybe it's that he's still somewhat sleepy, or it's just part of his well-honed act of late (Decrepitude on Ice), but it is frankly alarming to feel the dire vise-grip of his fingers on my elbow joint, the tremolos of each heaving step, and then to hear the wheezy cardiacal mouth breathing that is all too typical around here at Ivy Acres, these once exuberant smokers and whiskey drinkers and steak eaters now sitting down to three mostly color-free meals a day, easily eaten with a spoon.

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